Beauty in the Pseudo-Denis PDF Download

Author: Caroline Canfield Putnam
Publisher:
ISBN:
Category : Religion
Languages : en
Pages : 152

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Author: Brendon Thomas Sammon
Publisher: James Clarke & Company
ISBN: 0227902211
Category : Religion
Languages : en
Pages : 390

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In the beginning was beauty, and beauty was with God, and beauty was God. If the tradition of divine names, that (in its Christian form) originates with Dionysius the Areopagite and includes among its ranks Albert the Great, Thomas Aquinas, and others, is correct in identifying God with the name beauty, then repurposing the Prologue to John's Gospel in this way seems hardly controversial. For if beauty is a divine name then not only is it fitting to say God is beautiful, but it is equally fitting to say that God is beauty itself. However, like most arguments from fittingness-that is to say, arguments whose veracity derives from the congruency, proportion, or harmony between the various elements of a proposition or idea rather than from some categoricallyhigher, or univocally determinate, logical necessity-the simplicity of its utterance stands in stark contrast to the complexity of its intelligible content. It is the aim of the present work is to explore what it means to say that beauty is a divine name.

Author: Filip Ivanovic
Publisher: CUA Press
ISBN: 0813231892
Category : Biography & Autobiography
Languages : en
Pages : 265

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Desiring the Beautiful studies the concept of deification, theosis, in two of the most influential early Christian philosopher-theologians, who might be considered as theoretical consolidators of the idea of theosis, and argues that the proper understanding of their central soteriological concept must take into account its dimension of love and beauty.

Author: Chrysostomos A. Stamoulis
Publisher: James Clarke & Company
ISBN: 0227178114
Category : Religion
Languages : en
Pages : 262

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The philosophical and theological study of aesthetics has a long and rich history, stretching back to Platos identification of ultimate goodness and beauty, together representing the eternal form. Recent trends in aesthetic theory, however, characterised by a focus on the beautiful at the expense of the good, have made it an object of suspicion in the Orthodox Church. In its place, Greek theologians have sought to emphasise philokalia as a truer theological discipline. Seeking to reverse this trend, Chrysostomos Stamoulis brings into conversation a plethora of voices, from Church fathers to contemporary poets, and from a Marxist political theorist to a literary critic. Out of this dialogue, Stamoulis builds a model for the re-appropriation of Orthodoxys patristic and Byzantine past that is no longer defined in antithesis to the Western present. The openness he proposes allows us to perceive afresh the world shot through with divinity, if only we can lift our gaze to see it. Dismantling the false dichotomy, philokalia or aesthetics, is the first step.

Author: Dylan David Potter
Publisher: BoD – Books on Demand
ISBN: 0227176316
Category : Religion
Languages : en
Pages : 228

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Angels have fascinated people for millennia because they point to an invisible dimension that parallels our own. This book examines the different ways that angels have been portrayed at certain key points in biblical and theological history. By tracing patterns in the appearance of higher-order beings from their ancient Near Eastern origins, the Hebrew Scriptures, the writings of Pseudo-Dionysius, Thomas Aquinas, Karl Barth, and even modern New Age writers, Angelology demonstrates that angels allow various authors to emphasise divine transcendence, immanence, and creativity. Identifying the theological purpose underlying the depiction of angels at certain key points in the history of their use raises new questions about how angels are to be understood by people today.

Author: Eric D. Perl
Publisher: State University of New York Press
ISBN: 079148002X
Category : Philosophy
Languages : en
Pages : 178

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The work of Pseudo-Dionysius the Areopagite stands at a cusp in the history of thought: it is at once Hellenic and Christian, classical and medieval, philosophical and theological. Unlike the predominantly theological or text-historical studies which constitute much of the scholarly literature on Dionysius, Theophany is completely philosophical in nature, placing Dionysius within the tradition of ancient Greek philosophy and emphasizing, in a positive light, his continuity with the non-Christian Neoplatonism of Plotinus and Proclus. Eric D. Perl offers clear expositions of the reasoning that underlies Neoplatonic philosophy and explains the argumentation that leads to and supports Neoplatonic doctrines. He includes extensive accounts of fundamental ideas in Plotinus and Proclus, as well as Dionysius himself, and provides an excellent philosophical defense of Neoplatonism in general.

Author: Christopher Scott Sevier
Publisher: Lexington Books
ISBN: 0739184253
Category : Philosophy
Languages : en
Pages : 241

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Aquinas on Beauty explores the nature and role of beauty in the thought of Thomas Aquinas. Beginning with a standard definition of beauty provided by Aquinas, it explores each of the components of that definition. The result is a comprehensive account of Aquinas’s formal view on the subject, supplemented by an exploration into Aquinas’s commentary on Dionysius’s Divine Names, including a comparison of his views with those of both Dionysius and those of Aquinas’s mentor, Albert the Great. The book also highlights the tight connection in Aquinas’s thought between aesthetics and ethics, and illustrates how Aquinas preserves what is best about aesthetic traditions preceding him, and anticipates what is best about aesthetic traditions that would follow, marrying objective and subjective aesthetic intuitions and charting a kind of via media between the common extremes.

Author: Edmund J. Rybarczyk
Publisher: Wipf and Stock Publishers
ISBN: 1498279430
Category : Religion
Languages : en
Pages : 251

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Too many Christians are afraid of beauty. This fear disconnects these Christians from their larger culture, a culture that is increasingly visual, increasingly aware of the presence and power of images, and more commonly fascinated by the power of beauty and form. This historical-theological overview presents the thought of ten theologians and one philosopher in an attempt to give Christians helpful vocabulary concerning beauty and aesthetics. It is time to use beauty and aesthetics for the mission of Christ! And yet rather than simply parrot the larger post-Christian culture, Christians and churches need to employ beauty and aesthetics in a manner that echoes God's own revelation: creation and redemption through Jesus Christ. We need to develop a sensitivity that can perceive beauties ignored. We need theological framing that both respects the glory of God's handiwork and keeps it from becoming idolatrous. We need to live with wonder for the bounty that routinely surrounds us. In short, we need eyes to see.

Author: Sergei Mariev
Publisher: Walter de Gruyter
ISBN: 1614512612
Category : Philosophy
Languages : en
Pages : 248

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The general scope of the present volume is to present a variety of approaches and topics within the growing field of research on Byzantine aesthetics. Theurgy in Neoplatonic and Christian contexts is represented by the contributions of W.-M. Stock and L. Bergemann; theories of beauty are at the centre of interest of the papers by S. Mariev and M. Marchetto. A. Pizzone approaches Byzantine aesthetics by looking for aesthetic experience in the literary texts, while the remaining contributions explore issues related to the iconoclast controversy: An important moment in the development of Byzantine philosophy on the eve of iconoclasm is the primary interest of A. del Campo Echevarría, who looks at the question of universals in John of Damaskos. The relationship between image and text in Byzantine illustrated manuscripts occupies the attention of B. Crostini. D. Afinogenov explores from a philological perspective the fate of important iconophile terminology in Old Bulgarian, while L. Lukhovitskij reconstructs from historical and philological perspectives the historical memory of the iconoclast controversy during the Late Byzantine Period.

Author: Nadine Schibille
Publisher: Routledge
ISBN: 1317124146
Category : Art
Languages : en
Pages : 399

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Paramount in the shaping of early Byzantine identity was the construction of the church of Hagia Sophia in Constantinople (532-537 CE). This book examines the edifice from the perspective of aesthetics to define the concept of beauty and the meaning of art in early Byzantium. Byzantine aesthetic thought is re-evaluated against late antique Neoplatonism and the writings of Pseudo-Dionysius that offer fundamental paradigms for the late antique attitude towards art and beauty. These metaphysical concepts of aesthetics are ultimately grounded in experiences of sensation and perception, and reflect the ways in which the world and reality were perceived and grasped, signifying the cultural identity of early Byzantium. There are different types of aesthetic data, those present in the aesthetic object and those found in aesthetic responses to the object. This study looks at the aesthetic data embodied in the sixth-century architectural structure and interior decoration of Hagia Sophia as well as in literary responses (ekphrasis) to the building. The purpose of the Byzantine ekphrasis was to convey by verbal means the same effects that the artefact itself would have caused. A literary analysis of these rhetorical descriptions recaptures the Byzantine perception and expectations, and at the same time reveals the cognitive processes triggered by the Great Church. The central aesthetic feature that emerges from sixth-century ekphraseis of Hagia Sophia is that of light. Light is described as the decisive element in the experience of the sacred space and light is simultaneously associated with the notion of wisdom. It is argued that the concepts of light and wisdom are interwoven programmatic elements that underlie the unique architecture and non-figurative decoration of Hagia Sophia. A similar concern for the phenomenon of light and its epistemological dimension is reflected in other contemporary monuments, testifying to the pervasiveness of these aesthetic values in early Byzantium.