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Author: Ashleigh Wilson Publisher: Text Publishing ISBN: 1925355233 Category : Biography & Autobiography Languages : en Pages : 484
Book Description
When he died in 1992 Brett Whiteley left behind decades of ceaseless activity—some works bound to a particular place or time, others that are masterpieces of light and line. Whiteley had arrived in Europe in 1960 determined to make an impression. Before long he was the youngest artist to have work acquired by the Tate. With his wife, Wendy, and daughter, Arkie, Whiteley then immersed himself in bohemian New York. But within two years he fled, having failed to break through. Back in Sydney, he soon became Australia’s most celebrated artist. He won the Archibald, Wynne and Sulman prizes in the same year—his prices soared, as did his fame. Among his friends were Francis Bacon and Patrick White, Billy Connolly and Dire Straits. Yet addiction was taking its toll: Whiteley struggled in vain to separate his talent from his disease, and an inglorious end approached. Written with unprecedented behind-the-scenes access, and handsomely illustrated with classic Whiteley artworks, rare notebook sketches and candid family photos, this dazzling biography reveals for the first time the full portrait of a mercurial artist.
Author: Barry Pearce Publisher: Thames & Hudson ISBN: 9780500092521 Category : Art Languages : en Pages : 240
Book Description
Brett Whiteley died in 1992 at the age of fifty-three, ending one of the most prodigious careers in the history of Australian art. He attended Julian Ashton's school in Sydney during the late 1950s while working at the advertising agency Lintas, and then made an impact on the Australian art world just as it was receiving unprecedented international attention. Whiteley achieved wide recognition, spending a long period abroad, exhibiting paintings, drawings and sculpture in Britain, Europe and the United States, before returning to Sydney permanently at the end of 1969. His years in London were particularly formative, when he came into contact with many of the art world's most influential figures, including members of the Abstract Expressionist and Pop Art movements. Whiteley's early paintings startled critics and fellow artists with their sensuality of color and erotic under-drawing. At the root of all Whiteley's work was a draftsmanship of stunning virtuosity, capable of capturing all the poetic arabesque of a river in a single sweeping line of brush and ink, or the erotic curves of the human body in a few searching strokes of charcoal. This book, published to coincide with an exhibition at The Art Gallery of New South Wales - the first major retrospective of the artist's work - presents an illuminating evaluation of Whiteley's achievement. Works dating from the 1950s until the last years of his life, illustrated in 180 color plates, allow Whiteley's fascinating career to be surveyed in its entirety.
Author: Gabriella Coslovich Publisher: ISBN: 9781525271106 Category : Languages : en Pages : 600
Book Description
"It was a cause celebre: the biggest case of alleged art fraud to come before the Australian criminal justice system, a $4.5 million sting drawing in one of the country's most gifted and ultimately tragic artists, Brett Whiteley, a heroin addict who died alone in 1992.It started with suspicions raised about artworks being produced in the style of Whiteley in a Melbourne art restorer's studio. Secret photographs were taken as the paintings took form.A jury finds two men guilty of faking Whiteleys, but a year later the appeal bench sensationally acquits them. The paintings are returned to their owners, leaving the legitimacy of the artworks in limbo. Whiteley on Trial investigates this remarkable case and exposes the avarice of the art world, the disdain for connoisseurship and the fragility of authenticity."
Author: Ashleigh Wilson Publisher: Hachette Australia ISBN: 0733644414 Category : Literary Collections Languages : en Pages : 104
Book Description
If we denounce the artist, then what becomes of the work that remains? The #MeToo movement is overturning a cliché that has forgiven bad behaviour for years: to be creative is to be prone to eccentricity, madness, addiction and excess. No longer can artists be excused from the standards of conduct that apply to us all
Author: Barry Pearce Publisher: ISBN: 9780500285480 Category : Painters Languages : en Pages : 240
Book Description
Brett Whiteley was one of the most dynamic and talented artists in the history of Australian art, an artist whose recognition had spread worldwide before his untimely death in 1992. Early in his career he established a name for himself in London, exhibiting at the Whitechapel Art Gallery and coming into contact with many British painters - Francis Bacon and David Hockney among others. His early paintings startled critics and fellow artists, but even at that point, two basic subjects were evident: the landscape and the nude, elements which became the mainstay of his oeuvre. At the root of all Whiteley's work was a draughtsmanship of stunning virtuosity, capable of capturing all the poetic arabesque of a river in a single sweeping line of brush and ink, or the erotic curves of the human body in a few searching strokes of charcoal. This volume presents an illuminating evaluation of Whiteley's achievement. Works dating from the 1950s to the last years of his life, illustrated in over 180 colour plates, allow Whiteley's career to be surveyed in its entirety. comprehensive overview of Whiteley's life and art; Bryan Robertson offers an impression of the artist's years in London; and Wendy Whiteley, the artist's wife and companion for over three decades, contributes an intimate portrait of the man behind the work. Superbly illustrated and produced, Brett Whiteley: Art & Life is a fitting tribute to one of Australia's most significant artists, a man whose outstanding work excites, amazes and impresses us no less now than it did when first created.
Author: Ashleigh Wilson Publisher: Text Publishing ISBN: 1922253812 Category : Biography & Autobiography Languages : en Pages : 584
Book Description
When he died in 1992 Brett Whiteley left behind decades of ceaseless activity—some works bound to a particular place or time, others that are masterpieces of light and line. Whiteley had arrived in Europe in 1960 determined to make an impression. Before long he was the youngest artist to have work acquired by the Tate. With his wife, Wendy, and daughter, Arkie, Whiteley then immersed himself in bohemian New York. But within two years he fled, having failed to break through. Back in Sydney, he soon became Australia’s most celebrated artist. He won the Archibald, Wynne and Sulman prizes in the same year—his prices soared, as did his fame. Among his friends were Francis Bacon and Patrick White, Billy Connolly and Dire Straits. Yet addiction was taking its toll: Whiteley struggled in vain to separate his talent from his disease, and an inglorious end approached. Written with unprecedented behind-the-scenes access, and handsomely illustrated with classic Whiteley artworks, rare notebook sketches and candid family photos, this dazzling biography reveals for the first time the full portrait of a mercurial artist. Ashleigh Wilson has been a journalist for almost two decades. He began his career at the Australian in Sydney before spending several years in Brisbane, covering everything from state politics to the Hollingworth crisis to indigenous affairs. He then moved north to become the paper's Darwin correspondent, a posting bookended by the Falconio murder trial and the Howard government’s intervention in remote Aboriginal communities. During that time he won a Walkley Award for reports on unethical behaviour in the Aboriginal art industry, a series that led to a Senate inquiry. He returned to Sydney in 2008 and has been the paper’s Arts Editor since 2011. He lives in Sydney. ‘Ashleigh Wilson has produced an intriguing, absorbing and assured account of Brett Whiteley’s life and work’. Mark Knopfler ‘With relentless precision, Ashleigh Wilson has provided a peerless grasp of the life and genius of Brett Whiteley. This storied journey of one of Australia’s most mercurial twentieth-century artists will be impossible for the reader to put aside until it is finished. It is the dispassionate biography Whiteley has long needed: a career clarified from the brilliant clouds of myth.’ Barry Pearce, Emeritus Curator of Australian Art at the Art Gallery of NSW ‘A full-dress life of Whiteley that speeds and soars and never ceases to do homage to the colossal confrontation and contradiction the artist represents...Wilson has written that rarest of things, a 400-page biography that is hard to put down...[It] will make you weep for this exasperation of a man and hunger for his art.’ Australian ‘An essential and invaluable resource for any Whiteley scholar...Wilson’s achievement is considerable...Ashleigh Wilson’s Brett Whiteley: Art, Life and the Other Thing is a benchmark publication in Whiteley studies.’ Sydney Review of Books ‘The best biography I read [this year] was Ashleigh Wilson’s Brett Whiteley: Art, Life and the Other Thing...Combines journalistic rigour and personal compassion his landmark account of one of our greatest artists.’ Australian ‘Ashleigh Wilson’s biography of Brett Whiteley is hard to put down. The narrative hums along beautifully, allowing readers a rare insight into Whiteley’s complex genius. A colossal undertaking, helped by extraordinary access. Wilson has delivered readers—and history—an absorbing, detailed and fascinating read.’ Walkley Magazine ‘Ashleigh Wilson methodically tracks this mercurial artist from early family days to his final years—a motley of sex, drugs and rock’n’roll, and importantly, art.’ Art Almanac