Author: Stefano Grandesso Publisher: Silvana Editoriale ISBN: 9788836629350 Category : Art Languages : en Pages : 0
Book Description
This volume is dedicated to Bertel Thorvaldsen (1770- 1844), a Danish sculptor of international fame during the XIX century. Born in Copenhagen in 1770, he spent more than forty years in Italy, maintaining a large workshop in Rome. When he eventually returned to his native land in 1838 he was more known in Europe than in Denmark. But in the following years it became rather vice versa. Obviously this is connected with the fact that in Copenhagen he could not keep the close contact he had in Rome with the international art community and art market in the cultural capital of Europe. As a matter of fact only within the last 30 years has Thorvaldsen regained his rightful place in the European art historical context and he is considered as an outstanding representative of the Neoclassical period in sculpture. In fact, his work has often been compared to that of Antonio Canova and he became the foremost artist in the field after Canova's death in 1822. The really strong point of this book is that it precisely links together Thorvaldsen's art with a broad international, artistic context and thus contributes to a more faceted understanding of his work.
Author: Ian Dennis Jenkins Publisher: Getty Publications ISBN: 9781606060025 Category : Figure sculpture Languages : en Pages : 150
Book Description
More than any other ancient civilization, the Greeks placed the human body at the center of their culture. To them, the sculpted human figure was both an object of sensory delight and an expression of an intelligent mind. In the modern popular imagination, mention of the ancient Greeks is likely to conjure up an image of idealized and naked youth, and it is true that the ideal nude, both male and female, is a striking feature of Greek sculpture. However, in later Greek art, sculptors and their patrons became increasingly interested in human diversity, experimenting with the representation of ethnicity, age, social standing, and character. The marble, bronze, and terra-cotta sculptures presented in this volume--outstanding highlights drawn from over six centuries of artistic production--demonstrate the diversity of Greek figural forms, from the idealized beauty of the Classical era to the individualized portraits of the Hellenistic period. Large, stunning details testify to the artists' skills in portraying cold, hard materials as warm, human flesh.
Author: David Bindman Publisher: ISBN: 9780300197891 Category : ART Languages : en Pages : 0
Book Description
This brilliant book focuses on the aesthetic concerns of the two most important sculptors of the early 19th century, the great Italian sculptor Antonio Canova (1757-1822) and his illustrious Danish rival Bertel Thorvaldsen (1770-1844). Rather than comparing their artistic output, the distinguished art historian David Bindman addresses the possible impact of Kantian aesthetics on their work. Both artists had elevated reputations, and their sculptures attracted interest from philosophically minded critics. Despite the sculptors' own apparent disdain for theory, Bindman argues that they were in dialogue with and greatly influenced by philosophical and critical debates, and made many decisions in creating their sculptures specifically in response to those debates. Warm Flesh, Cold Marble considers such intriguing topics as the aesthetic autonomy of works of art, the gender of the subject, the efficacy of marble as an imitative medium, the question of color and texture in relation to ideas and practices of antiquity, and the relationship between the whiteness of marble and ideas of race.
Author: Jane Fejfer Publisher: Thames & Hudson ISBN: 9788792596826 Category : Art Languages : en Pages : 0
Book Description
Although we are now, more than ever before, bombarded with portraits in both social and traditional media, interest in the three-dimensional sculptural portrait has declined dramatically. What accounts for this trend, and what does it mean for our understanding of the portrait as a medium? Portraits have a visceral power of attraction. They arouse our curiosity, prompting us to wonder who the person is behind the face - and, by extension, to reflect on our own identity. But whereas portrait paintings and photographs are immediately arresting, and fascinating, sculptural portraits can seem harder to approach there is no background and few details to help orient the beholder. As a result, sculpted portraits may seem like a sea of unknown faces that one only takes fleeting note of in passing; irrelevant, immaterial, perhaps even boring. But that is not how it used to be. Bertel Thorvaldsen (1770-1844) was one of Europe's most popular portrait artists. Over the course of his lifetime, he created approximately 160 portraits, ranging from members of Europe's royal houses to leading cultural figures to ordinary Danes. Thorvaldsen's portraits thus make up the biggest single category of artworks in his oeuvre. In former times, such sculptural portraits were a common phenomenon. So what happened? Why did they go out of fashion? These are some of the questions that this book seeks to illuminate. The book contains essays and articles by 42 authors, amongst them Whitney Davis, Malcolm Baker, Grant Parker, Ulrich Pfisterer, Rolf Schneider, Peter Fibiger Bang, Tim Flohr Sørensen, and Jane Fejfer.
Author: Marie-Louise Berner Publisher: Museum Tusculanum Press ISBN: 9788772899114 Category : Art Languages : en Pages : 144
Book Description
One of the earliest portrait photographs -- a daguerreotype -- represents the Danish artist Bertel Thorvaldsen. In spite of the fact that the photograph is signed and dated there has been doubts about the dating and the location of the taking of the picture. Starting from the photography itself as well as the historical facts the author sets the photography in its proper context. Written sources material and other pictures are presented to throw light on the photographer, the French businessman A C T Neubourg's work in Scandinavia. Furthermore, the reader gains an insight into the exposure as it is being reflected in the picture where an older conception of art meets the new age of photography. The book also contains an appendix by Jens Frederiksen (The Royal Academy of Fine Arts School of Architecture, Copenhagen) on A C T Neubourg's camera, lens and daguerreotypes.
Author: Elise A. Friedland Publisher: Oxford University Press, USA ISBN: 0199921822 Category : Art Languages : en Pages : 737
Book Description
Situates the study of Roman sculpture within the fields of art history, classical archaeology, and Roman studies, presenting technical, scientific, literary, and theoretical approaches.
Author: Stefano Grandesso
Author: Kira Kofoed
Author: Bjarne Jørnæs
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Author: Ian Dennis Jenkins
Author: David Bindman
Author: Jane Fejfer
Author: Marie-Louise Berner
Author: Elise A. Friedland