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Author: William Kinderman Publisher: U of Nebraska Press ISBN: 9780803212220 Category : Music Languages : en Pages : 216
Book Description
Fresh perspectives on the symphonies and piano concertos of Ludwig van Beethoven are offered in the inaugural volume of North American Beethoven Studies. To be published under the joint auspices of the University of Nebraska Press and the Ira F. Brilliant Center for Beethoven Studies, the volumes in the new series will focus on the life and work, milieu and influence of the great composer. The first volume, edited by the noted music scholar and pianist William Kinderman, brings together recent studies by leading scholars on Beethoven?s major orchestral, including the first two piano concertos, the Egmont overture, the Missa Solemnis, and several of the symphonies, especially the Third, Fifth, and Ninth. They devote special attention to Beethoven?s creative process by analyzing, in some instances closely for the first time, his numerous surviving musical sketchbooks and loose sketch-leaves. The issues dealt with include Beethoven?s reinterpretation of the composition models of Haydn and Mozart, his working methods in composition, the structural expansion of his symphonic forms, the design of variation movements in his symphonies, and Beethoven?s musical symbolism. Four introductory essays probe the relation between Beethoven?s sketches and the analysis of his finished works; it is a fascinating and controversial undertaking. The first volume of North American Beethoven Studies illuminates critical issues and challenges traditional interpretations of some of Beethoven?s most celebrated works while avoiding the narrow specialization of some recent scholarship. Future volumes will focus on performance practices, composition, and recording history.
Author: William Kinderman Publisher: U of Nebraska Press ISBN: 9780803212220 Category : Music Languages : en Pages : 216
Book Description
Fresh perspectives on the symphonies and piano concertos of Ludwig van Beethoven are offered in the inaugural volume of North American Beethoven Studies. To be published under the joint auspices of the University of Nebraska Press and the Ira F. Brilliant Center for Beethoven Studies, the volumes in the new series will focus on the life and work, milieu and influence of the great composer. The first volume, edited by the noted music scholar and pianist William Kinderman, brings together recent studies by leading scholars on Beethoven?s major orchestral, including the first two piano concertos, the Egmont overture, the Missa Solemnis, and several of the symphonies, especially the Third, Fifth, and Ninth. They devote special attention to Beethoven?s creative process by analyzing, in some instances closely for the first time, his numerous surviving musical sketchbooks and loose sketch-leaves. The issues dealt with include Beethoven?s reinterpretation of the composition models of Haydn and Mozart, his working methods in composition, the structural expansion of his symphonic forms, the design of variation movements in his symphonies, and Beethoven?s musical symbolism. Four introductory essays probe the relation between Beethoven?s sketches and the analysis of his finished works; it is a fascinating and controversial undertaking. The first volume of North American Beethoven Studies illuminates critical issues and challenges traditional interpretations of some of Beethoven?s most celebrated works while avoiding the narrow specialization of some recent scholarship. Future volumes will focus on performance practices, composition, and recording history.
Author: Lewis Lockwood Publisher: W. W. Norton & Company ISBN: 0393326381 Category : Biography & Autobiography Languages : en Pages : 621
Book Description
Written for the general reader, this book reveals how Beethoven's great works reflect both his artistic individuality and the deepest philosophical and political currents of his age.
Author: William Kinderman Publisher: Oxford University Press ISBN: 0195328256 Category : Biography & Autobiography Languages : en Pages : 445
Book Description
Combining musical insight and the most recent research, William Kinderman's Beethoven is both a richly drawn portrait of the man and a guide to his music. In this new updated edition of his acclaimed study, Kinderman traces the composer's intellectual and musical development from the early works written in Bonn to the Ninth Symphony and the late quartets.
Author: Edward J. Kaczuk Publisher: ISBN: Category : Concertos (Organ with chamber orchestra) Languages : en Pages : 556
Book Description
This study examines previously undocumented corrections, revisions and transformations of detail that are found in the autographs of the Scherzi of Beethoven's Seventh and Ninth Symphonies, thereby deducing a sequence for compositional process. Aside from the corrections that Beethoven made of mistakes in the writing of the score, the vast majority of corrections found affect the large-scale rhythmic structures of these two movements. Rhythmic analyses of the final version are informed by the details of the compositional process as well as knowledge of the prevailing rhythmic theory of the time.
Author: Max Graf Publisher: Read Books Ltd ISBN: 1473384095 Category : Music Languages : en Pages : 429
Book Description
A fascinating book for any fan of classical music and the composers that have created some of the most marvelous symphonies, but how did certain people create these quantum leaps in music single handedly? With this classic text discover how people thought the mind of a musical genius worked.
Author: Lewis Lockwood Publisher: W. W. Norton & Company ISBN: 039324928X Category : Music Languages : en Pages : 231
Book Description
“[Beethoven’s] music never grows old— and, enjoyed alongside Mr. Lockwood’s expert commentary, it sparkles with fresh magic.”—Wall Street Journal More than any other composer, Beethoven left to posterity a vast body of material that documents the early stages of almost everything he wrote. From this trove of sketchbooks, Lewis Lockwood draws us into the composer’s mind, unveiling a creative process of astonishing scope and originality. For musicians and nonmusicians alike, Beethoven’s symphonies stand at the summit of artistic achievement, loved today as they were two hundred years ago for their emotional cogency, variety, and unprecedented individuality. Beethoven labored to complete nine of them over his lifetime—a quarter of Mozart’s output and a tenth of Haydn’s—yet no musical works are more iconic, more indelibly stamped on the memory of anyone who has heard them. They are the products of an imagination that drove the composer to build out of the highest musical traditions of the past something startlingly new. Lockwood brings to bear a long career of studying the surviving sources that yield insight into Beethoven’s creative work, including concept sketches for symphonies that were never finished. From these, Lockwood offers fascinating revelations into the historical and biographical circumstances in which the symphonies were composed. In this compelling story of Beethoven’s singular ambition, Lockwood introduces readers to the symphonies as individual artworks, broadly tracing their genesis against the backdrop of political upheavals, concert life, and their relationship to his major works in other genres. From the first symphonies, written during his emerging deafness, to the monumental Ninth, Lockwood brings to life Beethoven’s lifelong passion to compose works of unsurpassed beauty.
Author: Edward J. Kaczuk Publisher: ISBN: Category : Musical meter and rhythm Languages : en Pages : 328
Book Description
This study examines previously undocumented corrections, revisions and transformations of detail that are found in the autographs of the Scherzi of Beethoven's Seventh and Ninth Symphonies, thereby deducing a sequence for compositional process. Aside from the corrections that Beethoven made of mistakes in the writing of the score, the vast majority of corrections found affect the large-scale rhythmic structures of these two movements. Rhythmic analyses of the final version are informed by the details of the compositional process as well as knowledge of the prevailing rhythmic theory of the time.
Author: Barry A. R. Cooper Publisher: ISBN: Category : Beethoven, Ludwig van Languages : en Pages : 348
Book Description
Beethoven's habit of composing by making large numbers of preliminary drafts and sketches was sufficiently unusual to attract attention even during his lifetime, and his creative process has attracted a good deal more attention since. The present book incorporates the findings of recentstudies on this fascinating subject as well as providing many additional new insights. Cooper examines Beethoven's underlying creative motivation and there is and introduction to his compositional methods in general. The final part of the book is a detailed study of particular compositional problemsin six different works, selected to provide a wide range of genres, dates, and types of problem. The book as a whole adds considerably to our understanding of one of the greatest figures in the history of our culture.
Author: Lewis Lockwood Publisher: ISBN: Category : Biography & Autobiography Languages : en Pages : 304
Book Description
It is well known that Mozart developed his works in his head and then simply transcribed them onto paper, while Beethoven labored assiduously over sketches and drafts--"his first ideas," in Stephen Spender's words, "of a clumsiness which makes scholars marvel at how he could, at the end, have developed from them such miraculous results." Indeed Beethoven's extensive sketchbooks (which total over 8,000 pages) and the autograph manuscripts, covering several stages of development, reveal the composer systematically exploring and evolving his musical ideas. Through close investigation of individual works, Lewis Lockwood traces the creative process as it emerges in Beethoven's sketches and manuscripts. Four studies address the composition of the Eroica Symphony from various viewpoints. The chamber works discussed include the Cello Sonata in A Major, Opus 69 (of which the entire autograph manuscript of the first movement is published here in facsimile), the string quartet Opus 59 No. 1, and the Cavatina of the later quartet Opus 130. Lockwood's lucid analysis enhances our understanding of Beethoven's musical strategies and stylistic developments as well as the compositional process itself In a final chapter the author outlines the importance of Beethoven's autographs for the modern performer.
Author: William Kinderman
Author: William Kinderman
Author: Lewis Lockwood
Author: Douglas Johnson
Author: William Kinderman
Author: Edward J. Kaczuk
Author: Max Graf
Author: Lewis Lockwood
Author: Edward J. Kaczuk
Author: Barry A. R. Cooper
Author: Lewis Lockwood