Author: Philip Rupprecht
Publisher: Cambridge University Press
ISBN: 1139441280
Category : Music
Languages : en
Pages : 370
Book Description
Blending insights from linguistic and social theories of speech, ritual and narrative with music-analytic and historical criticism, Britten's Musical Language offers interesting perspectives on the composer's fusion of verbal and musical utterance in opera and song and provides close interpretative studies of the major scores.
Britten's Musical Language
Author: Philip Rupprecht
Publisher: Cambridge University Press
ISBN: 1139441280
Category : Music
Languages : en
Pages : 370
Book Description
Blending insights from linguistic and social theories of speech, ritual and narrative with music-analytic and historical criticism, Britten's Musical Language offers interesting perspectives on the composer's fusion of verbal and musical utterance in opera and song and provides close interpretative studies of the major scores.
Publisher: Cambridge University Press
ISBN: 1139441280
Category : Music
Languages : en
Pages : 370
Book Description
Blending insights from linguistic and social theories of speech, ritual and narrative with music-analytic and historical criticism, Britten's Musical Language offers interesting perspectives on the composer's fusion of verbal and musical utterance in opera and song and provides close interpretative studies of the major scores.
Music and Sexuality in Britten
Author: Philip Brett
Publisher: Univ of California Press
ISBN: 0520246101
Category : Biography & Autobiography
Languages : en
Pages : 295
Book Description
Publisher description
Publisher: Univ of California Press
ISBN: 0520246101
Category : Biography & Autobiography
Languages : en
Pages : 295
Book Description
Publisher description
On Music
Author: Benjamin Britten
Publisher: Oxford University Press, USA
ISBN: 9780198167143
Category : Music
Languages : en
Pages : 480
Book Description
Benjamin Britten was a most reluctant public speaker. Yet his contributions were without doubt a major factor in the transformation during his lifetime of the structure of the art-music industry. This book, by bringing together all his published articles, unpublished speeches, drafts, and transcriptions of numerous radio interviews, explores the paradox of a reluctant yet influential cultural commentator, artist, and humanist. Whether talking about his own music, about the role of the artist in society, about music criticism, or wading into a debate on Soviet ideology at the height of the cold war, Britten always gave a performance which reinforced the notion of a private man who nonetheless saw the importance of public disclosure.
Publisher: Oxford University Press, USA
ISBN: 9780198167143
Category : Music
Languages : en
Pages : 480
Book Description
Benjamin Britten was a most reluctant public speaker. Yet his contributions were without doubt a major factor in the transformation during his lifetime of the structure of the art-music industry. This book, by bringing together all his published articles, unpublished speeches, drafts, and transcriptions of numerous radio interviews, explores the paradox of a reluctant yet influential cultural commentator, artist, and humanist. Whether talking about his own music, about the role of the artist in society, about music criticism, or wading into a debate on Soviet ideology at the height of the cold war, Britten always gave a performance which reinforced the notion of a private man who nonetheless saw the importance of public disclosure.
Essays on Benjamin Britten from a Centenary Symposium
Author: Quinn Patrick Ankrum
Publisher: Cambridge Scholars Publishing
ISBN: 1443896020
Category : Music
Languages : en
Pages : 340
Book Description
Coming to terms with Britten’s music is no easy task. The complex, often contradictory language associated with Britten’s style likely stems from his double interest in progressive composition and immediate connection with a broad, popular audience – an apparent paradox in the splintered musical culture of the 20th century – as well as from complicated truths in his own life, such as his love for a country that accepted neither his sexuality nor his politics. As a result, the attempt to describe his music can tell us as much about our own biases and the inadequacies of our analytic tools as it does about the music itself. Such audits of our scholarly language and strategies are vital in light of the still-murky view we have of twentieth century music. This opportunity for academic self-reflection is the reason Britten studies such as this book are so important. The essays included here challenge assumptions about musical constructs, relationships between text and music, and the influences of age, spirituality, and personal relationships on compositional technique. Part One offers nine essays originally compiled for a symposium designed to recognize the composer’s unique and varied contributions to music. The authors include performers, musicologists, and music theorists, and their work will appeal to a wide diversity of readers. The topics and methodologies range from archival research and analysis of text and music to theoretical modelling using techniques such as set theory, metric theory, and prolongation. While the papers were initially conceived in isolation from one another, the collaborative focus of the symposium created opportunities for authors to expose points of intersection. This deliberate reconciliation of lines of inquiry has yielded a more balanced and unified collection of essays than typically found in a simple record of proceedings. Furthermore, the chapters presented here benefit from the wealth of Britten research produced since the 2013 centenary. Part Two provides an account of the symposium performances and lecture recitals that accompanied and enriched the academic presentations. The reader will encounter fully the journey taken by symposium presenters, participants, and attendees by reviewing the concerts, lecture recitals, and papers in the context of the full symposium program.
Publisher: Cambridge Scholars Publishing
ISBN: 1443896020
Category : Music
Languages : en
Pages : 340
Book Description
Coming to terms with Britten’s music is no easy task. The complex, often contradictory language associated with Britten’s style likely stems from his double interest in progressive composition and immediate connection with a broad, popular audience – an apparent paradox in the splintered musical culture of the 20th century – as well as from complicated truths in his own life, such as his love for a country that accepted neither his sexuality nor his politics. As a result, the attempt to describe his music can tell us as much about our own biases and the inadequacies of our analytic tools as it does about the music itself. Such audits of our scholarly language and strategies are vital in light of the still-murky view we have of twentieth century music. This opportunity for academic self-reflection is the reason Britten studies such as this book are so important. The essays included here challenge assumptions about musical constructs, relationships between text and music, and the influences of age, spirituality, and personal relationships on compositional technique. Part One offers nine essays originally compiled for a symposium designed to recognize the composer’s unique and varied contributions to music. The authors include performers, musicologists, and music theorists, and their work will appeal to a wide diversity of readers. The topics and methodologies range from archival research and analysis of text and music to theoretical modelling using techniques such as set theory, metric theory, and prolongation. While the papers were initially conceived in isolation from one another, the collaborative focus of the symposium created opportunities for authors to expose points of intersection. This deliberate reconciliation of lines of inquiry has yielded a more balanced and unified collection of essays than typically found in a simple record of proceedings. Furthermore, the chapters presented here benefit from the wealth of Britten research produced since the 2013 centenary. Part Two provides an account of the symposium performances and lecture recitals that accompanied and enriched the academic presentations. The reader will encounter fully the journey taken by symposium presenters, participants, and attendees by reviewing the concerts, lecture recitals, and papers in the context of the full symposium program.
Britten's Musical Language
Author: Philip Ernst Rupprecht
Publisher: Cambridge University Press
ISBN: 9780521631549
Category : Music
Languages : en
Pages : 258
Book Description
Examines Britten's fusion of verbal and musical sound in opera and song.
Publisher: Cambridge University Press
ISBN: 9780521631549
Category : Music
Languages : en
Pages : 258
Book Description
Examines Britten's fusion of verbal and musical sound in opera and song.
Rethinking Britten
Author: Philip Rupprecht
Publisher: Oxford University Press, USA
ISBN: 0199794812
Category : History
Languages : en
Pages : 345
Book Description
This book offers a new account of the composer's enduring popularity. 12 essays by a group of leading senior and emerging scholars offer fresh historical and interpretive contexts for all phases of Britten's career.
Publisher: Oxford University Press, USA
ISBN: 0199794812
Category : History
Languages : en
Pages : 345
Book Description
This book offers a new account of the composer's enduring popularity. 12 essays by a group of leading senior and emerging scholars offer fresh historical and interpretive contexts for all phases of Britten's career.
Benjamin Britten
Author: Peter John Hodgson
Publisher: Psychology Press
ISBN: 9780815317951
Category : Music
Languages : en
Pages : 268
Book Description
This work constitutes the largest and most comprehensive research guide ever published about Benjamin Britten. Entries survey the most significant published materials relating to the composer, including bibliographies, catalogs, letters and documents, conference reports, biographies, and studies of Britten's music.
Publisher: Psychology Press
ISBN: 9780815317951
Category : Music
Languages : en
Pages : 268
Book Description
This work constitutes the largest and most comprehensive research guide ever published about Benjamin Britten. Entries survey the most significant published materials relating to the composer, including bibliographies, catalogs, letters and documents, conference reports, biographies, and studies of Britten's music.
Britten's Children
Author: John Bridcut
Publisher:
ISBN: 9780571228409
Category : Composers
Languages : en
Pages : 334
Book Description
Britten's Children confronts the edgy subject of the composer's obsessional yet strangely innocent relationships with adolescent boys. One of the hallmarks of Benjamin Britten's music is his use of boys' voices, and John Bridcut uses this to create a fresh prism through which to view the composer's life. Interweaving discussion of the music he wrote for and about children with interviews with the boys whom Britten befriended, Bridcut explores the influence of these unique friendships - notably with the late David Hemmings - and how they helped Britten maintain links with his own happy childhood. In a remarkable part of the book Bridcut tells for the first time the full story of Britten's love affair in the 1930s with the 18-year-old German Wulff Scherchen, son of the conductor Hermann Scherchen. As Paul Hoggart of The Times commented, 'this type of love belonged to an emotional landscape that has vanished for ever, and we are the poorer for it'. Since making the film, the author has extended his research to include friendships Britten had with children which have not previously been documented.The documentary Britten's Children won the Royal Philharmonic Society's 2005 Award for Creative Communication: 'this serious and beautiful film explored one aspect of a composer's life in great depth. Avoiding the temptation of sensationalism, Britten's Children was imaginatively researched and both touching and revelatory'.
Publisher:
ISBN: 9780571228409
Category : Composers
Languages : en
Pages : 334
Book Description
Britten's Children confronts the edgy subject of the composer's obsessional yet strangely innocent relationships with adolescent boys. One of the hallmarks of Benjamin Britten's music is his use of boys' voices, and John Bridcut uses this to create a fresh prism through which to view the composer's life. Interweaving discussion of the music he wrote for and about children with interviews with the boys whom Britten befriended, Bridcut explores the influence of these unique friendships - notably with the late David Hemmings - and how they helped Britten maintain links with his own happy childhood. In a remarkable part of the book Bridcut tells for the first time the full story of Britten's love affair in the 1930s with the 18-year-old German Wulff Scherchen, son of the conductor Hermann Scherchen. As Paul Hoggart of The Times commented, 'this type of love belonged to an emotional landscape that has vanished for ever, and we are the poorer for it'. Since making the film, the author has extended his research to include friendships Britten had with children which have not previously been documented.The documentary Britten's Children won the Royal Philharmonic Society's 2005 Award for Creative Communication: 'this serious and beautiful film explored one aspect of a composer's life in great depth. Avoiding the temptation of sensationalism, Britten's Children was imaginatively researched and both touching and revelatory'.
Ideology in Britten's Operas
Author: J. P. E. Harper-Scott
Publisher: Cambridge University Press
ISBN: 1108416365
Category : Music
Languages : en
Pages : 346
Book Description
This thematic examination of Britten's operas focuses on the way that ideology is presented on stage. To watch or listen is to engage with a vivid artistic testament to the ideological world of mid-twentieth-century Britain. But it is more than that, too, because in many ways Britten's operas continue to proffer a diagnosis of certain unresolved problems in our own time. Only rarely, as in Peter Grimes, which shows the violence inherent in all forms of social and psychological identification, does Britten unmistakably call into question fundamental precepts of his contemporary ideology. This has not, however, prevented some writers from romanticizing Britten as a quiet revolutionary. This book argues, in contrast, that his operas, and some interpretations of them, have obscured a greater social and philosophical complicity that it is timely - if at the same time uncomfortable - for his early twenty-first-century audiences to address.
Publisher: Cambridge University Press
ISBN: 1108416365
Category : Music
Languages : en
Pages : 346
Book Description
This thematic examination of Britten's operas focuses on the way that ideology is presented on stage. To watch or listen is to engage with a vivid artistic testament to the ideological world of mid-twentieth-century Britain. But it is more than that, too, because in many ways Britten's operas continue to proffer a diagnosis of certain unresolved problems in our own time. Only rarely, as in Peter Grimes, which shows the violence inherent in all forms of social and psychological identification, does Britten unmistakably call into question fundamental precepts of his contemporary ideology. This has not, however, prevented some writers from romanticizing Britten as a quiet revolutionary. This book argues, in contrast, that his operas, and some interpretations of them, have obscured a greater social and philosophical complicity that it is timely - if at the same time uncomfortable - for his early twenty-first-century audiences to address.
Benjamin Britten Studies
Author: Vicki P. Stroeher
Publisher: Boydell & Brewer
ISBN: 1783271957
Category : Music
Languages : en
Pages : 556
Book Description
The shock of exile / Paul Kildea -- Britten, Paul Bunyan, and American-ness / Vicki P. Stroeher -- Collaborating with Corwin, CBS, and the BBC / Jenny Doctor -- An empire built on shingle / Justin Vickers -- Save me from those suffering boys / Byron Adams -- Britten's (and Pears's) Beloved / Louis Niebur -- Notes of unbelonging / Lloyd Whitesell -- Take these tokens that you may feel us near / Colleen Renihan -- Traces of Nō / Kevin Salfen -- Britten and the augmented sixth / Christopher Mark -- Quickenings of the heart / Philip Rupprecht -- Reviving Paul Bunyan / Danielle Ward-Griffin -- Striking a compromise / Thornton Miller -- From Boosey & Hawkes to Faber Music / Nicholas Clark -- The man himself / Lucy Walker -- Epilogue / Vicki P. Stroeher and Justin Vickers
Publisher: Boydell & Brewer
ISBN: 1783271957
Category : Music
Languages : en
Pages : 556
Book Description
The shock of exile / Paul Kildea -- Britten, Paul Bunyan, and American-ness / Vicki P. Stroeher -- Collaborating with Corwin, CBS, and the BBC / Jenny Doctor -- An empire built on shingle / Justin Vickers -- Save me from those suffering boys / Byron Adams -- Britten's (and Pears's) Beloved / Louis Niebur -- Notes of unbelonging / Lloyd Whitesell -- Take these tokens that you may feel us near / Colleen Renihan -- Traces of Nō / Kevin Salfen -- Britten and the augmented sixth / Christopher Mark -- Quickenings of the heart / Philip Rupprecht -- Reviving Paul Bunyan / Danielle Ward-Griffin -- Striking a compromise / Thornton Miller -- From Boosey & Hawkes to Faber Music / Nicholas Clark -- The man himself / Lucy Walker -- Epilogue / Vicki P. Stroeher and Justin Vickers