Author: Henry Purcell
Publisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 186
Book Description
The Works of Henry Purcell: Birthday odes for Queen Mary, part 1
Author: Henry Purcell
Publisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 186
Book Description
Publisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 186
Book Description
Birthday Odes for Queen Mary
Author: Henry Purcell
Publisher:
ISBN:
Category : Choruses, Secular (Mixed voices) with orchestra
Languages : en
Pages : 160
Book Description
Publisher:
ISBN:
Category : Choruses, Secular (Mixed voices) with orchestra
Languages : en
Pages : 160
Book Description
Catalogs
Author: Harold Reeves (Firm)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 620
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 620
Book Description
The Works of Henry Purcell: Birthday Odes for Queen Mary. Part II
Author: Henry Purcell
Publisher:
ISBN:
Category : Dramatic music
Languages : en
Pages : 252
Book Description
Publisher:
ISBN:
Category : Dramatic music
Languages : en
Pages : 252
Book Description
The Laureateship
Author: Edmund Kemper Broadus
Publisher: Oxford : Clarendon Press
ISBN:
Category : English poetry
Languages : en
Pages : 258
Book Description
Publisher: Oxford : Clarendon Press
ISBN:
Category : English poetry
Languages : en
Pages : 258
Book Description
Later Stuart Queens, 1660–1735
Author: Eilish Gregory
Publisher: Springer Nature
ISBN: 3031388135
Category : History
Languages : en
Pages : 379
Book Description
This book gathers contributions on the later Stuart queens and queen consorts. It seeks to re-insert Henrietta Maria, Catherine of Braganza, Mary of Modena, Mary II, Anne, and Maria Clementina Sobieska into the mainstream of Stuart and early Georgian studies, concentrating on the later Stuart queens from the restoration of King Charles II (who married Catherine of Braganza in 1662) until the death of Maria Clementina Sobieska in 1735, who was married to James Francis Edward Stuart, the titular King James III, otherwise known as the Old Pretender. It showcases these women’s roles as queen consorts and as ruling queens in Britain and Europe, and reveals how their positions allowed them to act as power-brokers, diplomats, patrons, and religious trendsetters during their lifetimes. It also explores their impact in early modern Britain and Europe by assessing their influence in religion, political culture, and the promotion of patronage.
Publisher: Springer Nature
ISBN: 3031388135
Category : History
Languages : en
Pages : 379
Book Description
This book gathers contributions on the later Stuart queens and queen consorts. It seeks to re-insert Henrietta Maria, Catherine of Braganza, Mary of Modena, Mary II, Anne, and Maria Clementina Sobieska into the mainstream of Stuart and early Georgian studies, concentrating on the later Stuart queens from the restoration of King Charles II (who married Catherine of Braganza in 1662) until the death of Maria Clementina Sobieska in 1735, who was married to James Francis Edward Stuart, the titular King James III, otherwise known as the Old Pretender. It showcases these women’s roles as queen consorts and as ruling queens in Britain and Europe, and reveals how their positions allowed them to act as power-brokers, diplomats, patrons, and religious trendsetters during their lifetimes. It also explores their impact in early modern Britain and Europe by assessing their influence in religion, political culture, and the promotion of patronage.
The amorous bigotte. The scowrers. The volunteers. Poems, etc. Letters
Author: Thomas Shadwell
Publisher:
ISBN:
Category : Artists' books
Languages : en
Pages : 472
Book Description
Publisher:
ISBN:
Category : Artists' books
Languages : en
Pages : 472
Book Description
Before the Baton
Author: Peter Holman
Publisher: Boydell & Brewer
ISBN: 1783274565
Category : Music
Languages : en
Pages : 434
Book Description
How was large-scale music directed or conducted in Britain before baton conducting took hold in the 1830s?
Publisher: Boydell & Brewer
ISBN: 1783274565
Category : Music
Languages : en
Pages : 434
Book Description
How was large-scale music directed or conducted in Britain before baton conducting took hold in the 1830s?
Court Odes
Author: John Eccles
Publisher: A-R Editions, Inc.
ISBN: 198720896X
Category : Music
Languages : en
Pages : 181
Book Description
John Eccles is today mainly remembered for his theater works, but, as Master of the King’s/Queen’s Music, he was also the principal composer of ceremonial courts odes for William III and Anne, producing some twenty New Year odes and fourteen birthday odes during his thirty-five years in the post—twice as many as Henry Purcell’s output in the same genre. The fact that his odes are so little known today is partly due to how few survive: music is extant for only five odes, three of them incomplete. This volume presents the first complete modern edition of Eccles’s surviving court odes. There is much superb music awaiting discovery here: by the time he wrote his first odes, Eccles was already a seasoned theater composer, and his odes can be equally dramatic and virtuosic; at the same time, they demonstrate confident control both of the choral and orchestral forces at his disposal, and of the works’ large-scale architecture.
Publisher: A-R Editions, Inc.
ISBN: 198720896X
Category : Music
Languages : en
Pages : 181
Book Description
John Eccles is today mainly remembered for his theater works, but, as Master of the King’s/Queen’s Music, he was also the principal composer of ceremonial courts odes for William III and Anne, producing some twenty New Year odes and fourteen birthday odes during his thirty-five years in the post—twice as many as Henry Purcell’s output in the same genre. The fact that his odes are so little known today is partly due to how few survive: music is extant for only five odes, three of them incomplete. This volume presents the first complete modern edition of Eccles’s surviving court odes. There is much superb music awaiting discovery here: by the time he wrote his first odes, Eccles was already a seasoned theater composer, and his odes can be equally dramatic and virtuosic; at the same time, they demonstrate confident control both of the choral and orchestral forces at his disposal, and of the works’ large-scale architecture.