Author: Mark SalePublisher:
ISBN:
Category : Archaeological surveying
Languages : en
Pages : 500
Book Description
Boles Wells Water System Annex Cultural Resources Survey, Holloman Air Force Base, Otero County, New Mexico
Author: Mark SalePublisher:
ISBN:
Category : Archaeological surveying
Languages : en
Pages : 500
Book Description
North Area, Tularosa Peak, and Boles Wells Cultural Resource Survey, Holloman Air Force Base, Otero County, New Mexico
Author: Regan GiesePublisher:
ISBN:
Category : Archaeological surveying
Languages : en
Pages : 382
Book Description
Basin and fan: evaluation of 41 prehistoric sites in the Doña Ana Firing Groups B, E, & F, Doña Ana Range, Fort Bliss, New Mexico
Author: A Cultural Resources Survey of 1,213 Acres for Four Proposed MLRS Firing Positions Near McGregor Range Camp, Fort Bliss Military Reservation, Otero County, New Mexico
Author: Cody Bill BrowningPublisher:
ISBN:
Category : Archaeological surveying
Languages : en
Pages : 340
Book Description
The Artifact
Author: Publisher:
ISBN:
Category : Indians of North America
Languages : en
Pages : 864
Book Description
New Mexico Training Range Initiative
Author: Federal Penal and Correctional Institutions
Author: United States. Bureau of PrisonsPublisher:
ISBN:
Category : Criminal statistics
Languages : en
Pages : 814
Book Description
A Series of Plays in which it is Attempted to Delineate the Stronger Passions of the Mind: Each Passion Being the Subject of a Tragedy and a Comedy
Author: Joanna BaillieHollywood Highbrow
Author: Shyon BaumannPublisher: Princeton University Press
ISBN: 0691187282
Category : Performing Arts
Languages : en
Pages : 242
Book Description
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
Author: Rigby