Blake and the Language of Art PDF Download

Author: Janet Adele Warner
Publisher: Kingston [Ont.] : McGill-Queen's University Press
ISBN:
Category : Design
Languages : en
Pages : 240

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Book Description

Author: Raymond Lister
Publisher:
ISBN:
Category :
Languages : en
Pages : 176

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Book Description

Author: Henry E. Huntington Library and Art Gallery
Publisher: Harry N Abrams Incorporated
ISBN: 9780810925892
Category : Art
Languages : en
Pages : 159

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Book Description
An introduction to the William Blake Collection in the Henry E. Huntington Library and Art Gallery, San Marino, California.

Author: Kathleen Raine
Publisher:
ISBN:
Category : Poets, English
Languages : en
Pages : 68

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Book Description

Author: Michael Kerrigan
Publisher: Flame Tree Illustrated
ISBN: 9781804177075
Category : Art
Languages : en
Pages : 0

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Book Description
New edition of William Blake in the popular Masterpieces of Art series. Rich and delicate, ethereal and muscular, the art of William Blake is as fascinating as the philosophies threading through his poetry and prophetic works. Presented here in this magnificent new collection, his vivid paintings and gently weaving illustrations are imprinted in the consciousness of Romantic art, but their impact on Gothic literature remains as strong and quixotic as the artist himself.

Author: Mei-Ying Sung
Publisher: Routledge
ISBN: 1317314263
Category : Art
Languages : en
Pages : 231

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Book Description
Sung closely examines William Blake’s extant engraved copper plates and arrives at a new interpretation of his working process. Sung suggests that Blake revised and corrected his work more than was previously thought. This belies the Romantic ideal that the acts of conception and execution are simultaneous in the creative process.

Author: William Blake
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 112

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Book Description

Author: Morris Eaves
Publisher: Cambridge University Press
ISBN: 9780521786775
Category : Art
Languages : en
Pages : 332

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Book Description
Poet, painter, and engraver William Blake died in 1827 in obscure poverty with few admirers. The attention paid today to his remarkable poems, prints, and paintings would have astonished his contemporaries. Admired for his defiant, uncompromising creativity, he has become one of the most anthologized and studied writers in English and one of the most studied and collected British artists. His urge to cast words and images into masterpieces of revelation has left us with complex, forceful, extravagant, some times bizarre works of written and visual art that rank among the greatest challenges to plain understanding ever created. This Companion aims to provide guidance to Blake s work in fresh and readable introductions: biographical, literary, art historical, political, religious, and bibliographical. Together with a chronology, guides to further reading, and glossary of terms, they identify the key points of departure into Blake s multifarious world and work.

Author: William Blake
Publisher:
ISBN:
Category : Illumination of books and manuscripts
Languages : en
Pages : 35

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Book Description

Author: Robert Bailey
Publisher: Duke University Press
ISBN: 0822374129
Category : Art
Languages : en
Pages : 223

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Book Description
In Art & Language International Robert Bailey reconstructs the history of the conceptual art collective Art & Language, situating it in a geographical context to rethink its implications for the broader histories of contemporary art. Focusing on its international collaborations with dozens of artists and critics in and outside the collective between 1969 and 1977, Bailey positions Art & Language at the center of a historical shift from Euro-American modernism to a global contemporary art. He documents the collective’s growth and reach, from transatlantic discussions on the nature of conceptual art and the establishment of distinct working groups in New York and England to the collective’s later work in Australia, New Zealand, and Yugoslavia. Bailey also details its publications, associations with political organizations, and the internal power struggles that precipitated its breakdown. Analyzing a wide range of artworks, texts, music, and films, he reveals how Art & Language navigated between art worlds to shape the international profile of conceptual art. Above all, Bailey underscores how the group's rigorous and interdisciplinary work provides a gateway to understanding how conceptual art operates as a mode of thinking that exceeds the visual to shape the philosophical, historical, and political.