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Brecht, Music and Culture

Brecht, Music and Culture PDF Author: Hans Bunge
Publisher: Bloomsbury Publishing
ISBN: 1472534417
Category : Performing Arts
Languages : en
Pages : 313

Book Description
The Austrian composer Hanns Eisler was Bertolt Brecht's closest friend and most politically committed collaborator. In these conversations with Hans Bunge which took place over a period of four years, from 1958 until his death in 1962, Eisler offers a compelling and absorbing account of his and Brecht's period of exile in Europe and the USA between 1933 and 1947, and of the quality of artistic, social and intellectual life in post-war East Germany. Brecht, Music and Culture includes a discussion of a number of Brecht's principal plays, including Life of Galileo and The Caucasian Chalk Circle, considers the place of music in Brecht's work and discusses the time that Brecht was brought before The House of Un-American Activities Committee. It includes lively accounts of Brecht's meetings with key cultural figures, including Arnold Schönberg, Charlie Chaplin and Thomas Mann, and offers throughout a sustained response to the question of the purpose of art in a time of political turmoil. Throughout the conversations, Eisler provides illuminating and original insights into Brecht's work and ideas and gives a highly entertaining first-hand account of his friend's personality and attitudes. First published in Germany in 1975, and now published in English for the first time, the conversations provide a fascinating account of the lives and work of two of the twentieth century's greatest artists.

Brecht, Music and Culture

Brecht, Music and Culture PDF Author: Hans Bunge
Publisher: Bloomsbury Publishing
ISBN: 1472534417
Category : Performing Arts
Languages : en
Pages : 313

Book Description
The Austrian composer Hanns Eisler was Bertolt Brecht's closest friend and most politically committed collaborator. In these conversations with Hans Bunge which took place over a period of four years, from 1958 until his death in 1962, Eisler offers a compelling and absorbing account of his and Brecht's period of exile in Europe and the USA between 1933 and 1947, and of the quality of artistic, social and intellectual life in post-war East Germany. Brecht, Music and Culture includes a discussion of a number of Brecht's principal plays, including Life of Galileo and The Caucasian Chalk Circle, considers the place of music in Brecht's work and discusses the time that Brecht was brought before The House of Un-American Activities Committee. It includes lively accounts of Brecht's meetings with key cultural figures, including Arnold Schönberg, Charlie Chaplin and Thomas Mann, and offers throughout a sustained response to the question of the purpose of art in a time of political turmoil. Throughout the conversations, Eisler provides illuminating and original insights into Brecht's work and ideas and gives a highly entertaining first-hand account of his friend's personality and attitudes. First published in Germany in 1975, and now published in English for the first time, the conversations provide a fascinating account of the lives and work of two of the twentieth century's greatest artists.

The Collected Poems of Bertolt Brecht

The Collected Poems of Bertolt Brecht PDF Author: Bertolt Brecht
Publisher: Liveright Publishing
ISBN: 087140768X
Category : Poetry
Languages : en
Pages : 1606

Book Description
Times Literary Supplement • Books of the Year ("The most generous available English collection of Brecht’s poetry.") A landmark literary event, The Collected Poems of Bertolt Brecht is the most extensive English translation of Brecht’s poetry to date. Widely celebrated as the greatest German playwright of the twentieth century, Bertolt Brecht was also, as George Steiner observed, “that very rare phenomenon, a great poet, for whom poetry is an almost everyday visitation and drawing of breath.” Hugely prolific, Brecht also wrote more than two thousand poems—though fewer than half were published in his lifetime, and early translations were heavily censored. Now, award-winning translators David Constantine and Tom Kuhn have heroically translated more than 1,200 poems in the most comprehensive English collection of Brecht’s poetry to date. Written between 1913 and 1956, these poems celebrate Brecht’s unquenchable “love of life, the desire for better and more of it,” and reflect the technical virtuosity of an artist driven by bitter and violent politics, as well as by the untrammeled forces of love and erotic desire. A monumental achievement and a reclamation, The Collected Poems of Bertolt Brecht is a must-have for any lover of twentieth-century poetry.

The Complete Brecht Toolkit

The Complete Brecht Toolkit PDF Author: Stephen Unwin
Publisher:
ISBN: 9781854595508
Category : Theater
Languages : en
Pages : 0

Book Description
"Examines, one by one, Brecht's many, sometimes contradictory ideas about theatre - and how he put them into practice. Here are explanations of all the famous key terms, such as Alienation Effect, Epic Theatre and Gestus, as well as the many others which go to make up what we think of as 'Brechtian theatre'. There follows a section which looks at the practical application of these theories in Acting, Language, Music, Design and Direction."--P. [4] of cover.

Bertolt Brecht and Music

Bertolt Brecht and Music PDF Author: Michael John Tyler Gilbert
Publisher:
ISBN:
Category :
Languages : en
Pages : 350

Book Description


Music and the Environment in Dystopian Narrative

Music and the Environment in Dystopian Narrative PDF Author: Heidi Hart
Publisher: Springer
ISBN: 3030018156
Category : Literary Criticism
Languages : en
Pages : 110

Book Description
Music and the Environment in Dystopian Narrative: Sounding the Disaster investigates the active role of music in film and fiction portraying climate crisis. From contemporary science fiction and environmental film to “Anthropocene opera,” the most arresting eco-narratives draw less on background music than on the power of sound to move fictional action and those who receive it. Beginning with a reflection on a Mozart recording on the 1970s’ Voyager Golden Record, this book explores links between music and violence in Lidia Yuknavitch’s 2017 novel The Book of Joan, songless speech in the opera Persephone in the Late Anthropocene, interrupted lyricism in the eco-documentary Expedition to the End of the World, and dread-inducing hurricane music in the Brecht-Weill opera Rise and Fall of the City of Mahagonny. In all of these works, music allows for a state of critical vulnerability in its hearers, communicating planetary crisis in an embodied way.

Bertolt Brecht in Context

Bertolt Brecht in Context PDF Author: Stephen Brockmann
Publisher: Cambridge University Press
ISBN: 1108634141
Category : Drama
Languages : en
Pages : 676

Book Description
Bertolt Brecht in Context examines Brecht's significance and contributions as a writer and the most influential playwright of the twentieth century. It explores the specific context from which he emerged in imperial Germany during the late nineteenth and early twentieth centuries, as well as Brecht's response to the turbulent German history of the twentieth century: World Wars One and Two, the Weimar Republic, the Nazi dictatorship, the experience of exile, and ultimately the division of Germany into two competing political blocs divided by the postwar Iron Curtain. Throughout this turbulence, and in spite of it, Brecht managed to remain extraordinarily productive, revolutionizing the theater of the twentieth century and developing a new approach to language and performance. Because of his unparalleled radicalism and influence, Brecht remains controversial to this day. This book – with a Foreword by Mark Ravenhill – lays out in clear and accessible language the shape of Brecht's contribution and the reasons for his ongoing influence.

Written After a Massacre in the Year 2018

Written After a Massacre in the Year 2018 PDF Author: Daniel Borzutzky
Publisher: Coffee House Press
ISBN: 1566896053
Category : Poetry
Languages : en
Pages : 82

Book Description
In Written after a Massacre, Daniel Borzutzky rages against the military industrial complex that profits from violence, against the unfair policing of certain kinds of bodies, against xenophobia passing for immigration policy. He grieves for the children in cages and the martyrs of the Tree of Life synagogue shooting in Pittsburg. But pulsing amid Borzutzky’s outrage over our era’s tragedies is a longing for something better: for generosity to triumph over stinginess and for peace to transform injustice.

Brecht, Turkish Theater, and Turkish-German Literature

Brecht, Turkish Theater, and Turkish-German Literature PDF Author: Ela E. Gezen
Publisher: Boydell & Brewer
ISBN: 1640140247
Category : Drama
Languages : en
Pages : 176

Book Description
Uncovers the central role of Brecht reception in Turkish theater and Turkish-German literature, examining interactions between Turkish and German writers, texts, and contexts.

The Brecht Yearbook / Das Brecht-Jahrbuch 40

The Brecht Yearbook / Das Brecht-Jahrbuch 40 PDF Author: Theodore F. Rippey
Publisher: Boydell & Brewer
ISBN: 0985195630
Category : Drama
Languages : en
Pages : 266

Book Description
Newest volume of the central scholarly forum for discussion of Brecht and aspects of theater and literature of particular interest to him, especially the politics of literature and theater in a global context.

This is the Sound of Irony: Music, Politics and Popular Culture

This is the Sound of Irony: Music, Politics and Popular Culture PDF Author: Katherine L. Turner
Publisher: Routledge
ISBN: 131701054X
Category : Music
Languages : en
Pages : 274

Book Description
The use of irony in music is just beginning to be defined and critiqued, although it has been used, implied and decried by composers, performers, listeners and critics for centuries. Irony in popular music is especially worthy of study because it is pervasive, even fundamental to the music, the business of making music and the politics of messaging. Contributors to this collection address a variety of musical ironies found in the ’notes themselves,’ in the text or subtext, and through performance, reception and criticism. The chapters explore the linkages between irony and the comic, the tragic, the remembered, the forgotten, the co-opted, and the resistant. From the nineteenth to twenty-first centuries, through America, Europe and Asia, this provocative range of ironies course through issues of race, religion, class, the political left and right, country, punk, hip hop, folk, rock, easy listening, opera and the technologies that make possible our pop music experience. This interdisciplinary volume creates new methodologies and applies existing theories of irony to musical works that have made a cultural or political impact through the use of this most multifaceted of devices.