Author: William Thomas Stead
Publisher:
ISBN:
Category : Europe
Languages : en
Pages : 656
Book Description
The Review of Reviews
Author: William Thomas Stead
Publisher:
ISBN:
Category : Europe
Languages : en
Pages : 656
Book Description
Publisher:
ISBN:
Category : Europe
Languages : en
Pages : 656
Book Description
Nieuwsblad Voor Den Boekhandel
Author:
Publisher:
ISBN:
Category : Bibliography
Languages : nl
Pages : 938
Book Description
With 1855-1927 are issued and bound: Handelingen van de algemeene vergadering.
Publisher:
ISBN:
Category : Bibliography
Languages : nl
Pages : 938
Book Description
With 1855-1927 are issued and bound: Handelingen van de algemeene vergadering.
American Monthly Review of Reviews
Author: Albert Shaw
Publisher:
ISBN:
Category : Periodicals, English
Languages : en
Pages : 680
Book Description
Publisher:
ISBN:
Category : Periodicals, English
Languages : en
Pages : 680
Book Description
Spinoza's Ethica from Manuscript to Print
Author: Piet Steenbakkers
Publisher:
ISBN: 9789039307557
Category :
Languages : en
Pages : 212
Book Description
Publisher:
ISBN: 9789039307557
Category :
Languages : en
Pages : 212
Book Description
Leiden Oriental Connections
Author: W. Otterspeer
Publisher: BRILL
ISBN: 9789004090224
Category : History
Languages : de
Pages : 422
Book Description
For review see: J. van Goor, in: Bijdragen en mededelingen betreffende de geschiedenis der Nederlanden, jrg. 110, afl. 1 (1995); p. 137-140.
Publisher: BRILL
ISBN: 9789004090224
Category : History
Languages : de
Pages : 422
Book Description
For review see: J. van Goor, in: Bijdragen en mededelingen betreffende de geschiedenis der Nederlanden, jrg. 110, afl. 1 (1995); p. 137-140.
The Fine Private Library of the Late Oliver Henry Perkins, Des Moines, Iowa
Author: Oliver Henry Perkins
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 206
Book Description
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 206
Book Description
The Roycroft Catalog
Revival Type
Author: Paul Shaw
Publisher: Yale University Press
ISBN: 0300219296
Category : Design
Languages : en
Pages : 257
Book Description
An illuminating account of the design inspirations and technical transformations that have shaped the digital typefaces of the 21st century In this fascinating tour through typographic history, Paul Shaw provides a visually rich exploration of digital type revival. Many typefaces from the pre-digital past have been reinvented for use on computers and mobile devices, while other new font designs are revivals of letterforms, drawn from inscriptions, calligraphic manuals, posters, and book jackets. Revival Type deftly introduces these fonts, many of which are widely used, and engagingly tells their stories. Examples include translations of letterforms not previously used as type, direct revivals of metal and wood typefaces, and looser interpretations of older fonts. Among these are variations on classic designs by John Baskerville, Giambattista Bodoni, William Caslon, Firmin Didot, Claude Garamont, Robert Granjon, and Nicolas Jenson, as well as typefaces inspired by less familiar designers, including Richard Austin, Philippe Grandjean, and Eudald Pradell. Updates and revisions of 20th-century classics such as Palatino, Meridien, DIN, Metro, and Neue Haas Grotesk (Helvetica) are also discussed. Handsomely illustrated with annotated examples, archival material depicting classic designs, and full character sets of modern typefaces, Revival Type is an essential introduction for designers and design enthusiasts into the process of reinterpreting historical type.
Publisher: Yale University Press
ISBN: 0300219296
Category : Design
Languages : en
Pages : 257
Book Description
An illuminating account of the design inspirations and technical transformations that have shaped the digital typefaces of the 21st century In this fascinating tour through typographic history, Paul Shaw provides a visually rich exploration of digital type revival. Many typefaces from the pre-digital past have been reinvented for use on computers and mobile devices, while other new font designs are revivals of letterforms, drawn from inscriptions, calligraphic manuals, posters, and book jackets. Revival Type deftly introduces these fonts, many of which are widely used, and engagingly tells their stories. Examples include translations of letterforms not previously used as type, direct revivals of metal and wood typefaces, and looser interpretations of older fonts. Among these are variations on classic designs by John Baskerville, Giambattista Bodoni, William Caslon, Firmin Didot, Claude Garamont, Robert Granjon, and Nicolas Jenson, as well as typefaces inspired by less familiar designers, including Richard Austin, Philippe Grandjean, and Eudald Pradell. Updates and revisions of 20th-century classics such as Palatino, Meridien, DIN, Metro, and Neue Haas Grotesk (Helvetica) are also discussed. Handsomely illustrated with annotated examples, archival material depicting classic designs, and full character sets of modern typefaces, Revival Type is an essential introduction for designers and design enthusiasts into the process of reinterpreting historical type.
The Seduction of Culture in German History
Author: Wolf Lepenies
Publisher: Princeton University Press
ISBN: 9780691121314
Category : History
Languages : en
Pages : 272
Book Description
During the Allied bombing of Germany, Hitler was more distressed by the loss of cultural treasures than by the leveling of homes. Remarkably, his propagandists broadcast this fact, convinced that it would reveal not his callousness but his sensitivity: the destruction had failed to crush his artist's spirit. It is impossible to begin to make sense of this thinking without understanding what Wolf Lepenies calls The Seduction of Culture in German History. This fascinating and unusual book tells the story of an arguably catastrophic German habit--that of valuing cultural achievement above all else and envisioning it as a noble substitute for politics. Lepenies examines how this tendency has affected German history from the late eighteenth century to today. He argues that the German preference for art over politics is essential to understanding the peculiar nature of Nazism, including its aesthetic appeal to many Germans (and others) and the fact that Hitler and many in his circle were failed artists and intellectuals who seem to have practiced their politics as a substitute form of art. In a series of historical, intellectual, literary, and artistic vignettes told in an essayistic style full of compelling aphorisms, this wide-ranging book pays special attention to Goethe and Thomas Mann, and also contains brilliant discussions of such diverse figures as Novalis, Walt Whitman, Leo Strauss, and Allan Bloom. The Seduction of Culture in German History is concerned not only with Germany, but with how the German obsession with culture, sense of cultural superiority, and scorn of politics have affected its relations with other countries, France and the United States in particular.
Publisher: Princeton University Press
ISBN: 9780691121314
Category : History
Languages : en
Pages : 272
Book Description
During the Allied bombing of Germany, Hitler was more distressed by the loss of cultural treasures than by the leveling of homes. Remarkably, his propagandists broadcast this fact, convinced that it would reveal not his callousness but his sensitivity: the destruction had failed to crush his artist's spirit. It is impossible to begin to make sense of this thinking without understanding what Wolf Lepenies calls The Seduction of Culture in German History. This fascinating and unusual book tells the story of an arguably catastrophic German habit--that of valuing cultural achievement above all else and envisioning it as a noble substitute for politics. Lepenies examines how this tendency has affected German history from the late eighteenth century to today. He argues that the German preference for art over politics is essential to understanding the peculiar nature of Nazism, including its aesthetic appeal to many Germans (and others) and the fact that Hitler and many in his circle were failed artists and intellectuals who seem to have practiced their politics as a substitute form of art. In a series of historical, intellectual, literary, and artistic vignettes told in an essayistic style full of compelling aphorisms, this wide-ranging book pays special attention to Goethe and Thomas Mann, and also contains brilliant discussions of such diverse figures as Novalis, Walt Whitman, Leo Strauss, and Allan Bloom. The Seduction of Culture in German History is concerned not only with Germany, but with how the German obsession with culture, sense of cultural superiority, and scorn of politics have affected its relations with other countries, France and the United States in particular.