Author: Sam Morgan
Publisher: Glissato Edizioni Musicali
ISBN: 8835855691
Category : Music
Languages : en
Pages : 28
Book Description
Bring the toe-tapping joy of Dixieland jazz to your ensemble with "Bogalusa Strut" by Sam Morgan, arranged with flair for Brass Quintet by Francesco Leone. This intermediate-level arrangement is perfect for musicians looking to capture the exuberant spirit of early jazz while challenging their technical skills in a group setting. This eBook offers a complete score and an array of ten parts for a versatile brass quintet configuration: two B-flat Trumpets, French Horn in F, Trombone, and Tuba. Each part has been carefully crafted to ensure it stays true to the Dixieland style, with syncopated rhythms and lively melodic lines that are the hallmark of this jubilant genre. Acknowledging the diversity of brass ensembles, this arrangement includes alternative parts for E-flat Horn, B-flat Tenor horn/Trombone in treble clef, B-flat Trombone in treble clef, and both E-flat and B-flat Tuba in treble clef. These options offer ensembles the flexibility to tailor their performance to the available instruments and the players' strengths, ensuring that each rendition of the "Bogalusa Strut" is as spirited and authentic as possible. An audio demonstration is conveniently accessible on www.glissato.it, providing an excellent practice tool for ensembles. This demo helps musicians to internalize the groove and style of the piece, ensuring a cohesive and spirited performance. This eBook is an invitation to step back in time to the energetic streets of New Orleans, giving brass quintets the opportunity to explore the roots of jazz in a fun and engaging way. Whether for performance or pleasure, "Bogalusa Strut" is a delightful addition to the brass quintet repertoire, sure to bring smiles and swing to any occasion.
Brass Quintet: Bogalusa Strut (score & parts)
Author: Sam Morgan
Publisher: Glissato Edizioni Musicali
ISBN: 8835855691
Category : Music
Languages : en
Pages : 28
Book Description
Bring the toe-tapping joy of Dixieland jazz to your ensemble with "Bogalusa Strut" by Sam Morgan, arranged with flair for Brass Quintet by Francesco Leone. This intermediate-level arrangement is perfect for musicians looking to capture the exuberant spirit of early jazz while challenging their technical skills in a group setting. This eBook offers a complete score and an array of ten parts for a versatile brass quintet configuration: two B-flat Trumpets, French Horn in F, Trombone, and Tuba. Each part has been carefully crafted to ensure it stays true to the Dixieland style, with syncopated rhythms and lively melodic lines that are the hallmark of this jubilant genre. Acknowledging the diversity of brass ensembles, this arrangement includes alternative parts for E-flat Horn, B-flat Tenor horn/Trombone in treble clef, B-flat Trombone in treble clef, and both E-flat and B-flat Tuba in treble clef. These options offer ensembles the flexibility to tailor their performance to the available instruments and the players' strengths, ensuring that each rendition of the "Bogalusa Strut" is as spirited and authentic as possible. An audio demonstration is conveniently accessible on www.glissato.it, providing an excellent practice tool for ensembles. This demo helps musicians to internalize the groove and style of the piece, ensuring a cohesive and spirited performance. This eBook is an invitation to step back in time to the energetic streets of New Orleans, giving brass quintets the opportunity to explore the roots of jazz in a fun and engaging way. Whether for performance or pleasure, "Bogalusa Strut" is a delightful addition to the brass quintet repertoire, sure to bring smiles and swing to any occasion.
Publisher: Glissato Edizioni Musicali
ISBN: 8835855691
Category : Music
Languages : en
Pages : 28
Book Description
Bring the toe-tapping joy of Dixieland jazz to your ensemble with "Bogalusa Strut" by Sam Morgan, arranged with flair for Brass Quintet by Francesco Leone. This intermediate-level arrangement is perfect for musicians looking to capture the exuberant spirit of early jazz while challenging their technical skills in a group setting. This eBook offers a complete score and an array of ten parts for a versatile brass quintet configuration: two B-flat Trumpets, French Horn in F, Trombone, and Tuba. Each part has been carefully crafted to ensure it stays true to the Dixieland style, with syncopated rhythms and lively melodic lines that are the hallmark of this jubilant genre. Acknowledging the diversity of brass ensembles, this arrangement includes alternative parts for E-flat Horn, B-flat Tenor horn/Trombone in treble clef, B-flat Trombone in treble clef, and both E-flat and B-flat Tuba in treble clef. These options offer ensembles the flexibility to tailor their performance to the available instruments and the players' strengths, ensuring that each rendition of the "Bogalusa Strut" is as spirited and authentic as possible. An audio demonstration is conveniently accessible on www.glissato.it, providing an excellent practice tool for ensembles. This demo helps musicians to internalize the groove and style of the piece, ensuring a cohesive and spirited performance. This eBook is an invitation to step back in time to the energetic streets of New Orleans, giving brass quintets the opportunity to explore the roots of jazz in a fun and engaging way. Whether for performance or pleasure, "Bogalusa Strut" is a delightful addition to the brass quintet repertoire, sure to bring smiles and swing to any occasion.
War, Politics, and Reconstruction
Author: Henry Clay Warmoth
Publisher: Univ of South Carolina Press
ISBN: 9781570036439
Category : Biography & Autobiography
Languages : en
Pages : 356
Book Description
A new edition of the notorious carpetbagger's personal and political memoir A memoir of the ambitious life and controversial political career of Louisiana governor Henry Clay Warmoth (1842-1931), War, Politics, and Reconstruction is a firsthand account of the political and social machinations of Civil War America and the war's aftermath in one of the most volatile states of the defeated Confederacy. An Illinois native, Warmoth arrived in Louisiana in 1864 as part of the federal occupation forces. Upon leaving military service in 1865, he established himself in private legal practice in New Orleans. Taking full advantage of the chaotic times, Warmoth rapidly amassed fortune and influence, and soon emerged as a leader of the state's Republican Party and, in 1868, was elected governor. Amid an administration rife with scandal and corruption, the Louisiana Republican Party broke into warring factions. Warmoth survived an impeachment attempt in 1872, but a second attempt in 1873 culminated with his removal from office. This fall from Republican grace stemmed from his allegiance with white conservatives, remnants of the old guard, and staunch opponents of those Republicans who sought a wider role for African Americans in Louisiana's changing political landscape. Never again to hold political office, Warmoth remained in his adopted Louisiana, enjoying the fruits of his investments in plantations and sugar refineries. In 1930, the year before his death, he published War, Politics, and Reconstruction, a vindication of his public life and a rebuttal of his reputation as an opportunistic carpetbagger. Despite Warmoth's obvious self-serving biases, the volume offers unparalleled depth of personal insight into the inner workings of Reconstruction government in Louisiana in the words of one of its key architects. A new introduction by John C. Rodrigue places Warmoth's memoir within the broader context of evolving perceptions and historiography of Reconstruction. Rodrigue also offers readers a more balanced portrait of Warmoth by providing supplemental information omitted or slighted by the author in his efforts to cast his actions in the most positive light.
Publisher: Univ of South Carolina Press
ISBN: 9781570036439
Category : Biography & Autobiography
Languages : en
Pages : 356
Book Description
A new edition of the notorious carpetbagger's personal and political memoir A memoir of the ambitious life and controversial political career of Louisiana governor Henry Clay Warmoth (1842-1931), War, Politics, and Reconstruction is a firsthand account of the political and social machinations of Civil War America and the war's aftermath in one of the most volatile states of the defeated Confederacy. An Illinois native, Warmoth arrived in Louisiana in 1864 as part of the federal occupation forces. Upon leaving military service in 1865, he established himself in private legal practice in New Orleans. Taking full advantage of the chaotic times, Warmoth rapidly amassed fortune and influence, and soon emerged as a leader of the state's Republican Party and, in 1868, was elected governor. Amid an administration rife with scandal and corruption, the Louisiana Republican Party broke into warring factions. Warmoth survived an impeachment attempt in 1872, but a second attempt in 1873 culminated with his removal from office. This fall from Republican grace stemmed from his allegiance with white conservatives, remnants of the old guard, and staunch opponents of those Republicans who sought a wider role for African Americans in Louisiana's changing political landscape. Never again to hold political office, Warmoth remained in his adopted Louisiana, enjoying the fruits of his investments in plantations and sugar refineries. In 1930, the year before his death, he published War, Politics, and Reconstruction, a vindication of his public life and a rebuttal of his reputation as an opportunistic carpetbagger. Despite Warmoth's obvious self-serving biases, the volume offers unparalleled depth of personal insight into the inner workings of Reconstruction government in Louisiana in the words of one of its key architects. A new introduction by John C. Rodrigue places Warmoth's memoir within the broader context of evolving perceptions and historiography of Reconstruction. Rodrigue also offers readers a more balanced portrait of Warmoth by providing supplemental information omitted or slighted by the author in his efforts to cast his actions in the most positive light.
Jazz on the Barbary Coast
Author: Tom Stoddard
Publisher: Heyday Books
ISBN:
Category : Jazz
Languages : en
Pages : 252
Book Description
San Francisco's infamous Barbary Coast was one of the country's thriving centers of jazz in the early 1900s. "Jazz on the Barbary Coast" captures the incredible energy of the black jazz scene of this era through the firsthand accounts of the men who were at the heart of it. Musicians such as Sid LeProttie, Reb Spikes, Wesley Fields, Alfred Levy, and Charlie "Duke" Turner recreate the hot spots, dances, rivalries, and lawlessness that characterized the San Francisco jazz scene and inspired jazz musicians for generations to come.
Publisher: Heyday Books
ISBN:
Category : Jazz
Languages : en
Pages : 252
Book Description
San Francisco's infamous Barbary Coast was one of the country's thriving centers of jazz in the early 1900s. "Jazz on the Barbary Coast" captures the incredible energy of the black jazz scene of this era through the firsthand accounts of the men who were at the heart of it. Musicians such as Sid LeProttie, Reb Spikes, Wesley Fields, Alfred Levy, and Charlie "Duke" Turner recreate the hot spots, dances, rivalries, and lawlessness that characterized the San Francisco jazz scene and inspired jazz musicians for generations to come.
Encyclopedia of the Blues
Author: Edward M. Komara
Publisher: Psychology Press
ISBN: 0415926998
Category : Blues
Languages : en
Pages : 1274
Book Description
This comprehensive two-volume set brings together all aspects of the blues from performers and musical styles to record labels and cultural issues, including regional evolution and history. Organized in an accessible A-to-Z format, the Encyclopedia of the Blues is an essential reference resource for information on this unique American music genre. For a full list of entries, contributors, and more, visit the Encyclopedia of the Blues website.
Publisher: Psychology Press
ISBN: 0415926998
Category : Blues
Languages : en
Pages : 1274
Book Description
This comprehensive two-volume set brings together all aspects of the blues from performers and musical styles to record labels and cultural issues, including regional evolution and history. Organized in an accessible A-to-Z format, the Encyclopedia of the Blues is an essential reference resource for information on this unique American music genre. For a full list of entries, contributors, and more, visit the Encyclopedia of the Blues website.
How Sweet it was
Author: Arthur Shulman
Publisher:
ISBN: 9780517081358
Category : Television broadcasting
Languages : en
Pages : 476
Book Description
One can obtain as many opinions about television as there are people with eyes. No two people see it in exactly the same way. You may not be aware of it, but up there, in that compartment of your brain where memories are stored, all sorts of strange images are stockpiled. The purpose of this book is to coax those memories out of their hiding places and bring them front and center, where you can savor them anew. Although this book is intended to be a comprehensive review of television during the past twenty years-the two decades that have passed since the medium became a commercial reality- it is not to be just a scholarly history. The programs and people represented here were chosen not because they were "good" or "popular" or "successful," but because each contributed, in some large or small way, to the progress of television.
Publisher:
ISBN: 9780517081358
Category : Television broadcasting
Languages : en
Pages : 476
Book Description
One can obtain as many opinions about television as there are people with eyes. No two people see it in exactly the same way. You may not be aware of it, but up there, in that compartment of your brain where memories are stored, all sorts of strange images are stockpiled. The purpose of this book is to coax those memories out of their hiding places and bring them front and center, where you can savor them anew. Although this book is intended to be a comprehensive review of television during the past twenty years-the two decades that have passed since the medium became a commercial reality- it is not to be just a scholarly history. The programs and people represented here were chosen not because they were "good" or "popular" or "successful," but because each contributed, in some large or small way, to the progress of television.
The Great Jazz Drummers
Author: Ron Spagnardi
Publisher: Hal Leonard Corporation
ISBN: 9780793515264
Category : Music
Languages : en
Pages : 132
Book Description
Miscellaneous Percussion Music - Mixed Levels
Publisher: Hal Leonard Corporation
ISBN: 9780793515264
Category : Music
Languages : en
Pages : 132
Book Description
Miscellaneous Percussion Music - Mixed Levels
Ceremonies in Dark Old Men
Author: Lonne Elder, III
Publisher: Hill and Wang
ISBN: 9780374507923
Category : Drama
Languages : en
Pages : 192
Book Description
Ceremonies in Dark Old Men, a classic of American theater, is the poignant story of a family in 1950s Harlem. In timeless prose, Lonne Elder explores the discontent of a generation that has grown old before its time, and the determination of the next generation to avoid such a fate. In the play, Russel B. Parker is a prodigal father and failed barber who exists on memories and "ceremonies" for survival. He spends his time recounting atmospheric tales of his life in vaudeville and tells, in darkly comic detail, about his days on the chain gang. Just beneath the surface of Elder's work lie the terrors of day-to-day life in a racist society--never directly mentioned, but always simmering unforgettably. Ceremonies in Dark Old Men had its debut Off-Broadway in 1969. It received enthusiastic reviews and moved into an extended run. Since its first performance, the play has been produced numerous times both on television and on the stage, with the leads being played by an honor roll of actors, including Laurence Fishburne, Denzel Washington, and Billy Dee Williams.
Publisher: Hill and Wang
ISBN: 9780374507923
Category : Drama
Languages : en
Pages : 192
Book Description
Ceremonies in Dark Old Men, a classic of American theater, is the poignant story of a family in 1950s Harlem. In timeless prose, Lonne Elder explores the discontent of a generation that has grown old before its time, and the determination of the next generation to avoid such a fate. In the play, Russel B. Parker is a prodigal father and failed barber who exists on memories and "ceremonies" for survival. He spends his time recounting atmospheric tales of his life in vaudeville and tells, in darkly comic detail, about his days on the chain gang. Just beneath the surface of Elder's work lie the terrors of day-to-day life in a racist society--never directly mentioned, but always simmering unforgettably. Ceremonies in Dark Old Men had its debut Off-Broadway in 1969. It received enthusiastic reviews and moved into an extended run. Since its first performance, the play has been produced numerous times both on television and on the stage, with the leads being played by an honor roll of actors, including Laurence Fishburne, Denzel Washington, and Billy Dee Williams.
Catalog of Copyright Entries. Third Series
Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1760
Book Description
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1760
Book Description
The New Orleans Jazz Scene, 1970–2000
Author: Thomas W. Jacobsen
Publisher: LSU Press
ISBN: 0807157007
Category : Music
Languages : en
Pages : 256
Book Description
In 1966, journalist Charles Suhor wrote that New Orleans jazz was "ready for its new Golden Age." Thomas W. Jacobsen's The New Orleans Jazz Scene, 1970-2000 chronicles the resurgence of jazz music in the Crescent City in the years following Suhor's prophetic claim. Jacobsen, a New Orleans resident and longtime jazz aficionado, offers a wide-ranging history of the New Orleans jazz renaissance in the last three decades of the twentieth century, weaving local musical developments into the larger context of the national jazz scene. Jacobsen vividly evokes the changing face of the New Orleans jazz world at the close of the twentieth century. Drawing from an array of personal experiences and his own exhaustive research, he discusses leading musicians and bands, both traditionalists and modernists, as well as major performance venues and festivals. The city's musical infrastructure does not go overlooked, as Jacobsen delves into New Orleans's music business, its jazz media, and the evolution of jazz edu-cation at public schools and universities. With a trove of more than seventy photographs of key players and performances, The New Orleans Jazz Scene, 1970-2000 offers a vibrant and fascinating portrait of the musical genre that defines New Orleans.
Publisher: LSU Press
ISBN: 0807157007
Category : Music
Languages : en
Pages : 256
Book Description
In 1966, journalist Charles Suhor wrote that New Orleans jazz was "ready for its new Golden Age." Thomas W. Jacobsen's The New Orleans Jazz Scene, 1970-2000 chronicles the resurgence of jazz music in the Crescent City in the years following Suhor's prophetic claim. Jacobsen, a New Orleans resident and longtime jazz aficionado, offers a wide-ranging history of the New Orleans jazz renaissance in the last three decades of the twentieth century, weaving local musical developments into the larger context of the national jazz scene. Jacobsen vividly evokes the changing face of the New Orleans jazz world at the close of the twentieth century. Drawing from an array of personal experiences and his own exhaustive research, he discusses leading musicians and bands, both traditionalists and modernists, as well as major performance venues and festivals. The city's musical infrastructure does not go overlooked, as Jacobsen delves into New Orleans's music business, its jazz media, and the evolution of jazz edu-cation at public schools and universities. With a trove of more than seventy photographs of key players and performances, The New Orleans Jazz Scene, 1970-2000 offers a vibrant and fascinating portrait of the musical genre that defines New Orleans.
Subversive Sounds
Author: Charles B. Hersch
Publisher: University of Chicago Press
ISBN: 0226328694
Category : Music
Languages : en
Pages : 304
Book Description
Subversive Sounds probes New Orleans’s history, uncovering a web of racial interconnections and animosities that was instrumental to the creation of a vital American art form—jazz. Drawing on oral histories, police reports, newspaper accounts, and vintage recordings, Charles Hersch brings to vivid life the neighborhoods and nightspots where jazz was born. This volume shows how musicians such as Jelly Roll Morton, Nick La Rocca, and Louis Armstrong negotiated New Orleans’s complex racial rules to pursue their craft and how, in order to widen their audiences, they became fluent in a variety of musical traditions from diverse ethnic sources. These encounters with other music and races subverted their own racial identities and changed the way they played—a musical miscegenation that, in the shadow of Jim Crow, undermined the pursuit of racial purity and indelibly transformed American culture. “More than timely . . . Hersch orchestrates voices of musicians on both sides of the racial divide in underscoring how porous the music made the boundaries of race and class.”—New Orleans Times-Picayune
Publisher: University of Chicago Press
ISBN: 0226328694
Category : Music
Languages : en
Pages : 304
Book Description
Subversive Sounds probes New Orleans’s history, uncovering a web of racial interconnections and animosities that was instrumental to the creation of a vital American art form—jazz. Drawing on oral histories, police reports, newspaper accounts, and vintage recordings, Charles Hersch brings to vivid life the neighborhoods and nightspots where jazz was born. This volume shows how musicians such as Jelly Roll Morton, Nick La Rocca, and Louis Armstrong negotiated New Orleans’s complex racial rules to pursue their craft and how, in order to widen their audiences, they became fluent in a variety of musical traditions from diverse ethnic sources. These encounters with other music and races subverted their own racial identities and changed the way they played—a musical miscegenation that, in the shadow of Jim Crow, undermined the pursuit of racial purity and indelibly transformed American culture. “More than timely . . . Hersch orchestrates voices of musicians on both sides of the racial divide in underscoring how porous the music made the boundaries of race and class.”—New Orleans Times-Picayune