![Bellezza e cuor di ferro, dramma per musica [in two acts and in verse], etc PDF](https://books.google.com/books/content/images/frontcover/Q6ZWAAAAcAAJ?fife=w150-h200)
Author: Gioacchino RossiniPublisher:
ISBN:
Category :
Languages : en
Pages : 66
Book Description
Bellezza e cuor di ferro, dramma per musica [in two acts and in verse], etc
![Bellezza e cuor di ferro, dramma per musica [in two acts and in verse], etc PDF](https://books.google.com/books/content/images/frontcover/Q6ZWAAAAcAAJ?fife=w80-h100)
Author: Gioacchino RossiniBritish Museum Catalogue of printed Books
Author: General catalogue of printed books
Author: British museum. Dept. of printed booksPublisher:
ISBN:
Category :
Languages : en
Pages : 544
Book Description
Catalogue of the Printed Books in the Library of the British Museum
Author: British LibraryThe British Museum Catalogue of Printed Books, 1881-1900
Author: British Museum. Department of Printed BooksPublisher:
ISBN:
Category : English literature
Languages : en
Pages : 916
Book Description
General Catalogue of Printed Books
Author: British Museum. Department of Printed BooksPublisher:
ISBN:
Category : English imprints
Languages : en
Pages : 480
Book Description
General Catalogue of Printed Books to 1955
Author: British Museum. Dept. of Printed BooksPublisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1312
Book Description
The National Union Catalog, Pre-1956 Imprints
Author: Library of CongressPublisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712
Book Description
Nineteenth Century Short-title Catalogue: phase 1. 1816-1870
Author: The Signifier and the Signified
Author: F. NoskePublisher: Springer Science & Business Media
ISBN: 9401010870
Category : Music
Languages : en
Pages : 428
Book Description
The studies collected in this volume deal with the interpretation of opera. In most cases the results are based on structural analysis, a concept which may require some clarification in this context. During the past de cade 'structure' and 'structural' have become particularly fashionable terms lacking exact denotation and used for the most divergent purposes. As employed here, structural analysis is concerned with such concepts as 'relationship', 'coherence' and 'continuity', more or less in contrast to formal analysis which deals with measurable material. In other words, I have analysed the structure of an opera by seeking and examining factors in the musico-dramatic process, whereas analysts of form are generally preoccupied with the study of elements contained in the musical object. Though admittedly artificial, the dichotomy of form and structure may elucidate the present situation with regard to the study of opera. Today, nearly one hundred years after the death of Wagner, the proclaimed anti thesis of Oper und Drama is generally taken for what it really was: a means to propagate the philosophy of its inventor. The conception of opera (whether 'continuous' or composed of 'numbers') as a special form of drama is no longer contested. Nevertheless musical scholarship has failed to draw the consequences from this view and few scholars realize the need to study general theory of drama and more specifically the dramatic experience.