Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Beyond the Soundtrack PDF full book. Access full book title Beyond the Soundtrack by Daniel Goldmark. Download full books in PDF and EPUB format.
Author: Daniel Goldmark Publisher: Univ of California Press ISBN: 0520250702 Category : Art Languages : en Pages : 333
Book Description
"Put briefly, this is a superb collection of essays. They are lucidly and eloquently written, and make their points with wit and clarity. They are full of perceptive, highly stimulating, and occasionally provocative illustrations of how practice connects to theory (and vice versa) without getting bogged down in academic language. The contributors include a combination of exceptionally admired film music scholars, and of musicologists renowned for their keen insights into the cultural contexts of music production and reception. This book is an excellent resource and compelling read."—Derek B. Scott, author of From the Erotic to the Demonic: On Critical Musicology
Author: Daniel Goldmark Publisher: Univ of California Press ISBN: 0520250702 Category : Art Languages : en Pages : 333
Book Description
"Put briefly, this is a superb collection of essays. They are lucidly and eloquently written, and make their points with wit and clarity. They are full of perceptive, highly stimulating, and occasionally provocative illustrations of how practice connects to theory (and vice versa) without getting bogged down in academic language. The contributors include a combination of exceptionally admired film music scholars, and of musicologists renowned for their keen insights into the cultural contexts of music production and reception. This book is an excellent resource and compelling read."—Derek B. Scott, author of From the Erotic to the Demonic: On Critical Musicology
Author: Nicholas Cook Publisher: Oxford University Press ISBN: 0199357404 Category : Music Languages : en Pages : 482
Book Description
In Beyond the Score: Music as Performance, author Nicholas Cook supplants the traditional musicological notion of music as writing, asserting instead that it is as performance that music is loved, understood, and consumed. This book reconceives music as an activity through which meaning is generated in real time, as Cook rethinks familiar assumptions and develops new approaches. Focusing primarily but not exclusively on the Western 'art' tradition, Cook explores perspectives that range from close listening to computational analysis, from ethnography to the study of recordings, and from the social relations constructed through performance to the performing (and listening) body. In doing so, he reveals not only that the notion of music as text has hampered academic understanding of music, but also that it has inhibited performance practices, placing them in a textualist straightjacket. Beyond the Score has a strong historical emphasis, touching on broad developments in twentieth-century performance style and setting them into their larger cultural context. Cook also investigates the relationship between recordings and performance, arguing that we do not experience recordings as mere reproductions of a performance but as performances in their own right. Beyond the Score is a comprehensive exploration of new approaches and methods for the study of music as performance, and will be an invaluable addition to the libraries of music scholars-including musicologists, music theorists, and music cognition scholars-everywhere.
Author: Doug Bradley Publisher: UMass + ORM ISBN: 161376426X Category : History Languages : en Pages : 315
Book Description
“The diversity of voices and songs reminds us that the home front and the battlefront are always connected and that music and war are deeply intertwined.” —Heather Marie Stur, author of 21 Days to Baghdad For a Kentucky rifleman who spent his tour trudging through Vietnam’s Central Highlands, it was Nancy Sinatra’s “These Boots Are Made for Walkin’.” For a black marine distraught over the assassination of Martin Luther King Jr., it was Aretha Franklin’s “Chain of Fools.” And for countless other Vietnam vets, it was “I Feel Like I’m Fixin’ to Die” or the song that gives this book its title. In We Gotta Get Out of This Place, Doug Bradley and Craig Werner place popular music at the heart of the American experience in Vietnam. They explore how and why U.S. troops turned to music as a way of connecting to each other and the World back home and of coping with the complexities of the war they had been sent to fight. They also demonstrate that music was important for every group of Vietnam veterans—black and white, Latino and Native American, men and women, officers and “grunts”—whose personal reflections drive the book’s narrative. Many of the voices are those of ordinary soldiers, airmen, seamen, and marines. But there are also “solo” pieces by veterans whose writings have shaped our understanding of the war—Karl Marlantes, Alfredo Vea, Yusef Komunyakaa, Bill Ehrhart, Arthur Flowers—as well as songwriters and performers whose music influenced soldiers’ lives, including Eric Burdon, James Brown, Bruce Springsteen, Country Joe McDonald, and John Fogerty. Together their testimony taps into memories—individual and cultural—that capture a central if often overlooked component of the American war in Vietnam.
Author: Joe Biel Publisher: Microcosm Publishing ISBN: 1621065340 Category : Music Languages : en Pages : 193
Book Description
Punk is notorious for its loud music, aggressive attitude, and safety-pinned style. Less well known is the radical value system that has emerged hand in hand with the sound and aesthetic. Since the 1970s, punks have built their music, fashion, and lifestyles around core values of social justice, creative freedom, community integrity, fiercely democratic politics and do-it-yourself ingenuity. From journalism to psychology, graphic design to alternative fuel, bodybuilding to the Occupy movement, these interviews show just some of the ways that punk values continue to shape mainstream American life.
Author: Christine Goodner Publisher: ISBN: 9780999119204 Category : Instrumental music Languages : en Pages : 147
Book Description
Suzuki teacher and author, Christine Goodner, explores what it takes to make music lessons work in our busy, modern lives in her first book, Beyond the Music Lesson: Habits of Successful Suzuki Families. Using exclusive interviews, current research, and Goodner's own experience as a student, parent, and teacher, this book gives practical advice, specific ideas, and big-picture concepts sure to help every parent who reads it. Whether you are just beginning music lessons with your child or are an experienced parent looking for extra ideas and support, Beyond the Music Lesson will inspire you with new insight, motivation, and ways to make the process more successful in your own family.
Author: Daniel Goldmark Publisher: Chicago Review Press ISBN: 1569764123 Category : Juvenile Nonfiction Languages : en Pages : 337
Book Description
The popularity of cartoon music, from Carl Stalling's work for Warner Bros. to Disney sound tracks and "The Simpsons"' song parodies, has never been greater. This lively and fascinating look at cartoon music's past and present collects contributions from well-known music critics and cartoonists, and interviews with the principal cartoon composers. Here Mark Mothersbaugh talks about his music for "Rugrats," Alf Clausen about composing for "The Simpsons," Carl Stalling about his work for Walt Disney and Warner Bros., Irwin Chusid about Raymond Scott's work, Will Friedwald about "Casper the Friendly Ghost," Richard Stone about his music for "Animaniacs," Joseph Lanza about "Ren and Stimpy," and much, much more.
Author: Alan Licht Publisher: ISBN: 9780847829699 Category : Art Languages : en Pages : 303
Book Description
"In this volume, author Alan Licht lays bear the origins of sound art, offering the reader the most thorough understanding of the field to date, and explores the genre's most important practitioners"--Jacket, p. [2].
Author: Chris Blackwell Publisher: Simon and Schuster ISBN: 1982172703 Category : Biography & Autobiography Languages : en Pages : 352
Book Description
In the vein of Sound Man and The Soundtrack of My Life, a lyrical memoir from the founder of one of the greatest music labels of all time, Island Records, about his astonishing life and career helping to bring reggae music to the world stage and working with Bob Marley, U2, Grace Jones, Cat Stevens, and many other icons. Since its founding in 1959, Island Records has been home to legendary artists representing wildly divergent musical styles, yet who share the same maverick, outsider spirit of its founder, Chris Blackwell. Time and again, Blackwell and his Island cohorts identified and nurtured musicians overlooked by other labels, including Bob Marley, U2, Cat Stevens, Grace Jones, Roxy Music, Traffic, Nick Drake, Tom Waits, Robert Palmer, Free, the B-52’s, John Martyn, and Jimmy Cliff. Like these artists, Blackwell never took the conventional route. After a privileged early childhood in Jamaica—crossing paths with Ian Fleming, Noël Coward, and Errol Flynn—he was expelled from the elite British school Harrow for rebellious behavior at age seventeen. Within five years, he had moved back to Jamaica, and founded Island. Intertwined with the story of Island is that of Bob Marley and the Wailers. After an impromptu meeting with the band in 1972, Blackwell produced the groundbreaking album Catch a Fire, formed a deep bond of mutual trust and friendship with Marley, and became known for helping to bring reggae music to the world stage. He also opened the first Jamaican boutique hotel, on the property of Ian Fleming’s former home, GoldenEye, where all the James Bond books were written. This engaging memoir from one of the great raconteurs of the late 20th century makes for a giddy ride through some of that era’s most cutting-edge, enduring music. As Bono says, Blackwell “is an adventurer, an entrepreneur, a buccaneer, a visionary, and a gentleman.”
Author: Lawrence Kramer Publisher: Univ of California Press ISBN: 0520267052 Category : Music Languages : en Pages : 332
Book Description
This is a comprehensive essay on musical meaning and performing music meaningfully - 'interpreting music' in both senses of the term. The author argues that music, far from being closed to interpretation is the paradigm of interpretation in general.
Author: Daniel Goldmark
Author: Daniel Goldmark
Author: Nicholas Cook
Author: Doug Bradley
Author: Joe Biel
Author: Christine Goodner
Author: Daniel Goldmark
Author: Alan Licht
Author: Chris Blackwell
Author: Lawrence Kramer
Author: Karen Black