Bonjour Line. Livret 2. Premier livre de lecture courante et expressive PDF Download

Author: Andrée Desmoulins
Publisher:
ISBN: 9782208030911
Category :
Languages : fr
Pages : 53

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Author: Electre
Publisher:
ISBN: 9782765407881
Category :
Languages : fr
Pages : 1844

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Book Description

Author: Ezra Pound
Publisher: CreateSpace
ISBN: 9781505374469
Category :
Languages : en
Pages : 210

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Book Description
Ezra Pound (1885 - 1972) was an American poet and harsh critic following World War I. Pound was also a key contributor to the Modernist movement. One of Pound's most famous works is Instigations which is a series of essays critiquing a variety of writers and books.

Author: Andrée Desmoulins
Publisher: Editions Didier
ISBN: 9782278030903
Category :
Languages : fr
Pages : 102

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Author: Gail Stein
Publisher: Penguin
ISBN: 002863229X
Category : Foreign Language Study
Languages : en
Pages : 479

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Book Description
You're no idiot, of course. You appreciate wine and brie, can pronounce "croissant," and know that "bonjour" means hello. But when it comes to actually learning the language, you feel stranded on the Eiffel Tower with no way down. Don't strap on your parachute just yet! The Complete Idiot's Guide to Learning French, Second Edition makes mastering French fun and entertaining--instead of bogging you down with verb tenses and vocabulary lists. You'll feel confident about "parlaying" your new proficiency into conversations with native speakers. In this Complete Idiot's Guide, you get:

Author:
Publisher:
ISBN: 9782208030904
Category : French language
Languages : fr
Pages : 0

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Author: Douglas Labaree Buffum
Publisher: Legare Street Press
ISBN: 9781017913194
Category :
Languages : en
Pages : 0

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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Author: Martyn Lyons
Publisher: Springer
ISBN: 3319541366
Category : Literary Criticism
Languages : en
Pages : 277

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Book Description
This book investigates the history of writing as a cultural practice in a variety of contexts and periods. It analyses the rituals and practices determining intimate or ‘ordinary’ writing as well as bureaucratic and religious writing. From the inscribed images of ‘pre-literate’ societies, to the democratization of writing in the modern era, access to writing technology and its public and private uses are examined. In ten studies, presented by leading historians of scribal culture from seven countries, the book investigates the uses of writing in non-alphabetical as well as alphabetical script, in societies ranging from Native America and ancient Korea to modern Europe. The authors emphasise the material characteristics of writing, and in so doing they pose questions about the definition of writing itself. Drawing on expertise in various disciplines, they give an up-to-date account of the current state of knowledge in a field at the forefront of ‘Book History’.

Author: Andrée Desmoulins
Publisher:
ISBN: 9782208030904
Category :
Languages : fr
Pages : 63

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Book Description

Author: Ernest Fenollosa
Publisher: Fordham Univ Press
ISBN: 0823228703
Category : Literary Collections
Languages : en
Pages : 240

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Book Description
First published in 1919 by Ezra Pound, Ernest Fenollosa’s essay on the Chinese written language has become one of the most often quoted statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language that continues to shape our poetic and stylistic preferences: the idea that poems consist primarily of images; the idea that the sentence form with active verb mirrors relations of natural force. But previous editions of the essay represent Pound’s understanding—it is fair to say, his appropriation—of the text. Fenollosa’s manuscripts, in the Beinecke Library of Yale University, allow us to see this essay in a different light, as a document of early, sustained cultural interchange between North America and East Asia. Pound’s editing of the essay obscured two important features, here restored to view: Fenollosa’s encounter with Tendai Buddhism and Buddhist ontology, and his concern with the dimension of sound in Chinese poetry. This book is the definitive critical edition of Fenollosa’s important work. After a substantial Introduction, the text as edited by Pound is presented, together with his notes and plates. At the heart of the edition is the first full publication of the essay as Fenollosa wrote it, accompanied by the many diagrams, characters, and notes Fenollosa (and Pound) scrawled on the verso pages. Pound’s deletions, insertions, and alterations to Fenollosa’s sometimes ornate prose are meticulously captured, enabling readers to follow the quasi-dialogue between Fenollosa and his posthumous editor. Earlier drafts and related talks reveal the developmentof Fenollosa’s ideas about culture, poetry, and translation. Copious multilingual annotation is an important feature of the edition. This masterfully edited book will be an essential resource for scholars and poets and a starting point for a renewed discussion of the multiple sources of American modernist poetry.