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The Social Project

The Social Project PDF Author: Kenny Cupers
Publisher: U of Minnesota Press
ISBN: 1452941068
Category : Architecture
Languages : en
Pages : 600

Book Description
Winner of the 2015 Abbott Lowell Cummings prize from the Vernacular Architecture Forum Winner of the 2015 Sprio Kostof Book Award from the Society of Architectural Historians Winner of the 2016 International Planning History Society Book Prize for European Planning History Honorable Mention: 2016 Wylie Prize in French Studies In the three decades following World War II, the French government engaged in one of the twentieth century’s greatest social and architectural experiments: transforming a mostly rural country into a modernized urban nation. Through the state-sanctioned construction of mass housing and development of towns on the outskirts of existing cities, a new world materialized where sixty years ago little more than cabbage and cottages existed. Known as the banlieue, the suburban landscapes that make up much of contemporary France are near-opposites of the historic cities they surround. Although these postwar environments of towers, slabs, and megastructures are often seen as a single utopian blueprint gone awry, Kenny Cupers demonstrates that their construction was instead driven by the intense aspirations and anxieties of a broad range of people. Narrating the complex interactions between architects, planners, policy makers, inhabitants, and social scientists, he shows how postwar dwelling was caught between the purview of the welfare state and the rise of mass consumerism. The Social Project unearths three decades of architectural and social experiments centered on the dwelling environment as it became an object of modernization, an everyday site of citizen participation, and a domain of social scientific expertise. Beyond state intervention, it was this new regime of knowledge production that made postwar modernism mainstream. The first comprehensive history of these wide-ranging urban projects, this book reveals how housing in postwar France shaped both contemporary urbanity and modern architecture.

The Social Project

The Social Project PDF Author: Kenny Cupers
Publisher: U of Minnesota Press
ISBN: 1452941068
Category : Architecture
Languages : en
Pages : 600

Book Description
Winner of the 2015 Abbott Lowell Cummings prize from the Vernacular Architecture Forum Winner of the 2015 Sprio Kostof Book Award from the Society of Architectural Historians Winner of the 2016 International Planning History Society Book Prize for European Planning History Honorable Mention: 2016 Wylie Prize in French Studies In the three decades following World War II, the French government engaged in one of the twentieth century’s greatest social and architectural experiments: transforming a mostly rural country into a modernized urban nation. Through the state-sanctioned construction of mass housing and development of towns on the outskirts of existing cities, a new world materialized where sixty years ago little more than cabbage and cottages existed. Known as the banlieue, the suburban landscapes that make up much of contemporary France are near-opposites of the historic cities they surround. Although these postwar environments of towers, slabs, and megastructures are often seen as a single utopian blueprint gone awry, Kenny Cupers demonstrates that their construction was instead driven by the intense aspirations and anxieties of a broad range of people. Narrating the complex interactions between architects, planners, policy makers, inhabitants, and social scientists, he shows how postwar dwelling was caught between the purview of the welfare state and the rise of mass consumerism. The Social Project unearths three decades of architectural and social experiments centered on the dwelling environment as it became an object of modernization, an everyday site of citizen participation, and a domain of social scientific expertise. Beyond state intervention, it was this new regime of knowledge production that made postwar modernism mainstream. The first comprehensive history of these wide-ranging urban projects, this book reveals how housing in postwar France shaped both contemporary urbanity and modern architecture.

Signs and Designs

Signs and Designs PDF Author: Jean H. Duffy
Publisher: Liverpool University Press
ISBN: 9780853237884
Category : Literary Criticism
Languages : en
Pages : 320

Book Description
In the course of a writing career spanning half a century, Michel Butor has produced a remarkable range and volume of publications, including fiction, travel works, poetry, critical essays and various types of mixed-genre works which resist ready categorization. Much of this very diverse oeuvre is marked by his life-long passion for the visual arts. This study is the first full-length analysis of the role played by the references to the visual, plastic and architectural arts in Butor’s work. It addresses a wide range of issues including the role of the artwork, building or monument as narrative generator; the reflexive functions of the visual and architectural references; the interaction between visual/architectural references and intertextual citation; the role of collaboration in Butor’s oeuvre; the relationship between cultural baggage and the workings of the unconscious; the tension between Butor’s fascination for non-European artistic traditions and his continuing dialogue with the Western tradition.

Art of the Defeat

Art of the Defeat PDF Author: Laurence Bertrand Dorléac
Publisher: Getty Publications
ISBN: 9780892368914
Category : Art
Languages : en
Pages : 452

Book Description
"Art of the Defeat offers an unflinching look at the pivotal role art played in France during the German occupation. It begins with Adolf Hitler's staging of the armistice at Rethondes and moves across the dark years - analyzing the official junket by French artists to Germany, the exhibition of Arno Breker's colossi in Paris, the looting of the state museums and Jewish collections, the glorification of Philippe P?tain and a pure national identity, the demonization of modernists and foreigners, and the range of responses by artists and artisans. The sum is a pioneering expos? of the deployment of art and ideology to hold the heart of darkness at bay"--Page 4 of cover.

Dumas' art annual [tr. from Annuaire illustré des beaux-arts]. 1st year. 1st year

Dumas' art annual [tr. from Annuaire illustré des beaux-arts]. 1st year. 1st year PDF Author: Annuaire illustré des beaux-arts
Publisher:
ISBN:
Category :
Languages : en
Pages : 400

Book Description


American Journal of Archaeology and of the History of the Fine Arts

American Journal of Archaeology and of the History of the Fine Arts PDF Author:
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 578

Book Description


Metropolitan : a Monthly Journal of Literature, Science and the Fine Arts

Metropolitan : a Monthly Journal of Literature, Science and the Fine Arts PDF Author:
Publisher:
ISBN:
Category : Arts, Modern
Languages : en
Pages : 586

Book Description


Jean-Michel Alberola (English edition)

Jean-Michel Alberola (English edition) PDF Author: Jean-Michel Alberola
Publisher: Art Book Magazine Distribution
ISBN: 2847111247
Category : Art
Languages : en
Pages : 100

Book Description
Political, poetic, committed, profound: Jean-Michel Alberola’s oeuvre is an artist’s reaction to reality, human feelings and the state of the world. His exhibition at the Palais de Tokyo triggers a voyage that stimulates the eye and the mind as it maps the underappreciated diversity of his work. Associating bodily and geographical fragments with ambiguous statements and injunctions, this major and utterly distinctive figure on the French art scene shapes rebuses that challenge both our way of seeing and the role of art in society. And yet, in its intermingling of artistic speculation and political questioning, and of conceptualism, abstraction and figuration, Alberola’s unique, hard-hitting oeuvre is never without its touch of humour. Book contents - “Adding Up the Details: Chapter 1”: A text by Jean-Michel Alberola. - “The Crossing and the Passeur”: A conversation between Jean-Michel Alberola and Katell Jaffrès, curator of Jean-Michel Alberola’s solo exhibition at the Palais de Tokyo. - “He Who is Taking Himself by Surprise”: An essay by Dominique Païni. About the authors - Katell Jaffrès is a curator at the Palais de Tokyo. - Dominique Païni is a critic, a writer and a curator. He has written numerous publications focusing on the connection between cinema and fine arts. Book published on the occasion of Jean-Michel Alberola’s solo exhibition at the Palais de Tokyo, “L’Aventure des détails” 19.02 – 16.05 2016

Branding the ‘Beur’ Author

Branding the ‘Beur’ Author PDF Author: Kathryn A. Kleppinger
Publisher: Liverpool University Press
ISBN: 1781384800
Category : Literary Criticism
Languages : en
Pages : 288

Book Description
This book reconsiders authorship by the descendants of North African immigrants to France by consulting how these authors’ novels have been discussed and promoted in the national audio-visual media.

Bureaucrats and Bourgeois Society

Bureaucrats and Bourgeois Society PDF Author: R. Kingston
Publisher: Springer
ISBN: 1137264926
Category : History
Languages : en
Pages : 246

Book Description
Between 1789 and 1848, clerks modified their occupational practices, responding to political scrutiny and state-administration reforms. Ralph Kingston examines the lives and influence of bureaucrats inside and outside the office as they helped define nineteenth-century bourgeois social capital, ideals of emulation, honour, and masculinity.

Impressionism

Impressionism PDF Author: John I. Clancy
Publisher: Nova Publishers
ISBN: 9781590335451
Category : Art
Languages : en
Pages : 242

Book Description
Defining an artistic era or movement is often a difficult task, as one tries to group individualistic expressions and artwork under one broad brush. Such is the case with impressionism, which culls together the art of a multitude of painters in the mid-19th century, including Monet, Cézanne, Renoir, Degas, and van Gogh. Basically, impressionism involved the shedding of traditional painting methods. The subjects of art were taken from everyday life, as opposed to the pages of mythology and history. In addition, each artist painted to express feelings of the moment instead of hewing to time-honoured standards. This description of impressionism, obviously, is quite broad and can apply to a wide array of styles. Nonetheless, it remains a very important school in the annals of art. Any current or budding art aficionado should become familiar with the impressionist movement and its impact on the art world. This book presents a sweeping study of this artistic period, from its origins to its manifestations in the works of some of art history's most revered painters. Following this overview is a substantial and selective bibliography, featuring access through author, title, and subject indexes.