Author: Deborah Bell
Publisher: McFarland
ISBN: 1476618046
Category : Social Science
Languages : en
Pages : 289
Book Description
In its conventional meaning, masquerade refers to a festive gathering of people wearing masks and elegant costumes. But traditional forms of masquerade have evolved over the past century to include the representation of alternate identities in the media and venues of popular culture, including television, film, the internet, theater, museums, sports arenas, popular magazines and a range of community celebrations, reenactments and conventions. This collection of fresh essays examines the art and function of masquerade from a broad range of perspectives. From African slave masquerade in New World iconography, to the familiar Guy Fawkes masks of the Occupy Wall Street movement, to the branded identities created by celebrities like Madonna, Beyonce and Lady Gaga, the essays show how masquerade permeates modern life.
Blue Masquerade
Author: T K Blackwood
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 270
Book Description
The year is 1992. Yugoslavia's disintegration into a swirl of ethnic violence draws both East and West to the brink of Armageddon as armies deploy and fleets maneuver. Political intrigue in Moscow and Washington ensnare both the Soviet Politburo and the American President. In the zero-sum game of the Cold War, neither side can afford to blink or back down. A conflict nearly fifty years in the making spills from boardrooms and back alleys into open battle on land, sea, and the air. The showdown of the century is here, East versus West with the fate of the world at stake.
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 270
Book Description
The year is 1992. Yugoslavia's disintegration into a swirl of ethnic violence draws both East and West to the brink of Armageddon as armies deploy and fleets maneuver. Political intrigue in Moscow and Washington ensnare both the Soviet Politburo and the American President. In the zero-sum game of the Cold War, neither side can afford to blink or back down. A conflict nearly fifty years in the making spills from boardrooms and back alleys into open battle on land, sea, and the air. The showdown of the century is here, East versus West with the fate of the world at stake.
Masquerade
Author:
Publisher: Darling
ISBN: 9781595831866
Category : Costume
Languages : en
Pages : 0
Book Description
Presents over 130 illustrations of costumes, from chambermaid and lady bug to peasant girl and gypsy, from French and Continental fashion magazines published from the f0s through the 1950s.
Publisher: Darling
ISBN: 9781595831866
Category : Costume
Languages : en
Pages : 0
Book Description
Presents over 130 illustrations of costumes, from chambermaid and lady bug to peasant girl and gypsy, from French and Continental fashion magazines published from the f0s through the 1950s.
Masquerade
Author: Melissa De la Cruz
Publisher:
ISBN:
Category : Manhattan (New York, N.Y.)
Languages : en
Pages : 0
Book Description
Preparations are under way for the ball of the century. But as any tru Blue Blood knows, it's the after-party that counts. And the cunning Mimi Force is getting ready to make sure her masquerade ball is the place to be for the Young, Fabulous and Fanged.
Publisher:
ISBN:
Category : Manhattan (New York, N.Y.)
Languages : en
Pages : 0
Book Description
Preparations are under way for the ball of the century. But as any tru Blue Blood knows, it's the after-party that counts. And the cunning Mimi Force is getting ready to make sure her masquerade ball is the place to be for the Young, Fabulous and Fanged.
Masquerade
Author: Deborah Bell
Publisher: McFarland
ISBN: 1476618046
Category : Social Science
Languages : en
Pages : 289
Book Description
In its conventional meaning, masquerade refers to a festive gathering of people wearing masks and elegant costumes. But traditional forms of masquerade have evolved over the past century to include the representation of alternate identities in the media and venues of popular culture, including television, film, the internet, theater, museums, sports arenas, popular magazines and a range of community celebrations, reenactments and conventions. This collection of fresh essays examines the art and function of masquerade from a broad range of perspectives. From African slave masquerade in New World iconography, to the familiar Guy Fawkes masks of the Occupy Wall Street movement, to the branded identities created by celebrities like Madonna, Beyonce and Lady Gaga, the essays show how masquerade permeates modern life.
Publisher: McFarland
ISBN: 1476618046
Category : Social Science
Languages : en
Pages : 289
Book Description
In its conventional meaning, masquerade refers to a festive gathering of people wearing masks and elegant costumes. But traditional forms of masquerade have evolved over the past century to include the representation of alternate identities in the media and venues of popular culture, including television, film, the internet, theater, museums, sports arenas, popular magazines and a range of community celebrations, reenactments and conventions. This collection of fresh essays examines the art and function of masquerade from a broad range of perspectives. From African slave masquerade in New World iconography, to the familiar Guy Fawkes masks of the Occupy Wall Street movement, to the branded identities created by celebrities like Madonna, Beyonce and Lady Gaga, the essays show how masquerade permeates modern life.
Unmasked
Author: Kevin J. Anderson
Publisher: WordFire +ORM
ISBN: 168057227X
Category : Fiction
Languages : en
Pages : 346
Book Description
From undercover robots to shape shifting soldiers, the twenty-one stories in this wide-ranging anthology explore what happens when the mask comes off. We all wear masks, whether they are the literal costumes of superheroes and bank robbers or the metaphorical shrouds that obscure our real selves. Unmaksed explores these attempts to conceal, the mysteries beneath, and the price we pay when they’re stripped away. Authors ask what happens when your secret identity is revealed. When the monster is unleashed. When the superhero’s child has no power. When Death himself is caught unawares. Here are twenty-one tales of speculation and fantasy that center on magical masks, gas masks, death masks, superheroes, secret identities, disguised robots, alien symbionts, a Napoleonic thief, a swindling demon, and even a hidden clown.
Publisher: WordFire +ORM
ISBN: 168057227X
Category : Fiction
Languages : en
Pages : 346
Book Description
From undercover robots to shape shifting soldiers, the twenty-one stories in this wide-ranging anthology explore what happens when the mask comes off. We all wear masks, whether they are the literal costumes of superheroes and bank robbers or the metaphorical shrouds that obscure our real selves. Unmaksed explores these attempts to conceal, the mysteries beneath, and the price we pay when they’re stripped away. Authors ask what happens when your secret identity is revealed. When the monster is unleashed. When the superhero’s child has no power. When Death himself is caught unawares. Here are twenty-one tales of speculation and fantasy that center on magical masks, gas masks, death masks, superheroes, secret identities, disguised robots, alien symbionts, a Napoleonic thief, a swindling demon, and even a hidden clown.
The World's Paper Trade Review
Truth
The Novels of Captain Marryat
Author: Frederick Marryat
Publisher:
ISBN:
Category : Children's literature
Languages : en
Pages : 390
Book Description
Publisher:
ISBN:
Category : Children's literature
Languages : en
Pages : 390
Book Description
Masquerade and Civilization
Author: Terry Castle
Publisher: Stanford University Press
ISBN: 9780804714686
Category : Literary Criticism
Languages : en
Pages : 420
Book Description
Public masquerades were a popular and controversial form of urban entertainment in England for most of the eighteenth century. They were held regularly in London and attended by hundreds, sometimes thousands, of people from all ranks of society who delighted in disguising themselves in fanciful costumes and masks and moving through crowds of strangers. The authors shows how the masquerade played a subversive role in the eighteenth-century imagination, and that it was persistently associated with the crossing of class and sexual boundaries, sexual freedom, the overthrow of decorum, and urban corruption. Authorities clearly saw it as a profound challenge to social order and persistently sought to suppress it. The book is in two parts. In the first, the author recreates the historical phenomenon of the English masquerade: the makeup of the crowds, the symbolic language of costume, and the various codes of verbal exchange, gesture, and sexual behavior. The second part analyzes contemporary literary representations of the masquerade, using novels by Richardson, Fielding, Burney, and Inchbald to show how the masquerade in fiction reflected the disruptive power it had in contemporary life. It also served as an indispensable plot-catalyst, generating the complications out of which the essential drama of the fiction emerged. An epilogue discusses the use of the masquerade as a literary device after the eighteenth century. The book contains some 40 illustrations.
Publisher: Stanford University Press
ISBN: 9780804714686
Category : Literary Criticism
Languages : en
Pages : 420
Book Description
Public masquerades were a popular and controversial form of urban entertainment in England for most of the eighteenth century. They were held regularly in London and attended by hundreds, sometimes thousands, of people from all ranks of society who delighted in disguising themselves in fanciful costumes and masks and moving through crowds of strangers. The authors shows how the masquerade played a subversive role in the eighteenth-century imagination, and that it was persistently associated with the crossing of class and sexual boundaries, sexual freedom, the overthrow of decorum, and urban corruption. Authorities clearly saw it as a profound challenge to social order and persistently sought to suppress it. The book is in two parts. In the first, the author recreates the historical phenomenon of the English masquerade: the makeup of the crowds, the symbolic language of costume, and the various codes of verbal exchange, gesture, and sexual behavior. The second part analyzes contemporary literary representations of the masquerade, using novels by Richardson, Fielding, Burney, and Inchbald to show how the masquerade in fiction reflected the disruptive power it had in contemporary life. It also served as an indispensable plot-catalyst, generating the complications out of which the essential drama of the fiction emerged. An epilogue discusses the use of the masquerade as a literary device after the eighteenth century. The book contains some 40 illustrations.
Ministry of Illusion
Author: Eric Rentschler
Publisher: Harvard University Press
ISBN: 0674266625
Category : Performing Arts
Languages : en
Pages : 480
Book Description
German cinema of the Third Reich, even a half-century after Hitler's demise, still provokes extreme reactions. "Never before and in no other country," observes director Wim Wenders, "have images and language been abused so unscrupulously as here, never before and nowhere else have they been debased so deeply as vehicles to transmit lies." More than a thousand German feature films that premiered during the reign of National Socialism survive as mementoes of what many regard as film history's darkest hour. As Eric Rentschler argues, however, cinema in the Third Reich emanated from a Ministry of Illusion and not from a Ministry of Fear. Party vehicles such as Hitler Youth Quex and anti-Semitic hate films such as Jew Süss may warrant the epithet "Nazi propaganda," but they amount to a mere fraction of the productions from this era. The vast majority of the epoch's films seemed to be "unpolitical"--melodramas, biopix, and frothy entertainments set in cozy urbane surroundings, places where one rarely sees a swastika or hears a "Sieg Heil." Minister of propaganda Joseph Goebbels, Rentschler shows, endeavored to maximize film's seductive potential, to cloak party priorities in alluring cinematic shapes. Hitler and Goebbels were master showmen enamored of their media images, the Third Reich was a grand production, the Second World War a continuing movie of the week. The Nazis were movie mad, and the Third Reich was movie made. Rentschler's analysis of the sophisticated media culture of this period demonstrates in an unprecedented way the potent and destructive powers of fascination and fantasy. Nazi feature films--both as entities that unreeled in moviehouses during the regime and as productions that continue to enjoy wide attention today--show that entertainment is often much more than innocent pleasure.
Publisher: Harvard University Press
ISBN: 0674266625
Category : Performing Arts
Languages : en
Pages : 480
Book Description
German cinema of the Third Reich, even a half-century after Hitler's demise, still provokes extreme reactions. "Never before and in no other country," observes director Wim Wenders, "have images and language been abused so unscrupulously as here, never before and nowhere else have they been debased so deeply as vehicles to transmit lies." More than a thousand German feature films that premiered during the reign of National Socialism survive as mementoes of what many regard as film history's darkest hour. As Eric Rentschler argues, however, cinema in the Third Reich emanated from a Ministry of Illusion and not from a Ministry of Fear. Party vehicles such as Hitler Youth Quex and anti-Semitic hate films such as Jew Süss may warrant the epithet "Nazi propaganda," but they amount to a mere fraction of the productions from this era. The vast majority of the epoch's films seemed to be "unpolitical"--melodramas, biopix, and frothy entertainments set in cozy urbane surroundings, places where one rarely sees a swastika or hears a "Sieg Heil." Minister of propaganda Joseph Goebbels, Rentschler shows, endeavored to maximize film's seductive potential, to cloak party priorities in alluring cinematic shapes. Hitler and Goebbels were master showmen enamored of their media images, the Third Reich was a grand production, the Second World War a continuing movie of the week. The Nazis were movie mad, and the Third Reich was movie made. Rentschler's analysis of the sophisticated media culture of this period demonstrates in an unprecedented way the potent and destructive powers of fascination and fantasy. Nazi feature films--both as entities that unreeled in moviehouses during the regime and as productions that continue to enjoy wide attention today--show that entertainment is often much more than innocent pleasure.