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Author: Claire Jones Publisher: Routledge ISBN: 1351549693 Category : Art Languages : en Pages : 403
Book Description
Challenging distinctions between fine and decorative art, this book begins with a critique of the Rodin scholarship, to establish how the selective study of his oeuvre has limited our understanding of French nineteenth-century sculpture. The book's central argument is that we need to include the decorative in the study of sculpture, in order to present a more accurate and comprehensive account of the practice and profession of sculpture in this period. Drawing on new archival sources, sculptors and objects, this is the first sustained study of how and why French sculptors collaborated with state and private luxury goods manufacturers between 1848 and 1895. Organised chronologically, the book identifies three historically-situated frameworks, through which sculptors attempted to validate themselves and their work in relation to industry: industrial art, decorative art and objet d'art. Detailed readings are offered of sculptors who operated within and outside the Salon, including S?n, Ch?t, Carrier-Belleuse and Rodin; and of diverse objects and materials, from S?es vases, to pewter plates by Desbois, and furniture by Barbedienne and Carabin. By contesting the false separation of art from industry, Claire Jones's study restores the importance of the sculptor-manufacturer relationship, and of the decorative, to the history of sculpture.
Author: Claire Jones Publisher: Routledge ISBN: 1351549693 Category : Art Languages : en Pages : 403
Book Description
Challenging distinctions between fine and decorative art, this book begins with a critique of the Rodin scholarship, to establish how the selective study of his oeuvre has limited our understanding of French nineteenth-century sculpture. The book's central argument is that we need to include the decorative in the study of sculpture, in order to present a more accurate and comprehensive account of the practice and profession of sculpture in this period. Drawing on new archival sources, sculptors and objects, this is the first sustained study of how and why French sculptors collaborated with state and private luxury goods manufacturers between 1848 and 1895. Organised chronologically, the book identifies three historically-situated frameworks, through which sculptors attempted to validate themselves and their work in relation to industry: industrial art, decorative art and objet d'art. Detailed readings are offered of sculptors who operated within and outside the Salon, including S?n, Ch?t, Carrier-Belleuse and Rodin; and of diverse objects and materials, from S?es vases, to pewter plates by Desbois, and furniture by Barbedienne and Carabin. By contesting the false separation of art from industry, Claire Jones's study restores the importance of the sculptor-manufacturer relationship, and of the decorative, to the history of sculpture.
Author: Suzanne Nash Publisher: State University of New York Press ISBN: 1438414161 Category : Biography & Autobiography Languages : en Pages : 360
Book Description
The nineteenth century witnessed an unprecedented social restructuring that disrupted traditional notions of people and place, country and city, private and public spheres. The break with the old order and the entry into the industrial age was most dramatically played out in France, with the growth of a new urban middle class under the July monarchy and the rebuilding of Paris by Haussmann under the Second Empire. The personal, immediate, and radical effects of these changes produced an altered conception of the meaning of home and a homeland. Focusing primarily on mid-nineteenth-century France, these essays, by noted literary critics, offer fascinating new accounts of the relationship between the social history of home and homelessness and the imaginative expressions of the age. This probing interdisciplinary approach, combining theoretical sophistication with historical detail, addresses the fundamental importance of class and gender to the modern history of homelessness. Its provocative readings of well-known texts provide a model of cultural studies at its best and most serious.
Author: Claire Jones
Author: Claire Jones
Author: Grand Rapids Public Library (Grand Rapids, Mich.)
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Author: Suzanne Nash
Author: Victoria and Albert museum libr
Author: Harvard University. Fine Arts Library![List[s] of Books and Pamphlets in the National Art Library ... PDF](https://books.google.com/books/content/images/frontcover/tY1njzsIglwC?fife=w80-h100)
Author: National Art Library (Great Britain)
Author: Mark Lemon
Author: Grand Rapids Public Library (Grand Rapids, Mich.)![List[s] of Books and Pamphlets in the National Art Library: Anatomy; 1886. Architecture of the Renaissance and later periods; 1888. Armour and weapons; 1883. Biographies of artists; 1887. Coins and medals; 1889. Construction, engineering, and machinery; 1889. Costume; 1881. Drawing, geometry, and perspective; 1888. Furniture 2d ed.; 1885 PDF](https://books.google.com/books/content/images/frontcover/uUBOAAAAYAAJ?fife=w80-h100)
Author: National Art Library (Great Britain)