Author: William Hickling Prescott
Publisher:
ISBN:
Category :
Languages : en
Pages : 716
Book Description
Bibliography and Critical Miscellanies
Author: William Hickling Prescott
Publisher:
ISBN:
Category :
Languages : en
Pages : 716
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 716
Book Description
Miscellanies, Poetry, and Authorship, 1680–1800
Author: Carly Watson
Publisher: Springer Nature
ISBN: 3030370666
Category : Literary Criticism
Languages : en
Pages : 300
Book Description
This book is a critical study of the ancestors of contemporary poetry anthologies: the poetic miscellanies of the late seventeenth and eighteenth centuries. It argues that miscellanies are a distinctive kind of literary collection and that their popularity in the period 1680–1800 had a far-reaching impact on authors, publishers, and readers of poetry. This study expands the definition of miscellanies to include single-author collections called miscellanies as well as the multiple-author collections that have traditionally been the focus of scholarly attention. It shows how multiple-author miscellanies fostered different kinds of literary community and explores the neglected role of single-author miscellanies in the self-fashioning of eighteenth-century writers. Later chapters examine miscellanies’ relationships with periodicals, their contribution to the formation of the literary canon, and their reception and transformation in the hands of readers. The book draws on newly available digital data as well as evidence from hundreds of printed miscellanies to shed new light on how poetry was written, published, and read in the long eighteenth century.
Publisher: Springer Nature
ISBN: 3030370666
Category : Literary Criticism
Languages : en
Pages : 300
Book Description
This book is a critical study of the ancestors of contemporary poetry anthologies: the poetic miscellanies of the late seventeenth and eighteenth centuries. It argues that miscellanies are a distinctive kind of literary collection and that their popularity in the period 1680–1800 had a far-reaching impact on authors, publishers, and readers of poetry. This study expands the definition of miscellanies to include single-author collections called miscellanies as well as the multiple-author collections that have traditionally been the focus of scholarly attention. It shows how multiple-author miscellanies fostered different kinds of literary community and explores the neglected role of single-author miscellanies in the self-fashioning of eighteenth-century writers. Later chapters examine miscellanies’ relationships with periodicals, their contribution to the formation of the literary canon, and their reception and transformation in the hands of readers. The book draws on newly available digital data as well as evidence from hundreds of printed miscellanies to shed new light on how poetry was written, published, and read in the long eighteenth century.
The Works of Edgar Allan Poe: Essays-Criticism and Miscellany-Index
Author: Edgar Allan Poe
Publisher:
ISBN:
Category : American prose literature
Languages : en
Pages : 216
Book Description
Publisher:
ISBN:
Category : American prose literature
Languages : en
Pages : 216
Book Description
A Critical Bibliography of French Literature V4 18th C
Author:
Publisher: Syracuse University Press
ISBN:
Category :
Languages : en
Pages : 452
Book Description
Publisher: Syracuse University Press
ISBN:
Category :
Languages : en
Pages : 452
Book Description
The Bibliographical Miscellany
Author: Adam Clarke
Publisher:
ISBN:
Category : Bibliographical literature
Languages : en
Pages : 350
Book Description
Publisher:
ISBN:
Category : Bibliographical literature
Languages : en
Pages : 350
Book Description
Making the Miscellany
Author: Megan Heffernan
Publisher: University of Pennsylvania Press
ISBN: 0812252802
Category : Literary Criticism
Languages : en
Pages : 304
Book Description
In Making the Miscellany Megan Heffernan examines the poetic design of early modern printed books and explores how volumes of compiled poems, which have always existed in practice, responded to media change in sixteenth- and seventeenth-century England. Heffernan's focus is not only the material organization of printed poetry, but also how those conventions and innovations of arrangement contributed to vernacular poetic craft, the consolidation of ideals of individual authorship, and centuries of literary history. The arrangement of printed compilations contains a largely unstudied and undertheorized archive of poetic form, Heffernan argues. In an evolving system of textual transmission, compilers were experimenting with how to contain individual poems within larger volumes. By paying attention to how they navigated and shaped the exchanges between poems and their organization, she reveals how we can witness the basic power of imaginative writing over the material text. Making the Miscellany is also a study of how this history of textual design has been differently told by the distinct disciplines of bibliography or book history and literary studies, each of which has handled—and obscured—the formal qualities of early modern poetry compilations and the practices that produced them. Revisiting these editorial and critical approaches, this book recovers a moment when compilers, poets, and readers were alert to a poetics of organization that exceeded the limits of the individual poem.
Publisher: University of Pennsylvania Press
ISBN: 0812252802
Category : Literary Criticism
Languages : en
Pages : 304
Book Description
In Making the Miscellany Megan Heffernan examines the poetic design of early modern printed books and explores how volumes of compiled poems, which have always existed in practice, responded to media change in sixteenth- and seventeenth-century England. Heffernan's focus is not only the material organization of printed poetry, but also how those conventions and innovations of arrangement contributed to vernacular poetic craft, the consolidation of ideals of individual authorship, and centuries of literary history. The arrangement of printed compilations contains a largely unstudied and undertheorized archive of poetic form, Heffernan argues. In an evolving system of textual transmission, compilers were experimenting with how to contain individual poems within larger volumes. By paying attention to how they navigated and shaped the exchanges between poems and their organization, she reveals how we can witness the basic power of imaginative writing over the material text. Making the Miscellany is also a study of how this history of textual design has been differently told by the distinct disciplines of bibliography or book history and literary studies, each of which has handled—and obscured—the formal qualities of early modern poetry compilations and the practices that produced them. Revisiting these editorial and critical approaches, this book recovers a moment when compilers, poets, and readers were alert to a poetics of organization that exceeded the limits of the individual poem.
Dreaming in Books
Author: Andrew Piper
Publisher: University of Chicago Press
ISBN: 0226669726
Category : Education
Languages : en
Pages : 321
Book Description
Examining novels, critical editions, gift books, translations, and illustrated books, as well as the communities who made them, Dreaming in Books tells a wide-ranging story of the book's identity at the turn of the nineteenth century. In so doing, it shows how many of the most pressing modern communicative concerns are not unique to the digital age but emerged with a particular sense of urgency during the bookish upheavals of the romantic era. In revisiting the book's rise through the prism of romantic literature, Piper aims to revise our assumptions about romanticism, the medium of the printed book, and, ultimately, the future of the book in our so-called digital age."--Pub. desc.
Publisher: University of Chicago Press
ISBN: 0226669726
Category : Education
Languages : en
Pages : 321
Book Description
Examining novels, critical editions, gift books, translations, and illustrated books, as well as the communities who made them, Dreaming in Books tells a wide-ranging story of the book's identity at the turn of the nineteenth century. In so doing, it shows how many of the most pressing modern communicative concerns are not unique to the digital age but emerged with a particular sense of urgency during the bookish upheavals of the romantic era. In revisiting the book's rise through the prism of romantic literature, Piper aims to revise our assumptions about romanticism, the medium of the printed book, and, ultimately, the future of the book in our so-called digital age."--Pub. desc.
Books that Count
Author: William Forbes Gray
Publisher:
ISBN:
Category : Best books
Languages : en
Pages : 432
Book Description
Publisher:
ISBN:
Category : Best books
Languages : en
Pages : 432
Book Description
The Bibliographical Miscellany Or Supplement to the Bibliographical Dictionary
Author: Adam Clarke
Publisher:
ISBN:
Category : Bibliographical literature
Languages : en
Pages : 350
Book Description
Publisher:
ISBN:
Category : Bibliographical literature
Languages : en
Pages : 350
Book Description
A History of Bibliographies of Bibliographies
Author: Archer Taylor
Publisher: Good Press
ISBN:
Category : History
Languages : en
Pages : 130
Book Description
A History of Bibliographies of Bibliographies by Archer Taylor is an essay about 15th and 16th-century books compiling bibliographies on various authors and significant political figures. Excerpt: "This "Index IV. Authors Writing on Various Subjects" is awkwardly conceived in terms of the authors but is arranged according to the theological merit of the subjects on which they wrote. It descends from the Virgin Mary to inventions[28] in the following order: (1) writers about the Virgin Mary, (2) [writers about] the Immaculate Conception, (3) writers who were popes, (4) writers who were cardinals..."
Publisher: Good Press
ISBN:
Category : History
Languages : en
Pages : 130
Book Description
A History of Bibliographies of Bibliographies by Archer Taylor is an essay about 15th and 16th-century books compiling bibliographies on various authors and significant political figures. Excerpt: "This "Index IV. Authors Writing on Various Subjects" is awkwardly conceived in terms of the authors but is arranged according to the theological merit of the subjects on which they wrote. It descends from the Virgin Mary to inventions[28] in the following order: (1) writers about the Virgin Mary, (2) [writers about] the Immaculate Conception, (3) writers who were popes, (4) writers who were cardinals..."