Borrowed objects and the art of poetry PDF Download

Author: Denis Ferhatovic
Publisher: Manchester University Press
ISBN: 1526131676
Category : Literary Criticism
Languages : en
Pages : 180

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Book Description
This study examines Exeter riddles, Anglo-Saxon biblical poems (Exodus, Andreas, Judith) and Beowulf in order to uncover the poetics of spolia, an imaginative use of recycled fictional artefacts to create sites of metatextual reflection. Old English poetry famously lacks an explicit ars poetica. This book argues that attention to particularly charged moments within texts – especially those concerned with translation, transformation and the layering of various pasts – yields a previously unrecognised means for theorising Anglo-Saxon poetic creativity. Borrowed objects and the art of poetry works at the intersections of materiality and poetics, balancing insights from thing theory and related approaches with close readings of passages from Old English texts.

Author: Emily Leithauser
Publisher: Able Muse Press
ISBN: 1927409683
Category : Poetry
Languages : en
Pages : 84

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Book Description
In The Borrowed World, Emily Leithauser transforms keenly felt experience and bittersweet memories into poems of impressive craftsmanship. She deftly muses on the dichotomies of, among other things, childhood and growing up, the headiness of love gained and the pangs of love lost, the joys of the nuclear family and the trials when it gets broken up. Although a first book, The Borrowed World is the seasoned work of poet of abundant talent coming into her powers and deservedly, the winner of the 2015 Able Muse Book Award. PRAISE FOR THE BORROWED WORLD: In The Borrowed World, Emily Leithauser’s formal mastery—her consummate knack for writing lines and sentences as crisp and elegant as the Edo prints to which she pays homage—entwines with the sheer immediacy and vulnerability of the poet’s voice. Leithauser portrays the inevitability of loss, in romantic and familial relationships, and yet, without ever offering false resolutions or pat conclusions, she manages to make her poems themselves convincing stays against loss. I mean that this book is made to endure. The Borrowed World marks the arrival of a major talent. —Peter Campion, 2015 Able Muse Book Award judge, author of El Dorado Emily Leithauser’s first collection, The Borrowed World, is an elegant meditation on inheritance, the vagaries of love and loss, familial relations—with all the devastating implosions within—and our relationship to the past filtered through the flawed lens of memory. These are deeply felt poems and Leithauser has a finely-tuned ear for the lyricism of syntax and the enduring rhythms of traditional forms. The Borrowed World is her stunning debut. —Natasha Trethewey, 2012–2014 US Poet Laureate, author of Thrall If her intensely accurate perceptions of the physical world and the beautiful forms in which she sets those perceptions were all that Emily Leithauser gave us in these poems, they would be more than enough to satisfy the hungriest poetry reader. But step by perspicuous step, in poem after poem, she enlarges and encompasses, she broadens and deepens and transmutes perception into feeling, feeling into thought, and thought into revelation. —Vijay Seshadri, winner of the Pulitzer Prize, author of 3 Sections Love poems, family poems, narrative poems: The Borrowed World is a moving and memorable debut which covers a lot of ground but is always rooted in actualities. The poems are very well-made, too, but their equally great distinction is to be well-felt—subtle in their account of the observing “I,” and simultaneously generous and shrewd in their understanding of others. Page by page, they create a series of powerful cameos; taken as a whole, their larger purpose emerges: to register what can be known and (especially) not known about our lives as individuals, and to value what time allows us to enjoy on earth, while admitting the brevity of our stay here. —Andrew Motion, 1999–2009 UK Poet Laureate, author of The Customs House I have read The Borrowed World several times, and each time I find more in it to be delighted and touched by. Emily Leithauser’s art waits for you, and I am sure that you will be as pleased and moved by it as I have been. —Michael Palma (from the foreword), author of Begin in Gladness

Author: Ruby Sky Stiler
Publisher:
ISBN: 9781935662273
Category : Artists' books
Languages : en
Pages : 96

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Book Description
This book collects 22 photographic and textual mash-ups that fragment and reweave pages of text and images. Overlaid with ghostly profiles and other iconography, the resulting page-sized wall-hangings display the sort of multifarious, patterned relationships that obtain between word and image, past and present. All 22 are reproduced in full-size, front and back, in full-color images printed by Dynagraphic of Portland, Ore..

Author: Madelyn Garner
Publisher:
ISBN: 9780984792504
Category : American poetry
Languages : en
Pages : 0

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Book Description
Poetry. Madelyn Garner and Andrea Watson offer an intriguing glimpse into the anthropology of collecting—what people love, value, and even obsess about in the passionate and occasionally quirky world of collecting. This fascinating anthology offers poems by emerging and established writers, including Denise Duhamel, Kimiko Hahn, Jane Hirshfield, Pattiann Rogers, David Trinidad, Christopher Buckley, Jonathan Rice, and Gary Young. Introduced by Bill Brown, Edward Carson Waller Distinguished Service Professor of English and the visual arts at the University of Chicago, a leading expert on the practice and art of collecting, the book provides crucial insights into the transformative nature of collecting through the singular lens of poetics. COLLECTING LIFE is a must-read for writers, artists, collectors, and educators.

Author: Julie Carr
Publisher: University of Michigan Press
ISBN: 047212384X
Category : Poetry
Languages : en
Pages : 195

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Book Description
Approaching the practices of reading and writing from a feminist perspective, Julie Carr asks vital ethical questions about the role of poetry—and of art in general—in a violent culture. She addresses issues such as the art of listening, the body and the avant-garde, gun violence, police brutality, reading and protest, and feminist responses to war in essays that are lucid, inventive, and informed by a life lived with poetry. Essays on poets Lorine Niedecker, Jean Valentine, Anne Carson, Lyn Hejinian, and Lisa Robertson detail some of the political, emotional, and spiritual work of these forerunners. A former dancer, Carr also takes up question of text, dance, performance, and race in an essay on the work of choreographer, writer, and visual artist Ralph Lemon and poet Fred Moten. Carr’s essays push past familiar boundaries between the personal/confessional and experimental/conceptual strains in American poetry. Pressing philosophical inquiries into the nature of gender, motherhood, fear, the body, and violence up against readings of twentieth- and twenty-first-century poets, she asks us to consider the political and affective work of poetry in a range of contexts. Carr reports on her own practices, examining her concerns for research and narrative against her investment in lyric, as well as her history as a dancer and her work as curator and publisher. Carr’s breadth of inquiry moves well beyond the page, yet remains grounded in languages possibilities.

Author: Diana Moore
Publisher:
ISBN: 9781544294773
Category :
Languages : en
Pages : 44

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Book Description
An illustrated art and poetry resource based on a small selection of objects from the vast collections held at the Ashmolean Museum in Oxford. This is a fun and creative learning resource for stimulating creative writing, performance work, reading and discussion. The book will take you on a journey from Renaissance Italy to the Far East; you can time travel between ancient artefacts and works of modern art. Each poem begins with a short introduction letting you know some of the fascinating history of the object that inspired it. Age guide is from around 10 years to adult, with some poems suitable for younger primary children and others aimed at age 12 years and above. Many of the poems are well suited to live performance; each one has been performed at the Ashmolean in its relevant gallery. You'll find pieces in here that can be set to music or acted out. There is drama, humour, song and one poem that can be used as a prompt for mindfulness and meditation. The object is for you to enjoy the objects, have a go at performing the poems - either as hinted at in the book, or in your own ways. Then you might like to try out some new ideas of your own. Content includes: a scripted poem about Henry VIII and His Six Wives, a menu poem served on a Roman fish plate, a song lyric inspired by a ship in a storm and a mermaid... a flamingo calypso, and more... This book is a follow on to 'A Visitor to the Forest', a poem designed for performance, (by the same author), which is suitable for many voices, and inspired by Paolo Uccello's masterpiece: 'The Hunt in the Forest' which is on display in the Ashmolean Museum.

Author:
Publisher: Oxford University Press
ISBN: 0198757573
Category : English literature
Languages : en
Pages : 216

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Book Description
The aim of this book is to restore to the story of Englishness the lively material interactions between words, bodies, plants, stones, metals, and soil, among other things, that would have characterized it for the early medieval English themselves. In particular, each chapter demonstrates howa productive collapse, or fusion, between place and history happens not only in the intellectual realm, in ideas, but is also a material concern, becoming enfleshed in encounters between early medieval bodies and a host of material entities. Through readings of texts in a wide variety of genresincluding hagiography, heroic poetry, and medical and historical works, the book argues that Englishness during this period is an embodied identity emergent at the frontier of material and textual interactions that serve productively to occlude history, religion, and geography. The early medievalEnglish body thus results from the rich encounter between the lived environment--climate, soil, landscape features, plants--and the textual-discursive realm that both determines what that environment means and is also itself determined by the material constraints of everyday life.

Author: Tim William Machan
Publisher: Manchester University Press
ISBN: 1526128772
Category : Literary Criticism
Languages : en
Pages : 358

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Book Description
This volume investigates the reception of a small historical fact with wide-ranging social, cultural and imaginative consequences. Inspired by Leif Eiriksson’s visit to Vinland in about the year 1000, novels, poetry, history, politics, arts and crafts, comics, films and video games have all come to reflect rising interest in the medieval Norse and their North American presence. Uniquely in reception studies, From Iceland to the Americas approaches this dynamic between Nordic history and its reception by bringing together international authorities on mythology, language, film and cultural studies, as well as on the literature that has dominated critical reception. Collectively, the chapters not only explore the connections among medieval Iceland and the modern Americas, but also probe why medieval contact has become a modern cultural touchstone.

Author: Amy C. Mulligan
Publisher: Manchester University Press
ISBN: 1526141124
Category : Literary Criticism
Languages : en
Pages : 160

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Book Description
Living on an island at the edge of the known world, the medieval Irish were in a unique position to examine the spaces of the North Atlantic region and contemplate how geography can shape a people. This book is the first full-length study of medieval Irish topographical writing. It situates the theories and poetics of Irish place – developed over six centuries in response to a variety of political, cultural, religious and economic changes – in the bigger theoretical picture of studies of space, landscape, environmental writing and postcolonial identity construction. Presenting focused studies of important literary texts by authors from Ireland and Britain, it shows how these discourses influenced European conceptions of place and identity, as well as understandings of how to write the world.

Author: Rachel A. Fletcher
Publisher: Boydell & Brewer
ISBN: 1843846500
Category :
Languages : en
Pages : 313

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Book Description
An exploration across thirteen essays by critics, translators and creative writers on the modern-day afterlives of Old English, delving into how it has been transplanted and recreated in the twentieth and twenty-first centuries.