Author: Dosso Dossi
Publisher: Getty Publications
ISBN: 9780892365050
Category : Art
Languages : en
Pages : 436
Book Description
Dosso Dossi has long been considered one of Renaissance Italy's most intriguing artists. Although a wealth of documents chronicles his life, he remains, in many ways, an enigma, and his art continues to be as elusive as it is compelling. In Dosso's Fate, leading scholars from a wide range of disciplines examine the social, intellectual, and historical contexts of his art, focusing on the development of new genres of painting, questions of style and chronology, the influence of courtly culture, and the work of his collaborators, as well as his visual and literary sources and his painting technique. The result is an important and original contribution not only to literature on Dosso Dossi but also to the study of cultural history in early modern Italy.
Dosso's Fate
Author: Dosso Dossi
Publisher: Getty Publications
ISBN: 9780892365050
Category : Art
Languages : en
Pages : 436
Book Description
Dosso Dossi has long been considered one of Renaissance Italy's most intriguing artists. Although a wealth of documents chronicles his life, he remains, in many ways, an enigma, and his art continues to be as elusive as it is compelling. In Dosso's Fate, leading scholars from a wide range of disciplines examine the social, intellectual, and historical contexts of his art, focusing on the development of new genres of painting, questions of style and chronology, the influence of courtly culture, and the work of his collaborators, as well as his visual and literary sources and his painting technique. The result is an important and original contribution not only to literature on Dosso Dossi but also to the study of cultural history in early modern Italy.
Publisher: Getty Publications
ISBN: 9780892365050
Category : Art
Languages : en
Pages : 436
Book Description
Dosso Dossi has long been considered one of Renaissance Italy's most intriguing artists. Although a wealth of documents chronicles his life, he remains, in many ways, an enigma, and his art continues to be as elusive as it is compelling. In Dosso's Fate, leading scholars from a wide range of disciplines examine the social, intellectual, and historical contexts of his art, focusing on the development of new genres of painting, questions of style and chronology, the influence of courtly culture, and the work of his collaborators, as well as his visual and literary sources and his painting technique. The result is an important and original contribution not only to literature on Dosso Dossi but also to the study of cultural history in early modern Italy.
Tonal Space in the Music of Antonio Vivaldi
Author: Bella Brover-Lubovsky
Publisher: Indiana University Press
ISBN: 0253351294
Category : Music
Languages : en
Pages : 386
Book Description
"The book combines theory and practice, discussing the theoretical aspects and practical realization of the arrangement of tonal space in terms of their contemporary reception. Brover-Lubovsky's approach is therefore directed toward a study of the musical repertory mapped onto the canvas of contemporary musical thought, including theory, pedagogy, reception, and aesthetics. Tonal Space in the Music of Antonio Vivaldi is a substantial contribution to a better understanding of Vivaldi's individual style, while illuminating wider processes of stylistic development and of the diffusion of artistic ideas in the eighteenth century."--BOOK JACKET.
Publisher: Indiana University Press
ISBN: 0253351294
Category : Music
Languages : en
Pages : 386
Book Description
"The book combines theory and practice, discussing the theoretical aspects and practical realization of the arrangement of tonal space in terms of their contemporary reception. Brover-Lubovsky's approach is therefore directed toward a study of the musical repertory mapped onto the canvas of contemporary musical thought, including theory, pedagogy, reception, and aesthetics. Tonal Space in the Music of Antonio Vivaldi is a substantial contribution to a better understanding of Vivaldi's individual style, while illuminating wider processes of stylistic development and of the diffusion of artistic ideas in the eighteenth century."--BOOK JACKET.
Opera and Church Music, 1630-1750
Author: Anthony Lewis
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 918
Book Description
Looks at ancient and oriental music and traces the history of western music from medieval times to the twentieth century.
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 918
Book Description
Looks at ancient and oriental music and traces the history of western music from medieval times to the twentieth century.
The Great Maltese Composers
Author: Joseph Vella Bondin
Publisher: Midsea Books
ISBN: 9789995782771
Category : Composers
Languages : en
Pages : 0
Book Description
As the first comprehensive study of Maltese music to be written in the English language, book has been written for a general readershi with the aim to organise the material in which Maltese music developed from its earliest manifestation to the twentieth century.
Publisher: Midsea Books
ISBN: 9789995782771
Category : Composers
Languages : en
Pages : 0
Book Description
As the first comprehensive study of Maltese music to be written in the English language, book has been written for a general readershi with the aim to organise the material in which Maltese music developed from its earliest manifestation to the twentieth century.
Italian and Maltese Music in the Archives of the Cathedral Museum of Malta
Author: John Azzopardi
Publisher:
ISBN: 9789990951110
Category : Music
Languages : en
Pages : 354
Book Description
Publisher:
ISBN: 9789990951110
Category : Music
Languages : en
Pages : 354
Book Description
Emilio De' Cavalieri "gentiluomo Romano"
Author: Warren Kirkendale
Publisher: Firenze : L.S. Olschki
ISBN:
Category : Music
Languages : it
Pages : 622
Book Description
Publisher: Firenze : L.S. Olschki
ISBN:
Category : Music
Languages : it
Pages : 622
Book Description
The Life of St. Philip Neri
Author: Antonio Gallonio
Publisher: Ignatius Press
ISBN: 1681495163
Category : Biography & Autobiography
Languages : en
Pages : 276
Book Description
St. Philip Neri is one of the best-loved saints of all time. Known as the ಘApostle of Rome', he set in motion a great renewal of Christianity at the heart of the Church's capital city during the 1500's. St. Philip's foundation of the Oratory began by stimulating young laymen to conversion, prayer, and apostolic works, and through them gradually brought about a reform of the entire Church, at all levels of society. St. Philip inspired many through his words, his miracles and his spiritual gifts, which show many similarities with other great saints such as Padre Pio and St. John Vianney. This account of Philip's life, written by his disciple Antonio Gallonio soon after the saint's death, captures well his holy zeal for God's work in the face of a corrupt and decadent Rome; his great sense of humor, which he would often use to remind people of hidden spiritual realities; and the many extraordinary miracles and conversions wrought by St. Philip both during his lifetime and after his death. This is the first ever English translation of the affectionate biography, published originally in Latin in the Jubilee Year 1600. Unusually for the time, it was written in chronological order; it also bears the original footnotes by Gallonio, in which he refers to eyewitnesses and makes comparisons with the lives of canonized saints, intending thereby to assist in the promotion of Philip's cause for elevation to the altars. Additional notes and a comprehensive index make this a most interesting and useful book for devotees of St. Philip, as well as a very readable introduction to the saint for those who do not yet know him.
Publisher: Ignatius Press
ISBN: 1681495163
Category : Biography & Autobiography
Languages : en
Pages : 276
Book Description
St. Philip Neri is one of the best-loved saints of all time. Known as the ಘApostle of Rome', he set in motion a great renewal of Christianity at the heart of the Church's capital city during the 1500's. St. Philip's foundation of the Oratory began by stimulating young laymen to conversion, prayer, and apostolic works, and through them gradually brought about a reform of the entire Church, at all levels of society. St. Philip inspired many through his words, his miracles and his spiritual gifts, which show many similarities with other great saints such as Padre Pio and St. John Vianney. This account of Philip's life, written by his disciple Antonio Gallonio soon after the saint's death, captures well his holy zeal for God's work in the face of a corrupt and decadent Rome; his great sense of humor, which he would often use to remind people of hidden spiritual realities; and the many extraordinary miracles and conversions wrought by St. Philip both during his lifetime and after his death. This is the first ever English translation of the affectionate biography, published originally in Latin in the Jubilee Year 1600. Unusually for the time, it was written in chronological order; it also bears the original footnotes by Gallonio, in which he refers to eyewitnesses and makes comparisons with the lives of canonized saints, intending thereby to assist in the promotion of Philip's cause for elevation to the altars. Additional notes and a comprehensive index make this a most interesting and useful book for devotees of St. Philip, as well as a very readable introduction to the saint for those who do not yet know him.
The Sounds of Milan, 1585-1650
Author: Robert L. Kendrick
Publisher: Oxford University Press, USA
ISBN: 0195135377
Category : Language Arts & Disciplines
Languages : en
Pages : 551
Book Description
Examines the cultural contexts of music in early-modern Milan. This book describes the buildings that served as performance spaces in Milan, analyses the power structures in the city and discusses the devotional rites of the Milanese.
Publisher: Oxford University Press, USA
ISBN: 0195135377
Category : Language Arts & Disciplines
Languages : en
Pages : 551
Book Description
Examines the cultural contexts of music in early-modern Milan. This book describes the buildings that served as performance spaces in Milan, analyses the power structures in the city and discusses the devotional rites of the Milanese.
A History of the Trombone
Author: David M. Guion
Publisher: Rowman & Littlefield
ISBN: 0810874458
Category : Music
Languages : en
Pages : 269
Book Description
A History of the Trombone, the first title in the new series American Wind Band, is a comprehensive account of the development of the trombone from its initial form as a 14th-century Medieval trumpet to its alterations in the 15th century; from its marginalized use in a particular Renaissance ensemble to its acceptance in various kinds of artistic and popular music in the 19th and 20th centuries. David M. Guion accesses new and important primary source materials to present the full sweep of the instrument's history, placing particular emphasis on the people who played the instrument, the music they performed, and the relevant cultural contexts. After a general overview, the material is presented in two main sections: the first traces the development of the trombone itself and examines the literature written about it, and the second investigates the history of performance on the instrument--the ensembles it participated in, the occasions in which it took part, the people who played it, and the social, intellectual, political, economic, and technological forces that impinged on that history. Guion analyzes the trombone's place in countries all over the world and in many styles of music, such as art, opera, popular, and world music. An appendix of transcriptions of selected primary source documents, including translations, and a comprehensive bibliography round out this important reference. Fully illustrated with more than 80 images, A History of the Trombone appeals not just to trombonists but to students, scholars, and fans of all musical instruments.
Publisher: Rowman & Littlefield
ISBN: 0810874458
Category : Music
Languages : en
Pages : 269
Book Description
A History of the Trombone, the first title in the new series American Wind Band, is a comprehensive account of the development of the trombone from its initial form as a 14th-century Medieval trumpet to its alterations in the 15th century; from its marginalized use in a particular Renaissance ensemble to its acceptance in various kinds of artistic and popular music in the 19th and 20th centuries. David M. Guion accesses new and important primary source materials to present the full sweep of the instrument's history, placing particular emphasis on the people who played the instrument, the music they performed, and the relevant cultural contexts. After a general overview, the material is presented in two main sections: the first traces the development of the trombone itself and examines the literature written about it, and the second investigates the history of performance on the instrument--the ensembles it participated in, the occasions in which it took part, the people who played it, and the social, intellectual, political, economic, and technological forces that impinged on that history. Guion analyzes the trombone's place in countries all over the world and in many styles of music, such as art, opera, popular, and world music. An appendix of transcriptions of selected primary source documents, including translations, and a comprehensive bibliography round out this important reference. Fully illustrated with more than 80 images, A History of the Trombone appeals not just to trombonists but to students, scholars, and fans of all musical instruments.
Celestial Sirens
Author: Robert L. Kendrick
Publisher: Clarendon Press
ISBN: 0191584509
Category : Music
Languages : en
Pages : 582
Book Description
This study investigates an almost unknown musical culture: that of cloistered nuns in one of the major cities of early modern Europe. These women were the most famous musicians of Milan, and the music composed for them opens up a hitherto unstudied musical repertory, which allows insight into the symbolic world of the city. Even more importantly, the music actually composed by four such nuns, Claudia Scossa, Claudia Rusca, Chiara Margarita Cozzollani, and Rosa Giacinta Badalla - reveals the musical expression of women's devotional life. The two centuries' worth of battles over nuns' singing of polyphony, studies here for the first time on the basis of massive archival documentation, also suggest that the implementation of reform in the major centre of post-Tridentine Catholic renewal was far more varied; incomplete, subject to local political pressure and individual interpretation, and short-lived than any religious historian has ever suggested. Other factors that marked nuns' musical lives and creative output - liturgical traditions of the religious orders, the problems of performance practice attendant upon all-female singing ensembles - are here addressed for the first time in the musicological literature.
Publisher: Clarendon Press
ISBN: 0191584509
Category : Music
Languages : en
Pages : 582
Book Description
This study investigates an almost unknown musical culture: that of cloistered nuns in one of the major cities of early modern Europe. These women were the most famous musicians of Milan, and the music composed for them opens up a hitherto unstudied musical repertory, which allows insight into the symbolic world of the city. Even more importantly, the music actually composed by four such nuns, Claudia Scossa, Claudia Rusca, Chiara Margarita Cozzollani, and Rosa Giacinta Badalla - reveals the musical expression of women's devotional life. The two centuries' worth of battles over nuns' singing of polyphony, studies here for the first time on the basis of massive archival documentation, also suggest that the implementation of reform in the major centre of post-Tridentine Catholic renewal was far more varied; incomplete, subject to local political pressure and individual interpretation, and short-lived than any religious historian has ever suggested. Other factors that marked nuns' musical lives and creative output - liturgical traditions of the religious orders, the problems of performance practice attendant upon all-female singing ensembles - are here addressed for the first time in the musicological literature.