Author: Mildred Denby Green
Publisher: Macmillan Reference USA
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 182
Book Description
Black Women Composers
Author: Mildred Denby Green
Publisher: Macmillan Reference USA
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 182
Book Description
Publisher: Macmillan Reference USA
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 182
Book Description
From Spirituals to Symphonies
Author: Helen Walker-Hill
Publisher: University of Illinois Press
ISBN: 0252074548
Category : African American women composers
Languages : en
Pages : 429
Book Description
Exploding the assumption that black women's only important musical contributions have been in folk, jazz, and pop Helen Walker-Hill's unique study provides a carefully researched examination of the history and scope of musical composition by African American women composers from the nineteenth and twentieth centuries. Focusing on the effect of race, gender, and class, From Spirituals to Symphonies notes the important role played by individual personalities and circumstances in shaping this underappreciated category of American art. The study also provides in-depth exploration of the backgrounds, experiences, and musical compositions of eight African American women including Margaret Bonds, Undine Smith Moore, and Julia Perry, who combined the techniques of Western art music with their own cultural traditions and individual gifts. Despite having gained national and international recognition during their lifetimes, the contributions of many of these women are today forgotten.
Publisher: University of Illinois Press
ISBN: 0252074548
Category : African American women composers
Languages : en
Pages : 429
Book Description
Exploding the assumption that black women's only important musical contributions have been in folk, jazz, and pop Helen Walker-Hill's unique study provides a carefully researched examination of the history and scope of musical composition by African American women composers from the nineteenth and twentieth centuries. Focusing on the effect of race, gender, and class, From Spirituals to Symphonies notes the important role played by individual personalities and circumstances in shaping this underappreciated category of American art. The study also provides in-depth exploration of the backgrounds, experiences, and musical compositions of eight African American women including Margaret Bonds, Undine Smith Moore, and Julia Perry, who combined the techniques of Western art music with their own cultural traditions and individual gifts. Despite having gained national and international recognition during their lifetimes, the contributions of many of these women are today forgotten.
A New Anthology of Art Songs by African American Composers
Author: Margaret R. Simmons
Publisher: SIU Press
ISBN: 9780809325238
Category : Music
Languages : en
Pages : 220
Book Description
Including thirty-nine pieces for voice and piano created since 1968 by eighteen artists, ANew Anthology of Art Songs by African American Composers navigates a varied musical terrain from classical European traditions to jazz and spirituals. With nearly half of the featured songs composed by women and with others by lesser-known and emerging composers, this important collection offers a diverse, representative sampling of African American art songs and works to secure the places of these songs and artists in the canon of contemporary American music.
Publisher: SIU Press
ISBN: 9780809325238
Category : Music
Languages : en
Pages : 220
Book Description
Including thirty-nine pieces for voice and piano created since 1968 by eighteen artists, ANew Anthology of Art Songs by African American Composers navigates a varied musical terrain from classical European traditions to jazz and spirituals. With nearly half of the featured songs composed by women and with others by lesser-known and emerging composers, this important collection offers a diverse, representative sampling of African American art songs and works to secure the places of these songs and artists in the canon of contemporary American music.
Piano Music by Black Women Composers
Author: Helen Walker-Hill
Publisher: Bloomsbury Publishing USA
ISBN: 0313064725
Category : Music
Languages : en
Pages : 161
Book Description
In recent years, considerable scholarly attention has been paid to women in music, and information on the music of a handful of black women composers, such as Florence Price and Mary Lou Williams, has been published. Determined search, however, is needed to locate what little data is available on most such composers. Proceeding from a desire to use music of black women composers in her piano performance and teaching, Helen Walker-Hill has dedicated herself to uncovering this material, utilizing secondary sources and numerous archives, conducting interviews with composers, and engaging in voluminous correspondence with individuals and institutions. The result is the most comprehensive catalog of music composed by African American women to date. The depth of detail required limiting the scope to solo and ensemble piano music. However, an introductory overview on the contributions of black women in music and biographical sketches on the fifty-four composers profiled in the catalog contain broader information. Over 300 piano works are listed, with detailed descriptive information on close to 200 works the author was able to obtain and study, including sources and levels of difficulty. Appendixes list available published music, ensemble instrumentation, music for teaching, and music published before 1920. A selected bibliography and a selected discography are also provided. This biographical dictionary and descriptive catalog will be most directly useful to performers and teachers, but the breadth of information makes it valuable for research in music history, African American studies, and women's studies.
Publisher: Bloomsbury Publishing USA
ISBN: 0313064725
Category : Music
Languages : en
Pages : 161
Book Description
In recent years, considerable scholarly attention has been paid to women in music, and information on the music of a handful of black women composers, such as Florence Price and Mary Lou Williams, has been published. Determined search, however, is needed to locate what little data is available on most such composers. Proceeding from a desire to use music of black women composers in her piano performance and teaching, Helen Walker-Hill has dedicated herself to uncovering this material, utilizing secondary sources and numerous archives, conducting interviews with composers, and engaging in voluminous correspondence with individuals and institutions. The result is the most comprehensive catalog of music composed by African American women to date. The depth of detail required limiting the scope to solo and ensemble piano music. However, an introductory overview on the contributions of black women in music and biographical sketches on the fifty-four composers profiled in the catalog contain broader information. Over 300 piano works are listed, with detailed descriptive information on close to 200 works the author was able to obtain and study, including sources and levels of difficulty. Appendixes list available published music, ensemble instrumentation, music for teaching, and music published before 1920. A selected bibliography and a selected discography are also provided. This biographical dictionary and descriptive catalog will be most directly useful to performers and teachers, but the breadth of information makes it valuable for research in music history, African American studies, and women's studies.
The Heart of a Woman
Author: Rae Linda Brown
Publisher: University of Illinois Press
ISBN: 0252052110
Category : Music
Languages : en
Pages : 466
Book Description
Book Prize Winner of the International Alliance for Women in Music of the 2022 Pauline Alderman Awards for Outstanding Scholarship on Women in Music The Heart of a Woman offers the first-ever biography of Florence B. Price, a composer whose career spanned both the Harlem and Chicago Renaissances, and the first African American woman to gain national recognition for her works. Price's twenty-five years in Chicago formed the core of a working life that saw her create three hundred works in diverse genres, including symphonies and orchestral suites, art songs, vocal and choral music, and arrangements of spirituals. Through interviews and a wealth of material from public and private archives, Rae Linda Brown illuminates Price's major works while exploring the considerable depth of her achievement. Brown also traces the life of the extremely private individual from her childhood in Little Rock through her time at the New England Conservatory, her extensive teaching, and her struggles with racism, poverty, and professional jealousies. In addition, Brown provides musicians and scholars with dozens of musical examples.
Publisher: University of Illinois Press
ISBN: 0252052110
Category : Music
Languages : en
Pages : 466
Book Description
Book Prize Winner of the International Alliance for Women in Music of the 2022 Pauline Alderman Awards for Outstanding Scholarship on Women in Music The Heart of a Woman offers the first-ever biography of Florence B. Price, a composer whose career spanned both the Harlem and Chicago Renaissances, and the first African American woman to gain national recognition for her works. Price's twenty-five years in Chicago formed the core of a working life that saw her create three hundred works in diverse genres, including symphonies and orchestral suites, art songs, vocal and choral music, and arrangements of spirituals. Through interviews and a wealth of material from public and private archives, Rae Linda Brown illuminates Price's major works while exploring the considerable depth of her achievement. Brown also traces the life of the extremely private individual from her childhood in Little Rock through her time at the New England Conservatory, her extensive teaching, and her struggles with racism, poverty, and professional jealousies. In addition, Brown provides musicians and scholars with dozens of musical examples.
Sounds and Sweet Airs
Author: Anna Beer
Publisher: Simon and Schuster
ISBN: 1780748574
Category : Biography & Autobiography
Languages : en
Pages : 533
Book Description
The hidden history of the women who dared to write music in a man’s world. ‘Lucid, engaging and exuberant... [Sounds and Sweet Airs] is terrifically enjoyable and accessible, and leaves one hankering for a second volume.’ The Sunday Times Francesca Caccini. Barbara Strozzi. Élisabeth Jacquet de la Guerre. Marianna Martines. Fanny Hensel. Clara Schumann. Lili Boulanger. Elizabeth Maconchy. Since the birth of classical music, women who dared compose have faced a bitter struggle to be heard. In spite of this, female composers continued to create, inspire and challenge. Yet even today so much of their work languishes unheard. Anna Beer reveals the highs and lows experienced by eight composers across the centuries, from Renaissance Florence to twentieth-century London, restoring to their rightful place exceptional women whom history has forgotten.
Publisher: Simon and Schuster
ISBN: 1780748574
Category : Biography & Autobiography
Languages : en
Pages : 533
Book Description
The hidden history of the women who dared to write music in a man’s world. ‘Lucid, engaging and exuberant... [Sounds and Sweet Airs] is terrifically enjoyable and accessible, and leaves one hankering for a second volume.’ The Sunday Times Francesca Caccini. Barbara Strozzi. Élisabeth Jacquet de la Guerre. Marianna Martines. Fanny Hensel. Clara Schumann. Lili Boulanger. Elizabeth Maconchy. Since the birth of classical music, women who dared compose have faced a bitter struggle to be heard. In spite of this, female composers continued to create, inspire and challenge. Yet even today so much of their work languishes unheard. Anna Beer reveals the highs and lows experienced by eight composers across the centuries, from Renaissance Florence to twentieth-century London, restoring to their rightful place exceptional women whom history has forgotten.
I Wish I Didn't Quit
Author: Nathan Holder
Publisher:
ISBN: 9781999753009
Category :
Languages : en
Pages : 196
Book Description
Your child starts playing an instrument. Then they grow frustrated, impatient and bored. Then they quit and years later wish they didnt. Why does this happen to so many people? Bad teaching? Boring music? Is playing the clarinet not cool enough? How can you stop this from happening? What can you do to help? I Wish I Didn't Quit: Music Lessons gives you the tools and ideas to help your child succeed along their musical journey. By understanding your role in their journey, your child's musical environment and what really made Mozart a genius, you can help your child to love their instrument and never regret giving up. Tips and anecdotes from some of the world's top musicians and industry professionals will help you to understand how you can give your children an amazing set of lifelong skills, confidence and experiences. Featuring Jermaine Griggs (CEO and Founder of HearAndPlay.com), Hannah V (Rhianna, JP Cooper, Stormzy), Ken Burton (Marvel's Black Panther & award-winning choirmaster), Gilles Peterson (award-winning BBC Radio 6 DJ & entrepreneur), Kaz Rodriguez (drummer and composer).
Publisher:
ISBN: 9781999753009
Category :
Languages : en
Pages : 196
Book Description
Your child starts playing an instrument. Then they grow frustrated, impatient and bored. Then they quit and years later wish they didnt. Why does this happen to so many people? Bad teaching? Boring music? Is playing the clarinet not cool enough? How can you stop this from happening? What can you do to help? I Wish I Didn't Quit: Music Lessons gives you the tools and ideas to help your child succeed along their musical journey. By understanding your role in their journey, your child's musical environment and what really made Mozart a genius, you can help your child to love their instrument and never regret giving up. Tips and anecdotes from some of the world's top musicians and industry professionals will help you to understand how you can give your children an amazing set of lifelong skills, confidence and experiences. Featuring Jermaine Griggs (CEO and Founder of HearAndPlay.com), Hannah V (Rhianna, JP Cooper, Stormzy), Ken Burton (Marvel's Black Panther & award-winning choirmaster), Gilles Peterson (award-winning BBC Radio 6 DJ & entrepreneur), Kaz Rodriguez (drummer and composer).
Dvorak's Prophecy: And the Vexed Fate of Black Classical Music
Author: Joseph Horowitz
Publisher: W. W. Norton & Company
ISBN: 0393881253
Category : Music
Languages : en
Pages : 256
Book Description
A Kirkus Reviews Best Nonfiction Book of 2021 A provocative interpretation of why classical music in America "stayed white"—how it got to be that way and what can be done about it. In 1893 the composer Antonín Dvorák prophesied a “great and noble school” of American classical music based on the “negro melodies” he had excitedly discovered since arriving in the United States a year before. But while Black music would foster popular genres known the world over, it never gained a foothold in the concert hall. Black composers found few opportunities to have their works performed, and white composers mainly rejected Dvorák’s lead. Joseph Horowitz ranges throughout American cultural history, from Frederick Douglass and Huckleberry Finn to George Gershwin’s Porgy and Bess and the work of Ralph Ellison, searching for explanations. Challenging the standard narrative for American classical music fashioned by Aaron Copland and Leonard Bernstein, he looks back to literary figures—Emerson, Melville, and Twain—to ponder how American music can connect with a “usable past.” The result is a new paradigm that makes room for Black composers, including Harry Burleigh, Nathaniel Dett, William Levi Dawson, and Florence Price, while giving increased prominence to Charles Ives and George Gershwin. Dvorák’s Prophecy arrives in the midst of an important conversation about race in America—a conversation that is taking place in music schools and concert halls as well as capitols and boardrooms. As George Shirley writes in his foreword to the book, “We have been left unprepared for the current cultural moment. [Joseph Horowitz] explains how we got there [and] proposes a bigger world of American classical music than what we have known before. It is more diverse and more equitable. And it is more truthful.”
Publisher: W. W. Norton & Company
ISBN: 0393881253
Category : Music
Languages : en
Pages : 256
Book Description
A Kirkus Reviews Best Nonfiction Book of 2021 A provocative interpretation of why classical music in America "stayed white"—how it got to be that way and what can be done about it. In 1893 the composer Antonín Dvorák prophesied a “great and noble school” of American classical music based on the “negro melodies” he had excitedly discovered since arriving in the United States a year before. But while Black music would foster popular genres known the world over, it never gained a foothold in the concert hall. Black composers found few opportunities to have their works performed, and white composers mainly rejected Dvorák’s lead. Joseph Horowitz ranges throughout American cultural history, from Frederick Douglass and Huckleberry Finn to George Gershwin’s Porgy and Bess and the work of Ralph Ellison, searching for explanations. Challenging the standard narrative for American classical music fashioned by Aaron Copland and Leonard Bernstein, he looks back to literary figures—Emerson, Melville, and Twain—to ponder how American music can connect with a “usable past.” The result is a new paradigm that makes room for Black composers, including Harry Burleigh, Nathaniel Dett, William Levi Dawson, and Florence Price, while giving increased prominence to Charles Ives and George Gershwin. Dvorák’s Prophecy arrives in the midst of an important conversation about race in America—a conversation that is taking place in music schools and concert halls as well as capitols and boardrooms. As George Shirley writes in his foreword to the book, “We have been left unprepared for the current cultural moment. [Joseph Horowitz] explains how we got there [and] proposes a bigger world of American classical music than what we have known before. It is more diverse and more equitable. And it is more truthful.”
Composers
Author: DK
Publisher: Penguin
ISBN: 0744036852
Category : Music
Languages : en
Pages : 1059
Book Description
“The only love affair I have ever had was with music.” Maurice Ravel A compelling celebration of more than 90 of the world’s most influential composers from the medieval period to the present day, Composers reveals the fascinating stories of their lives, loves, and works. Biographical entries – introduced with a stunning portrait of each featured composer – trace the friendships, loves, and rivalries that inspired each musical genius. Profiles offer revealing insights into what drove each individual to create the musical masterpieces – symphonies, concertos, and operatic scores – that changed the direction of classical music and are still celebrated and treasured today. Lavishly illustrated with paintings or photographs of each composer, alongside original musical scores and personal correspondence, images of their homes and where they worked, and personal effects and other important artifacts, the book introduces the key influences, themes, and working methods of each individual, setting their works within a wider historical and cultural context. Charting the development of classical music and music movements across the centuries, Composers provides a compelling glimpse into the personal lives, loves, and influences of the giants of the classical music canon.
Publisher: Penguin
ISBN: 0744036852
Category : Music
Languages : en
Pages : 1059
Book Description
“The only love affair I have ever had was with music.” Maurice Ravel A compelling celebration of more than 90 of the world’s most influential composers from the medieval period to the present day, Composers reveals the fascinating stories of their lives, loves, and works. Biographical entries – introduced with a stunning portrait of each featured composer – trace the friendships, loves, and rivalries that inspired each musical genius. Profiles offer revealing insights into what drove each individual to create the musical masterpieces – symphonies, concertos, and operatic scores – that changed the direction of classical music and are still celebrated and treasured today. Lavishly illustrated with paintings or photographs of each composer, alongside original musical scores and personal correspondence, images of their homes and where they worked, and personal effects and other important artifacts, the book introduces the key influences, themes, and working methods of each individual, setting their works within a wider historical and cultural context. Charting the development of classical music and music movements across the centuries, Composers provides a compelling glimpse into the personal lives, loves, and influences of the giants of the classical music canon.
Music by Black Women Composers
Author: Helen Walker-Hill
Publisher: Center for Black Music Rsrch
ISBN: 9780929911045
Category : Music
Languages : en
Pages : 128
Book Description
Publisher: Center for Black Music Rsrch
ISBN: 9780929911045
Category : Music
Languages : en
Pages : 128
Book Description