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Author: Liuba González de Armas Publisher: ISBN: 9781777085919 Category : Hispanic American arts Languages : en Pages : 0
Book Description
SILVER MEDALIST at the 2022 International Latino Book Awards Looking at Art Beyond the Gallery's White Cube with Latinx Eyes. BEYOND THE GALLERY is the second instalment of the Beyond series by Laberinto Press. This multilingual and multi-genre anthology showcases emerging and established talents within the Hispanic-Canadian community, featuring a broad range of writings on visual culture by writers, artists, and cultural workers. Resisting the sterility of contemporary art's white cube, BEYOND THE GALLERY embraces eclecticism by weaving together a labyrinth of visual experiences through intersecting and diverging pieces of fiction, creative nonfiction, journalism, and academic research. In doing this, we invite readers to consider Hispanic-Canadian literature as Canadian literature, beyond the confines of Magical Realism, the official English-French bilingual model, and to see yourself in these pages. Literary Nonfiction. Fiction. Latinx Studies. Art.
Author: Liuba González de Armas Publisher: ISBN: 9781777085919 Category : Hispanic American arts Languages : en Pages : 0
Book Description
SILVER MEDALIST at the 2022 International Latino Book Awards Looking at Art Beyond the Gallery's White Cube with Latinx Eyes. BEYOND THE GALLERY is the second instalment of the Beyond series by Laberinto Press. This multilingual and multi-genre anthology showcases emerging and established talents within the Hispanic-Canadian community, featuring a broad range of writings on visual culture by writers, artists, and cultural workers. Resisting the sterility of contemporary art's white cube, BEYOND THE GALLERY embraces eclecticism by weaving together a labyrinth of visual experiences through intersecting and diverging pieces of fiction, creative nonfiction, journalism, and academic research. In doing this, we invite readers to consider Hispanic-Canadian literature as Canadian literature, beyond the confines of Magical Realism, the official English-French bilingual model, and to see yourself in these pages. Literary Nonfiction. Fiction. Latinx Studies. Art.
Author: William F. Garrett-Petts Publisher: University of Alberta ISBN: 9780888643629 Category : Art Languages : en Pages : 348
Book Description
Literacy is broadly understood to refer to the ability to read and write. But the term is heavily value-laden and is often used to elevate print at the expense of other forms of communication. In PhotoGraphic Encounters, the authors challenge this reductive notion of literacy and propose instead an integrated span of literacies: reaching across disciplinary boundaries to discover a text that draws upon both the visual and the verbal. PhotoGraphic Encounters discusses Canadian writers like Margaret Atwood, George Bowering, Robert Kroetsch, and Daphne Marlatt, and Canadian artists like Fred Douglas, Ernie Kroeger, Brenda Pelkey, and Michael Snow, then looks at the cross-fertilization of visual and verbal processes in their works. The authors present a new narrative practice, one that fully engages lived experience. The vernacular, they argue, is vital to our participation as readers and viewers of high art. Making the connection between the vernacular and high culture creates an enabling moment in artistic production and reception and in teaching, learning, and talking about art and literature. PhotoGraphic Encounters offers a compelling perspective on questions of literacy in a postmodern culture. Artists, writers, scholars, and critics alike will want this volume in their libraries. Includes more than 120 B&W photographs, 20 colour plates, index, bibliography.
Author: David Kennedy Publisher: Routledge ISBN: 1317034473 Category : Literary Criticism Languages : en Pages : 212
Book Description
Examining a wide range of ekphrastic poems, David Kennedy argues that contemporary British poets writing out of both mainstream and avant-garde traditions challenge established critical models of ekphrasis with work that is more complex than representational or counter-representational responses to paintings in museums and galleries. Even when the poem appears to be straightforwardly representational, it is often selectively so, producing a 'virtual' work that doesn't exist in actuality. Poets such as Kelvin Corcoran, Peter Hughes, and Gillian Clarke, Kennedy suggests, relish the ekphrastic encounter as one in which word and image become mutually destabilizing. Similarly, other poets engage with the source artwork as a performance that participates in the ethical realm. Showing that the ethical turn in ekphrastic poetry is often powerfully gendered, Kennedy also surveys a range of ekphrastic poets from the Renaissance and nineteenth century to trace a tradition of female ekphrastic poetry that includes Pauline Stainer and Frances Presley. Kennedy concludes with a critique of ekphrastic exercises in creative writing teaching, proposing that ekphrastic writing that takes greater account of performance spectatorship may offer more fruitful models for the classroom than the narrativizing of images.
Author: S. O'Sullivan Publisher: Springer ISBN: 0230512437 Category : Philosophy Languages : en Pages : 245
Book Description
In a series of philosophical discussions and artistic case studies, this volume develops a materialist and immanent approach to modern and contemporary art. The argument is made for a return to aesthetics - an aesthetics of affect - and for the theorization of art as an expanded and complex practice. Staging a series of encounters between specific Deleuzian concepts - the virtual, the minor, the fold, etc. - and the work of artists that position their work outside of the gallery or 'outside' of representation - Simon O'Sullivan takes Deleuze's thought into other milieus, allowing these 'possible worlds' to work back on philosophy.
Author: Frima Fox Hofrichter Publisher: Bloomsbury Publishing USA ISBN: 1501349414 Category : Art Languages : en Pages : 240
Book Description
What images come to mind with the words “women”, “aging”, “old”, even “elderly”? Are they stereotypes? Are there any positive associations? The thirteen contributions to this edited volume explore a broad range of images of old women, ranging from medieval “old wives” to contemporary re-imaginations of shamans and witches and empowering self-portraits. Works from medieval Europe to colonialtime Polynesia, present West Africa, Japan, and the Americas, in a multiplicity of media are explored in detail. These studies of varied representations of “old women” offer fresh perspectives and an engaging dialogue about society's values and preconceptions regarding the wisdom of our elders and the “golden years” in different times and cultures.
Author: Eric Karpeles Publisher: ISBN: Category : Art Languages : en Pages : 386
Book Description
"Eric Karpele's guide offers a feast for the eyes as it celebrates the close relationship between the visual and literary arts in Proust's masterpiece, Karpeles has identified and located all of the paintings to which Proust makes exact reference. Where only a painter's name is mentioned to indicate a certain mood or appearance, he has chosen a representative work to illustrate the impression that Proust sought to evoke. Botticelli's angels, Manet's courtesans, Mantegna's warriors and Carpaccio's saints stand among Monet's water lilies and Piranesi's engravings of Rome, while Karpeles's insightful essay and lucid contextual commentary explain their significance to Proust. Extensive notes and a comprehensive index of all painters and paintings mentioned in the novel provide an invaluable resource for the reader navigating In Search of Lost Time for the first time or the fifth."--BOOK JACKET.
Author: Catha Paquette Publisher: Bloomsbury Publishing USA ISBN: 1501358693 Category : Art Languages : en Pages : 467
Book Description
In and Out of View models an expansion in how censorship is discursively framed. Contributors from diverse backgrounds, including artists, art historians, museum specialists, and students, address controversial instances of art production and reception from the mid-20th century to the present in the Americas, Africa, Asia, Europe, and the Middle East. Their essays, interviews, and statements invite consideration of the shifting contexts, values, and needs through which artwork moves in and out of view. At issue are governmental restrictions and discursive effects, including erasure and distortion resulting from institutional policies, canonical processes, and interpretive methods. Crucial considerations concerning death/violence, authoritarianism, (neo)colonialism, global capitalism, labor, immigration, race, religion, sexuality, activism/social justice, disability, campus speech, and cultural destruction are highlighted. The anthology-a thought-provoking resource for students and scholars in art history, museum and cultural studies, and creative practices-represents a timely and significant contribution to the literature on censorship.
Author: Pavel Florensky Publisher: Reaktion Books ISBN: 1861896395 Category : Art Languages : en Pages : 396
Book Description
Beyond Vision is the first English-language collection of essays on art by Pavel Florensky (1882–1937), Russian philosopher, priest, linguist, scientist, mathematician – and art historian. In addition to seven essays by Florensky, the book includes a biographical introduction and an examination of Florensky’s contribution as an art historian by Nicoletta Misler. Beyond Vision reveals Florensky’s fundamental attitudes to the vital questions of construction, composition, chronology, function and destination in the fields of painting, sculpture and design. His reputation as a theologian and philosopher is already established in the English-speaking world, but this first collection in English of his art essays (translated by Wendy Salmond) will be a revelation to those in the field. Pavel Florensky was a true polymath: trained in mathematics and philosophy at Moscow University, he rejected a scholarship in advanced mathematics in order to study theology at the Moscow Theological Academy. He was also an expert linguist, scientist and art historian. A victim of the Soviet government’s animosity towards religion, he was condemned to a Siberian labor camp in 1933 where he continued his work under increasingly difficult circumstances. He was executed in 1937.
Author: Liuba González de Armas
Author: Liuba González de Armas
Author: William F. Garrett-Petts
Author: David Kennedy
Author: S. O'Sullivan
Author: Frima Fox Hofrichter
Author: Eric Karpeles
Author: Catha Paquette
Author: Pavel Florensky
Author: Alice Maria Dougan
Author: Pamela Fraser