Author: Samuel Taylor Coleridge
Publisher:
ISBN:
Category :
Languages : en
Pages : 476
Book Description
Biographia Literaria
Biographia Literaria
Author: Samuel Taylor Coleridge
Publisher: Wipf and Stock Publishers
ISBN: 1597522538
Category : Religion
Languages : en
Pages : 449
Book Description
This Volume is a verbatim reprint of the original editions of Coleridge's Biographia Literaria (1817); The Statesman's Manual, a Lay Sermon (1816); and Blessed are ye that sow beside all waters, a Lay Sermon (1817).
Publisher: Wipf and Stock Publishers
ISBN: 1597522538
Category : Religion
Languages : en
Pages : 449
Book Description
This Volume is a verbatim reprint of the original editions of Coleridge's Biographia Literaria (1817); The Statesman's Manual, a Lay Sermon (1816); and Blessed are ye that sow beside all waters, a Lay Sermon (1817).
Catalogue of the free public library, Sydney, 1876. Reference dept. [With]
Author: New South Wales state libr
Publisher:
ISBN:
Category :
Languages : en
Pages : 772
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 772
Book Description
Catalogue of the Free Public Library, Sydney, 1876
Author: New South Wales. Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 764
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 764
Book Description
Romantic Immanence
Author: Elizabeth A. Fay
Publisher: State University of New York Press
ISBN: 1438494769
Category : Literary Criticism
Languages : en
Pages : 336
Book Description
Romantic Immanence examines literary examples of an alternative experience of otherness—an experience of alterity the Romantics understood as an embodied, immanent encounter with raw reality. The Romantics' enthusiasm for encounters in nature and the imagination that exceeded the limits of rational thought is well known. Yet these encounters have largely been interpreted in terms of the sublime or the Gothic. Drawing attention to the influence of Spinozist and Stoic philosophy on Romantic thought and aesthetics, Elizabeth A. Fay argues that immanence was another, perhaps even more important, form of alterity, particularly during this era of social and political upheaval. Investigating works such as Coleridge's Rime of the Ancient Mariner, Dorothy Wordsworth's Grasmere Journals, and Percy Shelley's Triumph of Life alongside Schelling's unfinished Ages of the World and Schlegel's Athenaeum Fragments, Fay demonstrates how Romantic immanence, despite going largely unrecognized with the loss of its initial context, remains vividly present in these works.
Publisher: State University of New York Press
ISBN: 1438494769
Category : Literary Criticism
Languages : en
Pages : 336
Book Description
Romantic Immanence examines literary examples of an alternative experience of otherness—an experience of alterity the Romantics understood as an embodied, immanent encounter with raw reality. The Romantics' enthusiasm for encounters in nature and the imagination that exceeded the limits of rational thought is well known. Yet these encounters have largely been interpreted in terms of the sublime or the Gothic. Drawing attention to the influence of Spinozist and Stoic philosophy on Romantic thought and aesthetics, Elizabeth A. Fay argues that immanence was another, perhaps even more important, form of alterity, particularly during this era of social and political upheaval. Investigating works such as Coleridge's Rime of the Ancient Mariner, Dorothy Wordsworth's Grasmere Journals, and Percy Shelley's Triumph of Life alongside Schelling's unfinished Ages of the World and Schlegel's Athenaeum Fragments, Fay demonstrates how Romantic immanence, despite going largely unrecognized with the loss of its initial context, remains vividly present in these works.
A.L.A. Catalog
A.L.A. Catalog
Author: American Library Association
Publisher:
ISBN:
Category : Best books
Languages : en
Pages : 900
Book Description
Publisher:
ISBN:
Category : Best books
Languages : en
Pages : 900
Book Description
Bibliographical Society Publication
Cézanne and the Post-Bionian Field
Author: Robert Snell
Publisher: Routledge
ISBN: 1000326055
Category : Art
Languages : en
Pages : 137
Book Description
By inviting a ‘conversation’ between them, this book offers a nuanced introduction both to Cézanne—the ‘father of modern art’—and perhaps the most vital body of theory in contemporary psychoanalysis, ‘post-Bionian field theory’, as it has been evolving in Italy in the hands of Antonino Ferro, Giuseppe Civitarese, and others. Cézanne and Bion, each insisting on his own truths, spearheaded quite new directions in painting and in psychoanalysis. Both point us towards a crucial insight: far from being isolated, self-contained ‘subjects’, we fundamentally exist only within a larger interpersonal ‘field’. Cézanne’s painting can give us a direct experience of this. For the Italian field analysts, building on Bion’s work, the field is accessed through reverie, metaphor, and dream, which now come to occupy the heart of psychoanalysis. Here primitive ‘proto-emotions’ that link us all might be transformed—as Cézanne transformed his ‘sensations’—into aesthetic form, into feelings-linked-to-thoughts that in turn enrich and expand the field. The book draws on the words of artists (Cézanne himself, Mann), philosophers (Merleau-Ponty, Bergson), art historians and theorists (Clark, Smith, Shaw), as well as psychoanalysts (Bion, Ferro, Civitarese, and others), and it is the first to focus on one particular—and seminal—painter as a way of exploring this aesthetic and ‘field’ dimension in depth and detail. Aimed at psychoanalysts, psychotherapists, artists, art historians, and the general reader, it suggests how far art and contemporary psychoanalysis are mutually generative.
Publisher: Routledge
ISBN: 1000326055
Category : Art
Languages : en
Pages : 137
Book Description
By inviting a ‘conversation’ between them, this book offers a nuanced introduction both to Cézanne—the ‘father of modern art’—and perhaps the most vital body of theory in contemporary psychoanalysis, ‘post-Bionian field theory’, as it has been evolving in Italy in the hands of Antonino Ferro, Giuseppe Civitarese, and others. Cézanne and Bion, each insisting on his own truths, spearheaded quite new directions in painting and in psychoanalysis. Both point us towards a crucial insight: far from being isolated, self-contained ‘subjects’, we fundamentally exist only within a larger interpersonal ‘field’. Cézanne’s painting can give us a direct experience of this. For the Italian field analysts, building on Bion’s work, the field is accessed through reverie, metaphor, and dream, which now come to occupy the heart of psychoanalysis. Here primitive ‘proto-emotions’ that link us all might be transformed—as Cézanne transformed his ‘sensations’—into aesthetic form, into feelings-linked-to-thoughts that in turn enrich and expand the field. The book draws on the words of artists (Cézanne himself, Mann), philosophers (Merleau-Ponty, Bergson), art historians and theorists (Clark, Smith, Shaw), as well as psychoanalysts (Bion, Ferro, Civitarese, and others), and it is the first to focus on one particular—and seminal—painter as a way of exploring this aesthetic and ‘field’ dimension in depth and detail. Aimed at psychoanalysts, psychotherapists, artists, art historians, and the general reader, it suggests how far art and contemporary psychoanalysis are mutually generative.
The National Union Catalog, Pre-1956 Imprints
Author: Library of Congress
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 750
Book Description
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 750
Book Description