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Author: Shubha Tiwari Publisher: Atlantic Publishers & Dist ISBN: 9788126908714 Category : Indic drama (English) Languages : en Pages : 150
Book Description
The Book Is A Commentary On Indian Dramatic Theory And Some Selected Contemporary Indian Plays. Drama Is An Active Literary Art Form. Although Films And Television Have Become Very Vital In Our Times, Still Direct Experience Of The Theatre Cannot Be Replaced. The Book Provides General Commentary On Plays By Karnad, Tendulkar, And Ezekiel. The Reader Is Expected To Get An Insight Into Bharat Muni S Views On The Art Of Drama As Well As Some Very Popular Plays Of Our Times. Needless To Say That The Book Is In Series Of Many Such Other Books Where The Editor And The Contributors Believe Indian English Studies To Have Come Of Age. The Book, Among Such Others, Trumpets The Victory Of Indian English Studies In India. This Is Indeed A Welcome Change From Previously Held Puritan View Of English Studies Being Totally Alien. Magic Is Produced When English As A Language Weds The Indian Soil Or When We Apply Indigenous Tools To Study English Literary Texts.
Author: Shubha Tiwari Publisher: Atlantic Publishers & Dist ISBN: 9788126908714 Category : Indic drama (English) Languages : en Pages : 150
Book Description
The Book Is A Commentary On Indian Dramatic Theory And Some Selected Contemporary Indian Plays. Drama Is An Active Literary Art Form. Although Films And Television Have Become Very Vital In Our Times, Still Direct Experience Of The Theatre Cannot Be Replaced. The Book Provides General Commentary On Plays By Karnad, Tendulkar, And Ezekiel. The Reader Is Expected To Get An Insight Into Bharat Muni S Views On The Art Of Drama As Well As Some Very Popular Plays Of Our Times. Needless To Say That The Book Is In Series Of Many Such Other Books Where The Editor And The Contributors Believe Indian English Studies To Have Come Of Age. The Book, Among Such Others, Trumpets The Victory Of Indian English Studies In India. This Is Indeed A Welcome Change From Previously Held Puritan View Of English Studies Being Totally Alien. Magic Is Produced When English As A Language Weds The Indian Soil Or When We Apply Indigenous Tools To Study English Literary Texts.
Author: Manohar Laxman Varadpande Publisher: Abhinav Publications ISBN: 9780391027947 Category : Performing Arts Languages : en Pages : 188
Book Description
It Is An Indepth Study Of The Unique Multi-Dimensional Relationship That Exists Between Theatre And Religion. It Examines Evidence Seen In Ancient Cave Paintings, Folk And Tribal Rituals, Inscriptions, Religious Scriptures And Theatrical Forms Themselves.
Author: Ramesh Chandra Sinha Publisher: Partridge Publishing ISBN: 1482888297 Category : Social Science Languages : en Pages : 110
Book Description
The expression Subaltern had been used by Italian Marxist Antonio Gramsci in his celebrated notes on PRISON DIARY but it is interpreted in a different way in this book. The concept includes caste, color, gender and class. It is not economic category but a cultural one. It is different from Marxist interpretation of the term Proletariat. Marxist Morality is class bound: Subaltern morality is not class bound. An attempt to deconstruct the age old Egalitarian Morality, the author proposes morality of those who are besides the circle and suggests a postmodern vision to understand subaltern morality. Offering challenging insights into conception of Global justice, the author subscribes to Aristotelian contention of distributive justice where equals are treated equally and unequal are treated unequally.
Author: Keshav Prasad Varma Publisher: Notion Press ISBN: 9352061926 Category : Religion Languages : en Pages : 465
Book Description
“Who is a Hindu?” This question mystifies both Hindus and non-Hindus around the world. Many Hindus, having lived in cosmopolitan cities across the globe, have not been brought up in a traditional Hindu society and are often at a loss to comprehend and describe their own identity. Their claim to being Hindu rests solely on their birth in a Hindu household. Western society also finds that Hinduism, with its countless gods, rituals and beliefs, does not fit its concept of an organised religion. In popular view, Hinduism may just be ‘a way of life’ and consequently the Hindu identity is perceived to be vague and non-uniform. Which of their many ancient books do the Hindus follow? How do they choose which gods to worship? What does karma actually mean? These questions are natural. The Hindu identity is complex, and bears the social, philosophical and religious influences of a long past. However, it continues to be well-defined. This book explains how it is so, and shows how the Hindu identity remains relevant in contemporary times and the global context. The varied elements that have shaped the Hindu identity are explored in the book. It demystifies ancient Hindu scriptures such as the Vedas and the Manusmriti, and provides engaging summaries of the Mahabharata and the Ramayana. It tracks the influence of philosophies such as Vedanta, Tantra and Yoga, as well as the effect of exposure to Western thought. It also discusses contemporary issues such as the status of women, religious pluralism and the caste system today. The anecdotal style of narration makes subtle and complex topics easily comprehensible to all ages. Anyone who seeks an explanation of the Hindu identity, regardless of belief or age, will enjoy reading this book and will benefit from its contents.
Author: Bhavabhūti Publisher: Oxford University Press, USA ISBN: Category : Drama Languages : en Pages : 352
Book Description
This Is One Of The Three Surviving Plays Of The Sanskrit Dramatist Bhavabhuti Who Flourished In The Early Eighth Century A.D. Without Dustjacket. Two- Three Minor Pin Holes.
Author: Bhavabhūti Publisher: NYU Press ISBN: 0814767338 Category : Drama Languages : en Pages : 456
Book Description
“Rama’s Last Act” by Bhava·bhuti is counted among the greatest Sanskrit dramas. The work at once dramatizes the “Ramáyana”—it is one of the earliest theatrical adaptations of Valmíki’s epic masterpiece—and revises its most intractable episode, the hero’s rejection of his beloved wife. Human agency in the face of destiny, the power of love, and the capacity of art to make sense of such mysteries are the themes explored in this singular literary achievement of the Indian stage. Co-published by New York University Press and the JJC Foundation For more on this title and other titles in the Clay Sanskrit series, please visit http://www.claysanskritlibrary.org
Author: Shubha Tiwari
Author: Shubha Tiwari
Author: Manohar Laxman Varadpande
Author: Shreemati Nathibai Damodar Thackersey Women's University. Library
Author: Ramesh Chandra Sinha
Author: Keshav Prasad Varma
Author: 
Author: Bhavabhūti
Author: Hemendra Chandra Kar
Author: Diṅnāga
Author: Bhavabhūti