Author: Walter Frisch
Publisher: Univ of California Press
ISBN: 0520069587
Category : Biography & Autobiography
Languages : en
Pages : 235
Book Description
This volume is an analytical study of 18 works by Brahms, making skillful use of Schoenberg's provocative concept of developing variation. It traces a genuine evolution through Brahm's compositions, considering their relationship to each other.
Brahms and the Principle of Developing Variation
Author: Walter Frisch
Publisher: Univ of California Press
ISBN: 0520069587
Category : Biography & Autobiography
Languages : en
Pages : 235
Book Description
This volume is an analytical study of 18 works by Brahms, making skillful use of Schoenberg's provocative concept of developing variation. It traces a genuine evolution through Brahm's compositions, considering their relationship to each other.
Publisher: Univ of California Press
ISBN: 0520069587
Category : Biography & Autobiography
Languages : en
Pages : 235
Book Description
This volume is an analytical study of 18 works by Brahms, making skillful use of Schoenberg's provocative concept of developing variation. It traces a genuine evolution through Brahm's compositions, considering their relationship to each other.
Brahms's Sonata Structures and the Principle of Developing Variation
Brahms's Sonata Structures and the Principle of Developing Variation
Author: Walter Miller Frisch
Publisher:
ISBN:
Category : Composition (Music)
Languages : en
Pages : 666
Book Description
"...By developing variation Schoenberg means the construction of a theme by continuous modification of one or more features (intervals, rhythms) of a basic idea, according to certain recognized procedures, such as inversion, fragmentation, extension, and displacement." (p. 13).
Publisher:
ISBN:
Category : Composition (Music)
Languages : en
Pages : 666
Book Description
"...By developing variation Schoenberg means the construction of a theme by continuous modification of one or more features (intervals, rhythms) of a basic idea, according to certain recognized procedures, such as inversion, fragmentation, extension, and displacement." (p. 13).
Brahms's Sonata Structures and the Principles of Developing Variation
Author: Walter Miller Frisch
Publisher:
ISBN:
Category :
Languages : en
Pages : 317
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 317
Book Description
Brahms and the Principle of Developing Variation
Author: Walter Frisch
Publisher: Univ of California Press
ISBN: 9780520069589
Category : Biography & Autobiography
Languages : en
Pages : 244
Book Description
This volume is an analytical study of 18 works by Brahms, making skillful use of Schoenberg's provocative concept of developing variation. It traces a genuine evolution through Brahm's compositions, considering their relationship to each other.
Publisher: Univ of California Press
ISBN: 9780520069589
Category : Biography & Autobiography
Languages : en
Pages : 244
Book Description
This volume is an analytical study of 18 works by Brahms, making skillful use of Schoenberg's provocative concept of developing variation. It traces a genuine evolution through Brahm's compositions, considering their relationship to each other.
Brahm's sonata structures & the principle of developing variation
Author: Walter Miller Frisch
Publisher:
ISBN:
Category :
Languages : en
Pages : 317
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 317
Book Description
Expressive Forms in Brahms's Instrumental Music
Author: Peter H. Smith
Publisher: Indiana University Press
ISBN: 0253023556
Category : Music
Languages : en
Pages : 337
Book Description
"This book is a substantial and timely contribution to Brahms studies. Its strategy is to focus on a single critical work, the C-Minor Piano Quartet, analyzing and interpreting it in great detail, but also using it as a stepping-stone to connect it to other central Brahms works in order to reach a new understanding of the composer's technical language and expressive intent. It is an original and worthy contribution on the music of a major composer." —Patrick McCreless Expressive Forms in Brahms's Instrumental Music integrates a wide variety of analytical methods into a broader study of theoretical approaches, using a single work by Brahms as a case study. On the basis of his findings, Smith considers how Brahms's approach in this piano quartet informs analyses of similar works by Brahms as well as by Beethoven and Mozart. Musical Meaning and Interpretation—Robert S. Hatten, editor
Publisher: Indiana University Press
ISBN: 0253023556
Category : Music
Languages : en
Pages : 337
Book Description
"This book is a substantial and timely contribution to Brahms studies. Its strategy is to focus on a single critical work, the C-Minor Piano Quartet, analyzing and interpreting it in great detail, but also using it as a stepping-stone to connect it to other central Brahms works in order to reach a new understanding of the composer's technical language and expressive intent. It is an original and worthy contribution on the music of a major composer." —Patrick McCreless Expressive Forms in Brahms's Instrumental Music integrates a wide variety of analytical methods into a broader study of theoretical approaches, using a single work by Brahms as a case study. On the basis of his findings, Smith considers how Brahms's approach in this piano quartet informs analyses of similar works by Brahms as well as by Beethoven and Mozart. Musical Meaning and Interpretation—Robert S. Hatten, editor
Sonata Fragments
Author: Andrew Davis
Publisher: Indiana University Press
ISBN: 0253025451
Category : Music
Languages : en
Pages : 223
Book Description
“An effort to expand sonata theory more solidly into the nineteenth-century repertoire.” —Notes In Sonata Fragments, Andrew Davis argues that the Romantic sonata is firmly rooted, both formally and expressively, in its Classical forebears, using Classical conventions in order to convey a broad constellation of Romantic aesthetic values. This claim runs contrary to conventional theories of the Romantic sonata that place this nineteenth-century musical form squarely outside inherited Classical sonata procedures. Building on Sonata Theory, Davis examines moments of fracture and fragmentation that disrupt the cohesive and linear temporality in piano sonatas by Chopin, Brahms, and Schumann. These disruptions in the sonata form are a narrative technique that signify temporal shifts during which we move from the outer action to the inner thoughts of a musical agent, or we move from the story as it unfolds to a flashback or flash-forward. Through an interpretation of Romantic sonatas as temporally multi-dimensional works in which portions of the music in any given piece can lie inside or outside of what Sonata Theory would define as the sonata-space proper, Davis reads into these ruptures a narrative of expressive features that mark these sonatas as uniquely Romantic. “A major achievement.” —Michael L. Klein, author of Music and the Crises of the Modern Subject
Publisher: Indiana University Press
ISBN: 0253025451
Category : Music
Languages : en
Pages : 223
Book Description
“An effort to expand sonata theory more solidly into the nineteenth-century repertoire.” —Notes In Sonata Fragments, Andrew Davis argues that the Romantic sonata is firmly rooted, both formally and expressively, in its Classical forebears, using Classical conventions in order to convey a broad constellation of Romantic aesthetic values. This claim runs contrary to conventional theories of the Romantic sonata that place this nineteenth-century musical form squarely outside inherited Classical sonata procedures. Building on Sonata Theory, Davis examines moments of fracture and fragmentation that disrupt the cohesive and linear temporality in piano sonatas by Chopin, Brahms, and Schumann. These disruptions in the sonata form are a narrative technique that signify temporal shifts during which we move from the outer action to the inner thoughts of a musical agent, or we move from the story as it unfolds to a flashback or flash-forward. Through an interpretation of Romantic sonatas as temporally multi-dimensional works in which portions of the music in any given piece can lie inside or outside of what Sonata Theory would define as the sonata-space proper, Davis reads into these ruptures a narrative of expressive features that mark these sonatas as uniquely Romantic. “A major achievement.” —Michael L. Klein, author of Music and the Crises of the Modern Subject
Journal of the Arnold Schoenberg Institute
Author: Arnold Schoenberg Institute
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 288
Book Description
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 288
Book Description
Johannes Brahms
Author: Heather Platt
Publisher: Routledge
ISBN: 1135847088
Category : Music
Languages : en
Pages : 578
Book Description
First published in 2011. Johannes Brahms: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer and performer. The second edition will include research published since the publication of the first edition and provide electronic resources.
Publisher: Routledge
ISBN: 1135847088
Category : Music
Languages : en
Pages : 578
Book Description
First published in 2011. Johannes Brahms: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer and performer. The second edition will include research published since the publication of the first edition and provide electronic resources.