Author: Herbert Blau
Publisher: New York : Performing Arts Journal Publications
ISBN:
Category : Literary Criticism
Languages : en
Pages : 176
Book Description
Analyzes the nature of drama and performance, linking contemporary thinking in theatrical and literary theory, politics and the sciences. Blau's essays illuminate crucial issues in today's theatre: the place of language and the dramatization of thought.
Blooded Thought
Author: Herbert Blau
Publisher: New York : Performing Arts Journal Publications
ISBN:
Category : Literary Criticism
Languages : en
Pages : 176
Book Description
Analyzes the nature of drama and performance, linking contemporary thinking in theatrical and literary theory, politics and the sciences. Blau's essays illuminate crucial issues in today's theatre: the place of language and the dramatization of thought.
Publisher: New York : Performing Arts Journal Publications
ISBN:
Category : Literary Criticism
Languages : en
Pages : 176
Book Description
Analyzes the nature of drama and performance, linking contemporary thinking in theatrical and literary theory, politics and the sciences. Blau's essays illuminate crucial issues in today's theatre: the place of language and the dramatization of thought.
Toward a Contextual Realism
Author: Jocelyn Benoist
Publisher: Harvard University Press
ISBN: 0674258711
Category : Philosophy
Languages : en
Pages : 215
Book Description
An award-winning philosopher bridges the continental-analytic divide with an important contribution to the debate on the meaning of realism. Jocelyn Benoist argues for a philosophical point of view that prioritizes the concept of reality. The human mind’s attitudes toward reality, he posits, both depend on reality and must navigate within it. Refusing the path of metaphysical realism, which would make reality an object of speculation in itself, independent of any reflection on our ways of approaching it or thinking about it, Benoist defends the idea of an intentionality placed in reality—contextualized. Intentionality is an essential part of any realist philosophical position; Benoist’s innovation is to insist on looking to context to develop a renewed realism that draws conclusions from contemporary philosophy of language and applies them methodically to issues in the fields of metaphysics and the philosophy of the mind. “What there is”—the traditional subject of metaphysics—can be determined only in context. Benoist offers a sharp criticism of acontextual ontology and acontextual approaches to the mind and reality. At the same time, he opposes postmodern anti-realism and the semantic approach characteristic of classic analytic philosophy. Instead, Toward a Contextual Realism bridges the analytic-continental divide while providing the foundation for a radically contextualist philosophy of mind and metaphysics. “To be” is to be in a context.
Publisher: Harvard University Press
ISBN: 0674258711
Category : Philosophy
Languages : en
Pages : 215
Book Description
An award-winning philosopher bridges the continental-analytic divide with an important contribution to the debate on the meaning of realism. Jocelyn Benoist argues for a philosophical point of view that prioritizes the concept of reality. The human mind’s attitudes toward reality, he posits, both depend on reality and must navigate within it. Refusing the path of metaphysical realism, which would make reality an object of speculation in itself, independent of any reflection on our ways of approaching it or thinking about it, Benoist defends the idea of an intentionality placed in reality—contextualized. Intentionality is an essential part of any realist philosophical position; Benoist’s innovation is to insist on looking to context to develop a renewed realism that draws conclusions from contemporary philosophy of language and applies them methodically to issues in the fields of metaphysics and the philosophy of the mind. “What there is”—the traditional subject of metaphysics—can be determined only in context. Benoist offers a sharp criticism of acontextual ontology and acontextual approaches to the mind and reality. At the same time, he opposes postmodern anti-realism and the semantic approach characteristic of classic analytic philosophy. Instead, Toward a Contextual Realism bridges the analytic-continental divide while providing the foundation for a radically contextualist philosophy of mind and metaphysics. “To be” is to be in a context.
The Logical Alien
Author: Sofia Miguens
Publisher: Harvard University Press
ISBN: 0674242831
Category : Philosophy
Languages : en
Pages : 1081
Book Description
“A remarkable book capable of reshaping what one takes philosophy to be.” —Cora Diamond, Kenan Professor of Philosophy Emerita, University of Virginia Could there be a logical alien—a being whose ways of talking, inferring, and contradicting exhibit an entirely different logical shape than ours, yet who nonetheless is thinking? Could someone, contrary to the most basic rules of logic, think that two contradictory statements are both true at the same time? Such questions may seem outlandish, but they serve to highlight a fundamental philosophical question: is our logical form of thought merely one among many, or must it be the form of thought as such? From Descartes and Kant to Frege and Wittgenstein, philosophers have wrestled with variants of this question, and with a range of competing answers. A seminal 1991 paper, James Conant’s “The Search for Logically Alien Thought,” placed that question at the forefront of contemporary philosophical inquiry. The Logical Alien, edited by Sofia Miguens, gathers Conant’s original article with reflections on it by eight distinguished philosophers—Jocelyn Benoist, Matthew Boyle, Martin Gustafsson, Arata Hamawaki, Adrian Moore, Barry Stroud, Peter Sullivan, and Charles Travis. Conant follows with a wide-ranging response that places the philosophical discussion in historical context, critiques his original paper, addresses the exegetical and systematic issues raised by others, and presents an alternative account. The Logical Alien challenges contemporary conceptions of how logical and philosophical form must each relate to their content. This monumental volume offers the possibility of a new direction in philosophy.
Publisher: Harvard University Press
ISBN: 0674242831
Category : Philosophy
Languages : en
Pages : 1081
Book Description
“A remarkable book capable of reshaping what one takes philosophy to be.” —Cora Diamond, Kenan Professor of Philosophy Emerita, University of Virginia Could there be a logical alien—a being whose ways of talking, inferring, and contradicting exhibit an entirely different logical shape than ours, yet who nonetheless is thinking? Could someone, contrary to the most basic rules of logic, think that two contradictory statements are both true at the same time? Such questions may seem outlandish, but they serve to highlight a fundamental philosophical question: is our logical form of thought merely one among many, or must it be the form of thought as such? From Descartes and Kant to Frege and Wittgenstein, philosophers have wrestled with variants of this question, and with a range of competing answers. A seminal 1991 paper, James Conant’s “The Search for Logically Alien Thought,” placed that question at the forefront of contemporary philosophical inquiry. The Logical Alien, edited by Sofia Miguens, gathers Conant’s original article with reflections on it by eight distinguished philosophers—Jocelyn Benoist, Matthew Boyle, Martin Gustafsson, Arata Hamawaki, Adrian Moore, Barry Stroud, Peter Sullivan, and Charles Travis. Conant follows with a wide-ranging response that places the philosophical discussion in historical context, critiques his original paper, addresses the exegetical and systematic issues raised by others, and presents an alternative account. The Logical Alien challenges contemporary conceptions of how logical and philosophical form must each relate to their content. This monumental volume offers the possibility of a new direction in philosophy.
Theory/Theatre
Author: Mark Fortier
Publisher: Taylor & Francis
ISBN: 1040122094
Category : Drama
Languages : en
Pages : 235
Book Description
This fully updated and revised fourth edition of Theory/Theatre is a unique and highly engaging introduction to cultural theory as it relates to theatre and performance. It is a comprehensive and accessible examination of current theoretical approaches, from semiotics and poststructuralism, through to cultural materialism, postcolonial studies, queer and feminist theories. Key updates to the new edition include further perspectives and expanded content on: - Technology, audience reception and liveness - Further examinations of feminism, transgender and gender theory, as well as queer theory - Disability studies - Critical Race Theory - Decolonization - Intersectionality - Critical Phenomenology Bringing contemporary voices and examples to light, author Mark Fortier introduces the ways in which established and emerging theories can interact with theatre and performance. This is essential reading for undergraduate and postgraduate students of theatre and performance studies.
Publisher: Taylor & Francis
ISBN: 1040122094
Category : Drama
Languages : en
Pages : 235
Book Description
This fully updated and revised fourth edition of Theory/Theatre is a unique and highly engaging introduction to cultural theory as it relates to theatre and performance. It is a comprehensive and accessible examination of current theoretical approaches, from semiotics and poststructuralism, through to cultural materialism, postcolonial studies, queer and feminist theories. Key updates to the new edition include further perspectives and expanded content on: - Technology, audience reception and liveness - Further examinations of feminism, transgender and gender theory, as well as queer theory - Disability studies - Critical Race Theory - Decolonization - Intersectionality - Critical Phenomenology Bringing contemporary voices and examples to light, author Mark Fortier introduces the ways in which established and emerging theories can interact with theatre and performance. This is essential reading for undergraduate and postgraduate students of theatre and performance studies.
Thought Experiments, Science, and Theology
Author: Yiftach Fehige
Publisher: BRILL
ISBN: 9004685308
Category : Philosophy
Languages : en
Pages : 258
Book Description
Did Adam have a navel? Did Adam and Eve have sex? Is God merely a fictional character, like Superman? Without thought experiments like these, the field of science and religion would be severely impoverished. Thought experiments are exercises of the imagination. Like in many other disciplines, the imagination has not received the attention it deserves in theology. This book argues that the imagination must be taken seriously as an engine for progress. It offers a theology of the imagination that is consistent with, and goes beyond, existing discussions about pluralism at the intersection of science and religion.
Publisher: BRILL
ISBN: 9004685308
Category : Philosophy
Languages : en
Pages : 258
Book Description
Did Adam have a navel? Did Adam and Eve have sex? Is God merely a fictional character, like Superman? Without thought experiments like these, the field of science and religion would be severely impoverished. Thought experiments are exercises of the imagination. Like in many other disciplines, the imagination has not received the attention it deserves in theology. This book argues that the imagination must be taken seriously as an engine for progress. It offers a theology of the imagination that is consistent with, and goes beyond, existing discussions about pluralism at the intersection of science and religion.
The Very Thought of Herbert Blau
Author: Clark Lunberry
Publisher: University of Michigan Press
ISBN: 0472124080
Category : Performing Arts
Languages : en
Pages : 245
Book Description
Herbert Blau (1926–2013) was the most influential theater theorist, practitioner, and educator of his generation. He was the leading American interpreter of the works of Samuel Beckett and as a director was instrumental in introducing works of the European avant-garde to American audiences. He was also one of the most far-reaching and thoughtful American theorists of theater and performance, and author of influential books such as The Dubious Spectacle, The Audience, and Take Up the Bodies: Theater at the Vanishing Point. In The Very Thought of Herbert Blau, distinguished artists and scholars offer reflections on what made Blau's contributions so visionary, transformative, and unforgettable, and why his ideas endure in both seminar rooms and studios. The contributors, including Lee Breuer, Sue-Ellen Case, Gautam Dasgupta, Elin Diamond, S. E. Gontarski, Linda Gregerson, Martin Harries, Bill Irwin, Julia Jarcho, Anthony Kubiak, Daniel Listoe, Clark Lunberry, Bonnie Marranca, Peggy Phelan, Joseph Roach, Richard Schechner, Morton Subotnick, Julie Taymor, and Gregory Whitehead, respond to Blau's fierce and polymorphous intellect, his relentless drive and determination, and his audacity, his authority, to think, as he frequently insisted, "at the very nerve ends of thought."
Publisher: University of Michigan Press
ISBN: 0472124080
Category : Performing Arts
Languages : en
Pages : 245
Book Description
Herbert Blau (1926–2013) was the most influential theater theorist, practitioner, and educator of his generation. He was the leading American interpreter of the works of Samuel Beckett and as a director was instrumental in introducing works of the European avant-garde to American audiences. He was also one of the most far-reaching and thoughtful American theorists of theater and performance, and author of influential books such as The Dubious Spectacle, The Audience, and Take Up the Bodies: Theater at the Vanishing Point. In The Very Thought of Herbert Blau, distinguished artists and scholars offer reflections on what made Blau's contributions so visionary, transformative, and unforgettable, and why his ideas endure in both seminar rooms and studios. The contributors, including Lee Breuer, Sue-Ellen Case, Gautam Dasgupta, Elin Diamond, S. E. Gontarski, Linda Gregerson, Martin Harries, Bill Irwin, Julia Jarcho, Anthony Kubiak, Daniel Listoe, Clark Lunberry, Bonnie Marranca, Peggy Phelan, Joseph Roach, Richard Schechner, Morton Subotnick, Julie Taymor, and Gregory Whitehead, respond to Blau's fierce and polymorphous intellect, his relentless drive and determination, and his audacity, his authority, to think, as he frequently insisted, "at the very nerve ends of thought."
The Returns of Alwin Nikolais
Author: Claudia Gitelman
Publisher: Wesleyan University Press
ISBN: 9780819565761
Category : Biography & Autobiography
Languages : en
Pages : 332
Book Description
Long overdue reflections on a visionary choreographer
Publisher: Wesleyan University Press
ISBN: 9780819565761
Category : Biography & Autobiography
Languages : en
Pages : 332
Book Description
Long overdue reflections on a visionary choreographer
An Adventure in Moral Philosophy
For the Good of the State
Author: Anthony Price
Publisher: Murder Room
ISBN: 147190024X
Category : Fiction
Languages : en
Pages : 329
Book Description
By the CWA Gold Dagger award-winning author of Other Paths to Glory Two KGB rivals, General Zarubin and Professor Nikolai Andrievich Panin, confront each other on a point overlooking the British Channel. Meanwhile, Henry Jaggard of British Intelligence has two pressing problems. He knows the Soviets are mounting a defensive program against a Polish dissident group in Britain, but he cannot intervene without jeopardizing his best inside agents. And Dr David Audley, of the Intelligence R&D Department, has been playing clever politics again. Jaggard sees his opportunity to kill two birds with one stone. The Professor has requested a meeting with Audley, his old adversary. And, with one of Jaggard's own men to abet him, Audley can be safely relied upon to overstep the mark in his attempts to frustrate the KGB . . .
Publisher: Murder Room
ISBN: 147190024X
Category : Fiction
Languages : en
Pages : 329
Book Description
By the CWA Gold Dagger award-winning author of Other Paths to Glory Two KGB rivals, General Zarubin and Professor Nikolai Andrievich Panin, confront each other on a point overlooking the British Channel. Meanwhile, Henry Jaggard of British Intelligence has two pressing problems. He knows the Soviets are mounting a defensive program against a Polish dissident group in Britain, but he cannot intervene without jeopardizing his best inside agents. And Dr David Audley, of the Intelligence R&D Department, has been playing clever politics again. Jaggard sees his opportunity to kill two birds with one stone. The Professor has requested a meeting with Audley, his old adversary. And, with one of Jaggard's own men to abet him, Audley can be safely relied upon to overstep the mark in his attempts to frustrate the KGB . . .
The Medieval Theater of Cruelty
Author: Jody Enders
Publisher: Cornell University Press
ISBN: 9780801487835
Category : History
Languages : en
Pages : 292
Book Description
Why did medieval dramatists weave so many scenes of torture into their plays? Exploring the cultural connections among rhetoric, law, drama, literary creation, and violence, Jody Enders addresses an issue that has long troubled students of the Middle Ages. Theories of rhetoric and law of the time reveal, she points out, that the ideology of torture was a widely accepted means for exploiting such essential elements of the stage and stagecraft as dramatic verisimilitude, pity, fear, and catharsis to fabricate truth. Analyzing the consequences of torture for the history of aesthetics in general and of drama in particular, Enders shows that if the violence embedded in the history of rhetoric is acknowledged, we are better able to understand not only the enduring "theater of cruelty" identified by theorists from Isidore of Seville to Antonin Artaud, but also the continuing modern devotion to the spectacle of pain.
Publisher: Cornell University Press
ISBN: 9780801487835
Category : History
Languages : en
Pages : 292
Book Description
Why did medieval dramatists weave so many scenes of torture into their plays? Exploring the cultural connections among rhetoric, law, drama, literary creation, and violence, Jody Enders addresses an issue that has long troubled students of the Middle Ages. Theories of rhetoric and law of the time reveal, she points out, that the ideology of torture was a widely accepted means for exploiting such essential elements of the stage and stagecraft as dramatic verisimilitude, pity, fear, and catharsis to fabricate truth. Analyzing the consequences of torture for the history of aesthetics in general and of drama in particular, Enders shows that if the violence embedded in the history of rhetoric is acknowledged, we are better able to understand not only the enduring "theater of cruelty" identified by theorists from Isidore of Seville to Antonin Artaud, but also the continuing modern devotion to the spectacle of pain.