Author: Karen Duffek
Publisher: D & M Publishers
ISBN: 1926706501
Category : Art
Languages : en
Pages : 346
Book Description
A fresh perspective from Haida leaders, art and cultural historians, anthropologists and artists on the lasting legacy of the famed Haida artist Bill Reid.
Bill Reid
Author: Karen Duffek
Publisher: UBC Press
ISBN: 0774844876
Category : Social Science
Languages : en
Pages : 69
Book Description
According to eminent French anthropologist Levi-Strauss, Reid "brought Northwest Coast art to the world scene, into dialogue with the whole of mankind." In this artistic biography, Karen Duffek gives an account of Bill Reid's life and work and of his role as artist, innovator, and ambassador of Haida art. After describing the processes by which Reid came to reconstruct the formal rules of a complex artistic tradition, Duffek focuses on his mastery of new techniques, particularly in making jewellery, techniques which others now emulate. In the key chapter "Beyond the Essential Form," she uses Reid's own categories of his work as "copies, adaptations and explorations," to give a candid appraisal of his artistic achievements -- from massive poles to gold boxes, from intricate bracelets to the great bronze Killerwhale statue.
Publisher: UBC Press
ISBN: 0774844876
Category : Social Science
Languages : en
Pages : 69
Book Description
According to eminent French anthropologist Levi-Strauss, Reid "brought Northwest Coast art to the world scene, into dialogue with the whole of mankind." In this artistic biography, Karen Duffek gives an account of Bill Reid's life and work and of his role as artist, innovator, and ambassador of Haida art. After describing the processes by which Reid came to reconstruct the formal rules of a complex artistic tradition, Duffek focuses on his mastery of new techniques, particularly in making jewellery, techniques which others now emulate. In the key chapter "Beyond the Essential Form," she uses Reid's own categories of his work as "copies, adaptations and explorations," to give a candid appraisal of his artistic achievements -- from massive poles to gold boxes, from intricate bracelets to the great bronze Killerwhale statue.
Bill Reid and Beyond
Author: Karen Duffek
Publisher: D & M Publishers
ISBN: 1926706501
Category : Art
Languages : en
Pages : 346
Book Description
A fresh perspective from Haida leaders, art and cultural historians, anthropologists and artists on the lasting legacy of the famed Haida artist Bill Reid.
Publisher: D & M Publishers
ISBN: 1926706501
Category : Art
Languages : en
Pages : 346
Book Description
A fresh perspective from Haida leaders, art and cultural historians, anthropologists and artists on the lasting legacy of the famed Haida artist Bill Reid.
Bill Reid
Author: Maria Tippett
Publisher: Vintage Books Canada
ISBN: 9780679311942
Category : Haida Indians
Languages : en
Pages : 0
Book Description
Bill Reid was at the forefront of the modern-day renaissance of Northwest Coast Native art; but his art, and his life, was not without controversy. Like the raven -- the trickster and principal figure in countless Haida myths -- Bill Reid reinvented himself several times over. Born to a partly Haida mother and a father of German and Scottish descent, his public persona as a Haida Indian seems to have been as much a product of journalists, art patrons, museum curators and others in the non-Native establishment as of Bill Reid himself. It is clear that Reid?s art arose from the tension that existed between his Native and white artistic perceptions.
Publisher: Vintage Books Canada
ISBN: 9780679311942
Category : Haida Indians
Languages : en
Pages : 0
Book Description
Bill Reid was at the forefront of the modern-day renaissance of Northwest Coast Native art; but his art, and his life, was not without controversy. Like the raven -- the trickster and principal figure in countless Haida myths -- Bill Reid reinvented himself several times over. Born to a partly Haida mother and a father of German and Scottish descent, his public persona as a Haida Indian seems to have been as much a product of journalists, art patrons, museum curators and others in the non-Native establishment as of Bill Reid himself. It is clear that Reid?s art arose from the tension that existed between his Native and white artistic perceptions.
Iljuwas Bill Reid
Author: Gerald McMaster
Publisher: Canadian Art Library
ISBN: 9781487102654
Category :
Languages : en
Pages : 128
Book Description
Few twentieth-century artists were catalysts for the reclamation of a culture, but Iljuwas Bill Reid (1920-1998) was among them. The first book on the artist by an Indigenous scholar details Reid's incredible journey to becoming one of the most significant Northwest Coast artists of our time. Born in British Columbia and denied his mother's Haida heritage in his youth, Iljuwas Bill Reid lived the reality of colonialism yet tenaciously forged a creative practice that celebrated Haida ways of seeing and making. Over his fifty-year career, he created nearly a thousand original works and dozens of texts, and he is remembered as a passionate artist, community activist, mentor, and writer. Reid was often said to embody the Raven, a trickster who transforms the world. He followed in the footsteps of his great-great-uncle, master Haida artist Daxhiigang (Charles Edenshaw), engaging with a culture whose practices were once banned by the Indian Act and producing symbols for a nation. His iconic large-scale works now occupy sites such as the Canadian Embassy in Washington, D.C., and the Museum of Anthropology at the University of British Columbia in Vancouver. Reid's legacy is a complex story of power, resilience, and strength. In Iljuwas Bill Reid: Life & Work, acclaimed scholar Gerald McMaster examines how the artist made a critical inquiry into his craft throughout his life, gaining a sense of identity, purpose, and impact.
Publisher: Canadian Art Library
ISBN: 9781487102654
Category :
Languages : en
Pages : 128
Book Description
Few twentieth-century artists were catalysts for the reclamation of a culture, but Iljuwas Bill Reid (1920-1998) was among them. The first book on the artist by an Indigenous scholar details Reid's incredible journey to becoming one of the most significant Northwest Coast artists of our time. Born in British Columbia and denied his mother's Haida heritage in his youth, Iljuwas Bill Reid lived the reality of colonialism yet tenaciously forged a creative practice that celebrated Haida ways of seeing and making. Over his fifty-year career, he created nearly a thousand original works and dozens of texts, and he is remembered as a passionate artist, community activist, mentor, and writer. Reid was often said to embody the Raven, a trickster who transforms the world. He followed in the footsteps of his great-great-uncle, master Haida artist Daxhiigang (Charles Edenshaw), engaging with a culture whose practices were once banned by the Indian Act and producing symbols for a nation. His iconic large-scale works now occupy sites such as the Canadian Embassy in Washington, D.C., and the Museum of Anthropology at the University of British Columbia in Vancouver. Reid's legacy is a complex story of power, resilience, and strength. In Iljuwas Bill Reid: Life & Work, acclaimed scholar Gerald McMaster examines how the artist made a critical inquiry into his craft throughout his life, gaining a sense of identity, purpose, and impact.
Teaching Collection (Anthropology
Indigenous DC
Author: Elizabeth Rule
Publisher: Georgetown University Press
ISBN: 1647123224
Category : History
Languages : en
Pages : 210
Book Description
The first and fullest account of the suppressed history and continuing presence of Native Americans in Washington, DC Washington, DC, is Indian land, but Indigenous peoples are often left out of the national narrative of the United States and erased in the capital city. To redress this myth of invisibility, Indigenous DC shines a light upon the oft-overlooked contributions of tribal leaders and politicians, artists and activists to the rich history of the District of Columbia, and their imprint—at times memorialized in physical representations, and at other times living on only through oral history—upon this place. Inspired by author Elizabeth Rule’s award-winning public history mobile app and decolonial mapping project Guide to Indigenous DC, this book brings together the original inhabitants who call the District their traditional territory, the diverse Indigenous diaspora who has made community here, and the land itself in a narrative arc that makes clear that all land is Native land. The acknowledgment that DC is an Indigenous space inserts the Indigenous perspective into the national narrative and opens the door for future possibilities of Indigenous empowerment and sovereignty. This important book is a valuable and informational resource on both Washington, DC, regional history and Native American history.
Publisher: Georgetown University Press
ISBN: 1647123224
Category : History
Languages : en
Pages : 210
Book Description
The first and fullest account of the suppressed history and continuing presence of Native Americans in Washington, DC Washington, DC, is Indian land, but Indigenous peoples are often left out of the national narrative of the United States and erased in the capital city. To redress this myth of invisibility, Indigenous DC shines a light upon the oft-overlooked contributions of tribal leaders and politicians, artists and activists to the rich history of the District of Columbia, and their imprint—at times memorialized in physical representations, and at other times living on only through oral history—upon this place. Inspired by author Elizabeth Rule’s award-winning public history mobile app and decolonial mapping project Guide to Indigenous DC, this book brings together the original inhabitants who call the District their traditional territory, the diverse Indigenous diaspora who has made community here, and the land itself in a narrative arc that makes clear that all land is Native land. The acknowledgment that DC is an Indigenous space inserts the Indigenous perspective into the national narrative and opens the door for future possibilities of Indigenous empowerment and sovereignty. This important book is a valuable and informational resource on both Washington, DC, regional history and Native American history.
The Raven Steals the Light
Author:
Publisher:
ISBN: 9780029596678
Category : Haida Indians
Languages : en
Pages : 0
Book Description
"This new edition of a collaboration between one of the finest living artists in North America and one of Canada’s finest poets includes a new introduction by the distinguished anthropologist Claude Lévi-Strauss. Ten masterful, complex drawings by Bill Reid and ten tales demonstrate the richness and range of Haida mythology, from bawdy yet profound tales of the trickster Raven to poignant, imagistic narratives of love and its complications in a world where animals speak, dreams come real, and demigods, monsters, and men live side by side."--Abebooks.com viewed Oct. 24, 2022.
Publisher:
ISBN: 9780029596678
Category : Haida Indians
Languages : en
Pages : 0
Book Description
"This new edition of a collaboration between one of the finest living artists in North America and one of Canada’s finest poets includes a new introduction by the distinguished anthropologist Claude Lévi-Strauss. Ten masterful, complex drawings by Bill Reid and ten tales demonstrate the richness and range of Haida mythology, from bawdy yet profound tales of the trickster Raven to poignant, imagistic narratives of love and its complications in a world where animals speak, dreams come real, and demigods, monsters, and men live side by side."--Abebooks.com viewed Oct. 24, 2022.
Bill Reid Collected
Author:
Publisher: D & M Publishers
ISBN: 1771621168
Category : Art
Languages : en
Pages : 170
Book Description
Over his lifetime, Bill Reid created many historic pieces of art including the large bronze sculpture The Spirit of Haida Gwaii, nicknamed the Jade Canoe and displayed at the Vancouver International Airport, and The Raven and the First Men, a yellow cedar carving. Both are featured on the Canadian $20 bill. In addition to the immense praise for his artwork, Reid received the National Aboriginal Achievement Award for Lifetime Achievement in 1994. He continued to create stunning sculptures up until his death in 1998. Bill Reid Collected features the largest chronological collection of memorable works of Reid’s career in full-color photographs and images to date. Along with an introductory essay by Dr. Martine J. Reid, this collection pays tribute to one of Canada’s most renowned First Nations artists.
Publisher: D & M Publishers
ISBN: 1771621168
Category : Art
Languages : en
Pages : 170
Book Description
Over his lifetime, Bill Reid created many historic pieces of art including the large bronze sculpture The Spirit of Haida Gwaii, nicknamed the Jade Canoe and displayed at the Vancouver International Airport, and The Raven and the First Men, a yellow cedar carving. Both are featured on the Canadian $20 bill. In addition to the immense praise for his artwork, Reid received the National Aboriginal Achievement Award for Lifetime Achievement in 1994. He continued to create stunning sculptures up until his death in 1998. Bill Reid Collected features the largest chronological collection of memorable works of Reid’s career in full-color photographs and images to date. Along with an introductory essay by Dr. Martine J. Reid, this collection pays tribute to one of Canada’s most renowned First Nations artists.
All That We Say is Ours
Author: Ian Gill
Publisher: Douglas & McIntyre
ISBN: 1771623322
Category : Biography & Autobiography
Languages : en
Pages : 343
Book Description
Haida Gwaii, the ancient territory of the Haida people, is a West Coast archipelago famous for its wild beauty and rich species diversity. But that natural bounty, since European contact, has also been a magnet for industry. In the mid-1970s, the Haida rallied with environmentalists to end the rapacious logging of their monumental old-growth forests—and to reassert their title and rights to their homeland. Combining first-person accounts with his own vivid prose, Ian Gill traces the struggle from its early days. The battle became epic, stretching from the backwoods of British Columbia to the front benches of Canada’s parliament and uniting a colourful cast of characters. There were many setbacks, but also amazing victories, including the creation of Gwaii Haanas, a world-renowned protected area, and landmark legal decisions. Perhaps the fiercest champion of the Haida’s visionary new stewardship ethic has been Guujaaw—artist, orator, strategist and four-term president of the Council of the Haida Nation. In 2004, the Haida laid claim to their entire traditional territory: the land, seabed and waters of Haida Gwaii. It was an audacious move, and one that set a benchmark for indigenous rights around the world. In telling this incredible story of political and cultural renaissance, Ian Gill has crafted a gripping, ultilayered narrative with far-reaching reverberations.
Publisher: Douglas & McIntyre
ISBN: 1771623322
Category : Biography & Autobiography
Languages : en
Pages : 343
Book Description
Haida Gwaii, the ancient territory of the Haida people, is a West Coast archipelago famous for its wild beauty and rich species diversity. But that natural bounty, since European contact, has also been a magnet for industry. In the mid-1970s, the Haida rallied with environmentalists to end the rapacious logging of their monumental old-growth forests—and to reassert their title and rights to their homeland. Combining first-person accounts with his own vivid prose, Ian Gill traces the struggle from its early days. The battle became epic, stretching from the backwoods of British Columbia to the front benches of Canada’s parliament and uniting a colourful cast of characters. There were many setbacks, but also amazing victories, including the creation of Gwaii Haanas, a world-renowned protected area, and landmark legal decisions. Perhaps the fiercest champion of the Haida’s visionary new stewardship ethic has been Guujaaw—artist, orator, strategist and four-term president of the Council of the Haida Nation. In 2004, the Haida laid claim to their entire traditional territory: the land, seabed and waters of Haida Gwaii. It was an audacious move, and one that set a benchmark for indigenous rights around the world. In telling this incredible story of political and cultural renaissance, Ian Gill has crafted a gripping, ultilayered narrative with far-reaching reverberations.
Mapping Modernisms
Author: Elizabeth Harney
Publisher: Duke University Press
ISBN: 0822372614
Category : Art
Languages : en
Pages : 315
Book Description
Mapping Modernisms brings together scholars working around the world to address the modern arts produced by indigenous and colonized artists. Expanding the contours of modernity and its visual products, the contributors illustrate how these artists engaged with ideas of Primitivism through visual forms and philosophical ideas. Although often overlooked in the literature on global modernisms, artists, artworks, and art patrons moved within and across national and imperial borders, carrying, appropriating, or translating objects, images, and ideas. These itineraries made up the dense networks of modern life, contributing to the crafting of modern subjectivities and of local, transnationally inflected modernisms. Addressing the silence on indigeneity in established narratives of modernism, the contributors decenter art history's traditional Western orientation and prompt a re-evaluation of canonical understandings of twentieth-century art history. Mapping Modernisms is the first book in Modernist Exchanges, a multivolume project dedicated to rewriting the history of modernism and modernist art to include artists, theorists, art forms, and movements from around the world. Contributors. Bill Anthes, Peter Brunt, Karen Duffek, Erin Haney, Elizabeth Harney, Heather Igloliorte, Sandra Klopper, Ian McLean, Anitra Nettleton, Chika Okeke-Agulu, Ruth B. Phillips, W. Jackson Rushing III, Damian Skinner, Nicholas Thomas, Norman Vorano
Publisher: Duke University Press
ISBN: 0822372614
Category : Art
Languages : en
Pages : 315
Book Description
Mapping Modernisms brings together scholars working around the world to address the modern arts produced by indigenous and colonized artists. Expanding the contours of modernity and its visual products, the contributors illustrate how these artists engaged with ideas of Primitivism through visual forms and philosophical ideas. Although often overlooked in the literature on global modernisms, artists, artworks, and art patrons moved within and across national and imperial borders, carrying, appropriating, or translating objects, images, and ideas. These itineraries made up the dense networks of modern life, contributing to the crafting of modern subjectivities and of local, transnationally inflected modernisms. Addressing the silence on indigeneity in established narratives of modernism, the contributors decenter art history's traditional Western orientation and prompt a re-evaluation of canonical understandings of twentieth-century art history. Mapping Modernisms is the first book in Modernist Exchanges, a multivolume project dedicated to rewriting the history of modernism and modernist art to include artists, theorists, art forms, and movements from around the world. Contributors. Bill Anthes, Peter Brunt, Karen Duffek, Erin Haney, Elizabeth Harney, Heather Igloliorte, Sandra Klopper, Ian McLean, Anitra Nettleton, Chika Okeke-Agulu, Ruth B. Phillips, W. Jackson Rushing III, Damian Skinner, Nicholas Thomas, Norman Vorano