Author: John BoePublisher: A-R Editions, Inc.
ISBN: 089579344X
Category : Music
Languages : en
Pages : 136
Book Description
Beneventanum Troporum Corpus II, Part 1a
Author: John BoePublisher: A-R Editions, Inc.
ISBN: 089579344X
Category : Music
Languages : en
Pages : 136
Book Description
Beneventanum Troporum Corpus I, Part 1
Author: Alejandro PlanchartPublisher: A-R Editions, Inc.
ISBN: 0895793431
Category : Music
Languages : en
Pages : 152
Book Description
Beneventanum Troporum Corpus II, Part 2a
Author: John BoePublisher: A-R Editions, Inc.
ISBN: 0895793695
Category : Music
Languages : en
Pages : 80
Book Description
Beneventanum Troporum Corpus II, Part 1b
Author: John BoePublisher: A-R Editions, Inc.
ISBN: 0895793458
Category : Music
Languages : en
Pages : 232
Book Description
Benevantum Troporum Corpus I, Part 2
Author: Alejandro PlanchartPublisher: A-R Editions, Inc.
ISBN: 0895793040
Category : Music
Languages : en
Pages : 264
Book Description
Beneventanum Troporum Corpus II: (in 2 v.) Kyrie eleison
Author: Beneventanum Troporum Corpus II, Part 2b
Author: John BoePublisher: A-R Editions, Inc.
ISBN: 0895793709
Category : Music
Languages : en
Pages : 226
Book Description
The Critical Editing of Music
Author: James GrierPublisher: Cambridge University Press
ISBN: 9780521558631
Category : Music
Languages : en
Pages : 288
Book Description
The book follows the activities inherent in music editing, including the tasks of the editor, the nature of musical sources, and transcription. Grier also discusses the difficult decisions faced by the editor such as sources not associated with the composer and necessary editorial judgement.
Chant and its Origins
Author: ThomasForrest KellyPublisher: Routledge
ISBN: 1351572385
Category : History
Languages : en
Pages : 543
Book Description
The Latin liturgical music of the medieval church is the earliest body of Western music to survive in a more or less complete form. It is a body of thousands of individual pieces, of striking beauty and aesthetic appeal, which has the special quality of embodying, of giving voice to, the words of the liturgy itself. Plainchant is the music that underpins essentially all other music of the middle ages (and far beyond), and is the music that is most abundantly preserved. It is a subject that has engaged a great deal of research and debate in the last fifty years and the nature of the complex issues that have recently arisen in research on chant are explored here in an overview of current issues and problems.
Chant and Notation in South Italy and Rome before 1300
Author: John BoePublisher: Routledge
ISBN: 135121764X
Category : History
Languages : en
Pages : 442
Book Description
The fifteen studies assembled here grew out of research on south-Italian ordinary chants and tropes for the multi-volume series Beneventanum Troporum Corpus II, edited by John Boe in collaboration with Alejandro Planchart. In the present essays, clerical and ordinary chants and tropes of the Mass (especially when derived from paraliturgical hymns and poems), certain aspects of chant notation and particular facets of the old Beneventan and the old Roman chant repertories are examined in relation to the three main cultic centres of the Italian south - Benevento, Montecassino and Rome - and as they relate to their European context, namely Frankish and Norman chant and the varieties of chant sung in Italy north of Rome. The volume includes one previously unpublished study, on the Roman introit Salus Populi.