Author: Johns Hopkins University. Peabody Institute. LibraryPublisher:
ISBN:
Category : Catalogs, Dictionary
Languages : en
Pages : 842
Book Description
Second Catalogue of the Library of the Peabody Institute of the City of Baltimore, Including the Additions Made Since 1882
Author: Johns Hopkins University. Peabody Institute. LibraryPublisher:
ISBN:
Category : Catalogs, Dictionary
Languages : en
Pages : 842
Book Description
Second Catalogue of the Library of the Peabody Institute of the City of Baltimore, Including the Additions Made Since 1882
Author: George Peabody LibraryPublisher:
ISBN:
Category : Dictionary catalogs
Languages : en
Pages : 458
Book Description
General Catalogue of Printed Books to 1955
Author: British Museum. Department of Printed BooksPublisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1292
Book Description
Collections et marché de l'art en France, 1789-1848
Author: Monica PretiPublisher: PU Rennes
ISBN:
Category : Art
Languages : fr
Pages : 508
Book Description
C'est dans cette époque charnière de l'histoire de la culture européenne que s'organise le système moderne du marché de l'art et que se transforme la conception même de l'héritage artistique. Etudes réunies autour de trois thèmes : La circulation des oeuvres d'art : organisation, pratiques et enjeux ; Marchands et collectionneurs ; Paris et l'Europe : mouvements de mode et diffusion.
National Art Library Catalogue, Victoria and Albert Museum, London, England: Pre-1890 A - Z
Author: National Art Library (Great Britain)Publisher:
ISBN:
Category : Art
Languages : en
Pages : 532
Book Description
Revolutionary Paris and the Market for Netherlandish Art
Author: Darius A. SpiethPublisher: BRILL
ISBN: 9004276750
Category : Art
Languages : en
Pages : 535
Book Description
Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.
Author: 
Author: 
Author: 
Author: Etienne Le Roy