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Author: Publisher: ISBN: 9781880146941 Category : Art, American Languages : en Pages : 0
Book Description
Catalog of an exhibition held November 7-December 24, 2015 at Matthew Marks Gallery, New York City, and January 23-April 9, 2016 at Matthew Marks Gallery, Los Angeles.
Author: Publisher: ISBN: 9781880146941 Category : Art, American Languages : en Pages : 0
Book Description
Catalog of an exhibition held November 7-December 24, 2015 at Matthew Marks Gallery, New York City, and January 23-April 9, 2016 at Matthew Marks Gallery, Los Angeles.
Author: Gary Garrels Publisher: The Museum of Modern Art ISBN: 9780870704468 Category : Architecture Languages : en Pages : 346
Book Description
Brice Marden: A Retrospective ISBN 0-87070-446-X / 978-0-87070-446-8 Hardcover, 11.5 x 9.5 in. / 240 pgs / 248 color. / U.S. $60.00 CDN $72.00 October / Art
Author: Kelly Montana Publisher: Menil Drawing Institute ISBN: 9780300233131 Category : Art Languages : en Pages : 0
Book Description
An exploration of Brice Marden's draftsmanship and the catalytic role the medium of drawing plays in his larger oeuvre In 1979, Brice Marden (b. 1938) asked that his drawings be thought of "as spaces," reflecting the idea that drawing is a medium that is much more than its two physical dimensions. Looking closely at six series of drawings that span nearly the entirety of Marden's ongoing career, this luxuriously illustrated presentation features works spanning from 1975 to 2019, including the never-before-published Letters from Borobudur of 2010. In addition to rarely seen early monochrome works, three groups of 1979-80s drawings--Mirabelle Addenda, Shell, and Cold Mountain Studies--foreshadow the artist's mature linear work and highlight the process of invention and permutation that occurs as Marden thinks and draws on paper. A concise overview of Marden's drawing practice investigates the geographies and methods that inform his work, while an artist interview offers insight into how Marden uses the medium as a means of exploring the creation of spaces on drawing surfaces. Distributed for the Menil Collection Exhibition Schedule: Menil Drawing Institute, the Menil Collection, Houston (February 21-October 11, 2020)
Author: Laura Garrard Publisher: ISBN: 9781861714428 Category : Art Languages : en Pages : 220
Book Description
COLORFIELD PAINTING: MINIMAL, COOL, HARD EDGE, SERIAL AND POST-PAINTERLY ABSTRACT ART OF THE SIXTIES TO THE PRESENT Painting in the 1960s produced some of art's most lyrical and distinctive works: it was termedColorfield, Hard Edge, Minimal, and post-painterly abstraction, and was linked with Pop Art, Op (or optical) Art, chromatic art, kinetic abstraction, wholistic art, pure-painting, geometric abstraction, ABC Art, Cool Art, Non-gestural Painting, Non- Relationalism, Abstract Mannerism and Abstract Sublime painting. The painters linked in this new study with 'Colorfield', 'Hard Edge' 'Minimal' and 'Post-Painterly Abstraction' painting include Minimal artists such as Brice Marden, Sol LeWitt, Agnes Martin, Ad Reinhardt and Robert Ryman; Colorfield painters such as Helen Frankenthaler, Kenneth Noland, Sam Gilliam and Morris Louis; post-painterly abstractionists such as Frank Stella, David Novros, Richard Diebenkorn, Al Held, Jo Baer and Jules Olitski; and Hard Edge painters such as Ellsworth Kelly, Robert Mangold, Joseph Albers and Elisabeth Murray. Colorfield, Minimal, Hard Edge and Post-Painterly Abstract painting had a distinctly American (and New York) flavour to it, even if it was not produced in America or by US artists. In Bruce Glaser's "Questions to Andre and Judd," Donald Judd continually stressed the point that the new (Minimal) art was definitely American and non-European. The New World not the Old World. Time and again Judd insisted that the new art was to trying to get away from the European tradition. 'It suits me fine if that's all down the drain', Judd said. 'I'm totally uninterested in European art and I think it's over with.' Many of the Colorfield and Sixties painters have made extremely brilliantly colorful works in the 1960s, then turned back to the sombre colors of grey and black in the late 1980s and 1990s. Painters such as Brice Marden, Frank Stella, Jasper Johns and Jules Olitski are ambiguous about saturated color: they moved back and forth from monochrome greys and blacks to full color. In the late 1980s and the 1990s, painters such as Frank Stella, Ellsworth Kelly, Jules Olitski and Larry Poons moved from bright color to muted monochrome. Mid-1990s works by Frank Stella were unpainted, using instead the natural colors of metal and wood; Brice Marden turned from his luscious monochromes of the 1970s and 1980s to the black-and-white of Chinese calligraphy in the Cold Mountain series and other works. AUTHOR'S NOTE: There are chapters on each of the key painters of the 1960s, whose works continue to inspire and entertain. I have revised the book for this edition, bringing it up to date. I hope readers will discover some new insights into many of their favourite artists. Fully illustrated, with notes and bibliography. Large format. 220 pages. ISBN 9781861714428. This third edition has been completely rewritten. www.crmoon.com
Author: Laura Garrard Publisher: ISBN: Category : Art, Abstract Languages : en Pages : 240
Book Description
Studie over de variant binnen de abstract-expressionistische schilderkunst in de Verenigde Staten die 'colorfield painting' genoemd wordt.
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Author: Brice Marden
Author: Deborah Wye
Author: Brice Marden
Author: Gary Garrels
Author: Kelly Montana
Author: Laura Garrard
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Author: Laura Garrard
Author: Dave Beech