Blacks in American Films and Television PDF Download

Author: Donald Bogle
Publisher:
ISBN:
Category : African American entertainers
Languages : en
Pages : 510

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Author: Donald Bogle
Publisher: Touchstone
ISBN:
Category : Performing Arts
Languages : en
Pages : 532

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Book Description
Encyclopedia of blacks in the motion picture and television industry over the past 90 years with over 200 rare photographs.

Author: Ulrich Ackermann
Publisher: GRIN Verlag
ISBN: 3640557093
Category : Literary Criticism
Languages : en
Pages : 25

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Book Description
Seminar paper from the year 2007 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Freiburg, course: Hauptseminar The Rise of the Entertainment Industry, language: English, abstract: Throughout their history in the United States, African–Americans had never been in charge of their own image. When in Kentucky in 1928, Thomas "Daddy" Rice, a white man who performed in black-face "Jim Crow", a song that he had heard before in the South from a black performer, a new genre was born: the minstrel show, a white imitation of black culture. In his movie Bamboozled (2000), Spike Lee confronts us with the question, if these racist nineteenth century depictions of African Americans still exist today in contemporary popular media. In this case we have to ask the question of responsibility for these representations: In the 1990s 340 billion dollars had been spent on media and entertainment in the United States. The entertainment industry today has become the fastest increasing factor of economy. Since the 1970s television is the largest and most influential entertainment medium in North America and occupies a crucial space in practices of everyday life, "where important social encounters and cultural transformations are possible." The concept of ‘seeing is believing’ obviously is a major factor here." A majority of Americans only came to know and understand the American racial order through media representations of the black ethnic other. This research paper will try to give some proof of the historical continuity of the stereotypical racist representations of African Americans from the days of minstrelsy and vaudeville until today.

Author: Ulrich Ackermann
Publisher: GRIN Verlag
ISBN: 3640557506
Category : Language Arts & Disciplines
Languages : en
Pages : 53

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Book Description
Seminar paper from the year 2007 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Freiburg, course: Hauptseminar The Rise of the Entertainment Industry, language: English, abstract: Throughout their history in the United States, African-Americans had never been in charge of their own image. When in Kentucky in 1928, Thomas "Daddy" Rice, a white man who performed in black-face "Jim Crow", a song that he had heard before in the South from a black performer, a new genre was born: the minstrel show, a white imitation of black culture. In his movie Bamboozled (2000), Spike Lee confronts us with the question, if these racist nineteenth century depictions of African Americans still exist today in contemporary popular media. In this case we have to ask the question of responsibility for these representations: In the 1990s 340 billion dollars had been spent on media and entertainment in the United States. The entertainment industry today has become the fastest increasing factor of economy. Since the 1970s television is the largest and most influential entertainment medium in North America and occupies a crucial space in practices of everyday life, "where important social encounters and cultural transformations are possible." The concept of 'seeing is believing' obviously is a major factor here." A majority of Americans only came to know and understand the American racial order through media representations of the black ethnic other. This research paper will try to give some proof of the historical continuity of the stereotypical racist representations of African Americans from the days of minstrelsy and vaudeville until today.

Author: Torriano Berry
Publisher: Citadel Press
ISBN: 9780806521336
Category : Performing Arts
Languages : en
Pages : 324

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Book Description
A plentifully illustrated guide to the most popular and socially significant movies made for, by, and about African Americans from 1900 to today. Also includes incisive interviews with Hollywood greats such as Ossie Davis and Ivan Dixon.

Author: David L. Moody
Publisher: Lexington Books
ISBN: 0739188380
Category : Language Arts & Disciplines
Languages : en
Pages : 169

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Book Description
The Complexity and Progression of Black Representation in Film and Television examines the intricacies of race, representation, Black masculinity, sexuality, class, and color in American cinema and television. Black images on the silver screen date back to the silent film era, yet these films and television programs presented disturbing images of African American culture, and regrettably, many early films and small screen programs portrayed Black characters in demeaning and stereotypical roles. In order to fully analyze the roles of Black actors and actresses in film and television, Moody addresses the following issues: the historical significance of the term “race films”; female Black identities and constructs; queerness and Black masculinity; Black male identities; and Black buffoonery in film and television.

Author: J. Fred MacDonald
Publisher: Burnham, Incorporated
ISBN:
Category : Art
Languages : en
Pages : 418

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Book Description
The second edition of this powerful analysis of African-Americans in the television insudtry since 1948 is completely updated. The increased visibility of blacks in television, the success of the Cosby Show and other sitcoms featuring black actors, and the impact of cable TV on programming are described in detail. Professor MacDonald traces the stereotyping, tokenism, and unfair treatment of blacks from the early days of the indsutry, but expresses his hope and belief that a new video order is materializing that will finally fulfill the bright promise of television.

Author: David J. Leonard
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Social Science
Languages : en
Pages : 406

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Book Description
A comprehensive look at the history of African Americans on television that discusses major trends in black TV and examines the broader social implications of the relationship between race and popular culture as well as race and representation. Previous treatments of the history of African Americans in television have largely lacked theoretical analysis of the relationship between representations and social contexts. African Americans on Television: Race-ing for Ratings fills the existing void by supplying fundamental history with critical analyses of the racial politics of television, documenting the considerable effect that television has had on popular notions of black identity in America since the inception of television. Covering a spectrum of genres—comedy, drama, talk shows, television movies, variety shows, and reality television, including shows such as Good Times, The Oprah Winfrey Show, and Chappelle's Show—this insightful work traces a cultural genealogy of African Americans in television. Its chronological analysis provides an engaging historical account of how African Americans entered the genre of television and have continued to play a central role in the development of both the medium and the industry. The book also tracks the shift in the significance of African Americans in the television market and industry, and the changing, but enduring, face of stereotypes and racism in American television culture.

Author: Herman Gray
Publisher: U of Minnesota Press
ISBN: 9780816622504
Category : Performing Arts
Languages : en
Pages : 456

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Book Description
Examines the cultural politics of television and race. In the late 1980s and early 1990s television representations of African Americans exploded on the small screen. Why has this occurred, and what relation do these shows have to society's idea of "blackness"? How do these shows relate to earlier television series featuring African Americans? Herman Gray's Watching Race -- now available in paperback for the first time -- offers a new look at the changing representations of African Americans on television. Starting with the portrayal of blacks on series such as The Jack Benny Show and Amos 'n' Andy, Gray details the ongoing dialogue between television representations and cultural discourse to show how the meaning of blackness has changed through the years of the TV era. Drawing on analyses of The Cosby Show, Frank's Place, In Living Color, and Roc, as well as music videos, news coverage, and advertising, Watching Race examines how the political stakes, cultural perspectives, and social locations of key cultural and social formations influence the representation of "blackness" in television. "Absorbing.... Offers incisive analysis of the important, often fierce battles being waged in the black-and-white representational landscape of commercial television". Patricia Williams

Author: Donald Bogle
Publisher: Burns & Oates
ISBN: 9780826415189
Category : Performing Arts
Languages : en
Pages : 454

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Book Description
This study of black images in American motion pictures, is re-issued for its 30th anniverary in its 4th edition. It includes the entire 20th century through black images in film, from the silent era to the unequalled rise of the new African American cinema and stars of today. From The Birth of a Nation, Gone with the Wind, and Carmen Jones to Shaft, Do the Right Thing, Waiting to Exhale, The Hurricane, and Bamboozled, Donald Bogle reveals the way the image of blacks in American cinema has changed - and also the shocking way in which it has often remained the same.