Author: Malcolm Guite
Publisher: Canterbury Press
ISBN: 1786223082
Category : Poetry
Languages : la
Pages : 163
Book Description
As well as the name of a virus, a corona is a crown, the pearly glow around the sun in certain astronomical conditions and a poetic form where interlinking lines connect a sequence. It is the perfect name therefore for this new collection of 150 poems by the bestselling poet Malcolm Guite, each one written in response to the Bible’s 150 psalms as they appear in William Coverdale’s timeless translation. The Psalms express every human emotion with disarming honesty, as anger and thankfulness alike are directed at God. All of life is here with its moments of beauty and its times of despair and shame. Like the Psalms themselves, the poems do not avoid the cursing and glorying over the downfall of your enemies, but wrestle honestly with them as we do when we come to say them.
David's Crown
Author: Malcolm Guite
Publisher: Canterbury Press
ISBN: 1786223082
Category : Poetry
Languages : la
Pages : 163
Book Description
As well as the name of a virus, a corona is a crown, the pearly glow around the sun in certain astronomical conditions and a poetic form where interlinking lines connect a sequence. It is the perfect name therefore for this new collection of 150 poems by the bestselling poet Malcolm Guite, each one written in response to the Bible’s 150 psalms as they appear in William Coverdale’s timeless translation. The Psalms express every human emotion with disarming honesty, as anger and thankfulness alike are directed at God. All of life is here with its moments of beauty and its times of despair and shame. Like the Psalms themselves, the poems do not avoid the cursing and glorying over the downfall of your enemies, but wrestle honestly with them as we do when we come to say them.
Publisher: Canterbury Press
ISBN: 1786223082
Category : Poetry
Languages : la
Pages : 163
Book Description
As well as the name of a virus, a corona is a crown, the pearly glow around the sun in certain astronomical conditions and a poetic form where interlinking lines connect a sequence. It is the perfect name therefore for this new collection of 150 poems by the bestselling poet Malcolm Guite, each one written in response to the Bible’s 150 psalms as they appear in William Coverdale’s timeless translation. The Psalms express every human emotion with disarming honesty, as anger and thankfulness alike are directed at God. All of life is here with its moments of beauty and its times of despair and shame. Like the Psalms themselves, the poems do not avoid the cursing and glorying over the downfall of your enemies, but wrestle honestly with them as we do when we come to say them.
Beatus Vir (Denis the Carthusian's Commentary on the Psalms)
Author: Denis The Carthusian
Publisher:
ISBN: 9781989905227
Category :
Languages : en
Pages : 514
Book Description
Beatus Vir, the first of six planned volumes translating Denis the Carthusian's (1402-1471) extensive Commentary on the Psalms (Psalms 1-25), is the first ever translation of this work into English since Denis wrote it in the 1430s. Of more than mere historical interest, this translation, accompanied by helpful footnotes, is intended to encourage an increased knowledge of the Psalms and to be used as an aid to meditation and reflection. Written at the cusp between late Scholasticism and the Devotio Moderna, the Commentary bridges both spiritual movements, seeking a firm foothold in both. Intensely Scriptural and personal, and urging perfection in the Christian manner of living or conversatio, the Commentary is also theologically rigorous, readily grasping the rational, guiding hand of St. Thomas Aquinas and happily embracing the mysticism of pseudo-Dionysius. Pope Eugene IV (1383-1447) is reputed to have said upon reading the Carthusian's works: "May Mother Church rejoice that she has such a son!" The English-speaking world might similarly rejoice that Denis's Commentary on the Psalms is at long last being translated into the English tongue.
Publisher:
ISBN: 9781989905227
Category :
Languages : en
Pages : 514
Book Description
Beatus Vir, the first of six planned volumes translating Denis the Carthusian's (1402-1471) extensive Commentary on the Psalms (Psalms 1-25), is the first ever translation of this work into English since Denis wrote it in the 1430s. Of more than mere historical interest, this translation, accompanied by helpful footnotes, is intended to encourage an increased knowledge of the Psalms and to be used as an aid to meditation and reflection. Written at the cusp between late Scholasticism and the Devotio Moderna, the Commentary bridges both spiritual movements, seeking a firm foothold in both. Intensely Scriptural and personal, and urging perfection in the Christian manner of living or conversatio, the Commentary is also theologically rigorous, readily grasping the rational, guiding hand of St. Thomas Aquinas and happily embracing the mysticism of pseudo-Dionysius. Pope Eugene IV (1383-1447) is reputed to have said upon reading the Carthusian's works: "May Mother Church rejoice that she has such a son!" The English-speaking world might similarly rejoice that Denis's Commentary on the Psalms is at long last being translated into the English tongue.
The Complete Motets
Author: Peter Bergquist
Publisher: A-R Editions, Inc.
ISBN: 0895796090
Category : Music
Languages : en
Pages : 114
Book Description
Pagination: vii + 106 pp.
Publisher: A-R Editions, Inc.
ISBN: 0895796090
Category : Music
Languages : en
Pages : 114
Book Description
Pagination: vii + 106 pp.
The Making of Saint Louis
Author: Marianne Cecilia Gaposchkin
Publisher: Cornell University Press
ISBN: 9780801445507
Category : Biography & Autobiography
Languages : en
Pages : 364
Book Description
M. Cecilia Gaposchkin reconstructs and analyzes the process that led to King Louis IX of France's canonization in 1297 and the consolidation and spread of his cult.
Publisher: Cornell University Press
ISBN: 9780801445507
Category : Biography & Autobiography
Languages : en
Pages : 364
Book Description
M. Cecilia Gaposchkin reconstructs and analyzes the process that led to King Louis IX of France's canonization in 1297 and the consolidation and spread of his cult.
The Canticles of the Christian Church, Eastern and Western in Early and Medieval Times
Author: James Mearns
Publisher:
ISBN:
Category : Canticles
Languages : en
Pages : 134
Book Description
Publisher:
ISBN:
Category : Canticles
Languages : en
Pages : 134
Book Description
Human Vices and Human Worth in Dante's Comedy
Author: Patrick Boyde
Publisher: Cambridge University Press
ISBN: 9780521026659
Category : Literary Criticism
Languages : en
Pages : 340
Book Description
Patrick Boyde brings Dante's thought and poetry into focus for the modern reader by restoring the Comedy to its intellectual and literary context in 1300. He begins by describing the authorities that Dante acknowledged in the field of ethics and the modes of thought he shared with the great thinkers of his time. After giving a clear account of the differing approaches and ideals embodied in Aristotelian philosophy, Christianity and courtly literature, Boyde concentrates on the poetic representation of the most important vices and virtues in the Comedy. He stresses the heterogeneity and originality of Dante's treatment, and the challenges posed by his desire to harmonize these divergent value-systems. The book ends with a detailed case study of the 'vices and worth' of Ulysses in which Boyde throws light on recent controversies by deliberately remaining within the framework of the thirteenth-century assumptions, methods and concepts explored in previous chapters.
Publisher: Cambridge University Press
ISBN: 9780521026659
Category : Literary Criticism
Languages : en
Pages : 340
Book Description
Patrick Boyde brings Dante's thought and poetry into focus for the modern reader by restoring the Comedy to its intellectual and literary context in 1300. He begins by describing the authorities that Dante acknowledged in the field of ethics and the modes of thought he shared with the great thinkers of his time. After giving a clear account of the differing approaches and ideals embodied in Aristotelian philosophy, Christianity and courtly literature, Boyde concentrates on the poetic representation of the most important vices and virtues in the Comedy. He stresses the heterogeneity and originality of Dante's treatment, and the challenges posed by his desire to harmonize these divergent value-systems. The book ends with a detailed case study of the 'vices and worth' of Ulysses in which Boyde throws light on recent controversies by deliberately remaining within the framework of the thirteenth-century assumptions, methods and concepts explored in previous chapters.
Studies in Sixteenth- and Seventeenth-Century Italian Sacred Music
Author: Jeffrey Kurtzman
Publisher: Taylor & Francis
ISBN: 104023349X
Category : History
Languages : en
Pages : 356
Book Description
Although he is often identified as a Monteverdi scholar (Approaches to Monteverdi: Aesthetic, Psychological, Analytical and Historical Studies, published in the Variorum series in 2013), the majority of Jeffrey Kurtzman’s work has focused on other sixteenth- and seventeenth-century Italian sacred music. Organized into three sections, part one begins with a chapter on the Monteverdi Mass and Vespers of 1610 which spotlights the other major work in Monteverdi’s first prominent sacred print, the Missa in illo tempore, followed by examples of Kurtzman’s work on the sacred music of other composers such as Giovanni Francesco Capello and Palestrina. The section concludes with a piece on polyphonic psalm structures in seventeenth-century Italian Office music. Part two includes pieces which explore the relationship between the standard clef set, the high clef set, specific Magnificat tones and sounding pitch in the Magnificats of Roman composers; the issue of polyphonic psalm antiphons and the question of vocal and instrumental substitutes for plainchant antiphons in the Vespers service; and the use of instruments in the performance of sacred music, demonstrating that the concertato style of the seventeenth century had its origins in the practice of substituting instruments for voices and doubling voices with instruments, thereby introducing multifaceted possibilities for varying sonorities through the course of a composition. Part 3 contains two articles: the first surveying various styles in the Office repertoire of the seventeenth-century based on the approximately 1500 prints of Italian Office music in Kurtzman’s and Anne Schnoebelen’s catalogue of Mass, Office and Holy Week Music Printed in Italy, 1516-1770. The second article, published for the first time in this volume, assesses the impact on Italian liturgical music of the Catholic reform of the second half of the sixteenth-century.
Publisher: Taylor & Francis
ISBN: 104023349X
Category : History
Languages : en
Pages : 356
Book Description
Although he is often identified as a Monteverdi scholar (Approaches to Monteverdi: Aesthetic, Psychological, Analytical and Historical Studies, published in the Variorum series in 2013), the majority of Jeffrey Kurtzman’s work has focused on other sixteenth- and seventeenth-century Italian sacred music. Organized into three sections, part one begins with a chapter on the Monteverdi Mass and Vespers of 1610 which spotlights the other major work in Monteverdi’s first prominent sacred print, the Missa in illo tempore, followed by examples of Kurtzman’s work on the sacred music of other composers such as Giovanni Francesco Capello and Palestrina. The section concludes with a piece on polyphonic psalm structures in seventeenth-century Italian Office music. Part two includes pieces which explore the relationship between the standard clef set, the high clef set, specific Magnificat tones and sounding pitch in the Magnificats of Roman composers; the issue of polyphonic psalm antiphons and the question of vocal and instrumental substitutes for plainchant antiphons in the Vespers service; and the use of instruments in the performance of sacred music, demonstrating that the concertato style of the seventeenth century had its origins in the practice of substituting instruments for voices and doubling voices with instruments, thereby introducing multifaceted possibilities for varying sonorities through the course of a composition. Part 3 contains two articles: the first surveying various styles in the Office repertoire of the seventeenth-century based on the approximately 1500 prints of Italian Office music in Kurtzman’s and Anne Schnoebelen’s catalogue of Mass, Office and Holy Week Music Printed in Italy, 1516-1770. The second article, published for the first time in this volume, assesses the impact on Italian liturgical music of the Catholic reform of the second half of the sixteenth-century.
Old English Glossed Psalters Psalms 1-50
Author: University of Toronto. Centre for Medieval Studies
Publisher: University of Toronto Press
ISBN: 9780802044709
Category : Language Arts & Disciplines
Languages : en
Pages : 810
Book Description
The first of three volumes, this book is an edition of forty psalters written or owned in Anglo-Saxon England, half of which are glossed in Old English. The work is an invaluable tool for comparative gloss scholarship, for the study of the influence of vocabulary, the interpretation of glosses, the study of relations among psalters, and the study of the Latin text of the psalms in Anglo-Saxon England. It also presents new insights on the development of centres of learning and the impact of the psalter on literary tradition. Each volume addresses a group of fifty psalms. This landmark in Old English studies is the first attempt at a completely comprehensive edition. As an original and much-needed contribution to early medieval scholarship, it not only provides a standard edition of texts based on all known Anglo-Saxon psalters but also synthesizes many studies of psalter scholarship from the earliest times.
Publisher: University of Toronto Press
ISBN: 9780802044709
Category : Language Arts & Disciplines
Languages : en
Pages : 810
Book Description
The first of three volumes, this book is an edition of forty psalters written or owned in Anglo-Saxon England, half of which are glossed in Old English. The work is an invaluable tool for comparative gloss scholarship, for the study of the influence of vocabulary, the interpretation of glosses, the study of relations among psalters, and the study of the Latin text of the psalms in Anglo-Saxon England. It also presents new insights on the development of centres of learning and the impact of the psalter on literary tradition. Each volume addresses a group of fifty psalms. This landmark in Old English studies is the first attempt at a completely comprehensive edition. As an original and much-needed contribution to early medieval scholarship, it not only provides a standard edition of texts based on all known Anglo-Saxon psalters but also synthesizes many studies of psalter scholarship from the earliest times.
Transitions in Mid-Baroque Music
Author: Carrie Churnside
Publisher: Boydell & Brewer
ISBN: 1837651582
Category : Music
Languages : en
Pages : 363
Book Description
Featuring 102 music examples, this edited collection features contributions by leading scholars from the UK, United States, Australasia and Europe on what characterized the period. This collection focusses on the stylistic and cultural interchange that characterizes the musical period of the mid-Baroque (c.1650-1710). The idea of musical transition during this period is evident in two principal ways: geographical and chronological (the two often overlap). Chapters examine geographical transition by tracing the exchange of regional and national styles, while considering chronological evolution from the perspective of music theory, performance practice, source studies or specific repertoires. Studies range across instrumental and vocal music, both sacred and secular, and encompass some of the main European traditions prevalent at the time: Italian, German, French and English. The collection features contributions by leading scholars from the UK, the United States, Australasia and Europe. CARRIE CHURNSIDE is Associate Professor in Music at the Royal Birmingham Conservatoire (part of Birmingham City University).
Publisher: Boydell & Brewer
ISBN: 1837651582
Category : Music
Languages : en
Pages : 363
Book Description
Featuring 102 music examples, this edited collection features contributions by leading scholars from the UK, United States, Australasia and Europe on what characterized the period. This collection focusses on the stylistic and cultural interchange that characterizes the musical period of the mid-Baroque (c.1650-1710). The idea of musical transition during this period is evident in two principal ways: geographical and chronological (the two often overlap). Chapters examine geographical transition by tracing the exchange of regional and national styles, while considering chronological evolution from the perspective of music theory, performance practice, source studies or specific repertoires. Studies range across instrumental and vocal music, both sacred and secular, and encompass some of the main European traditions prevalent at the time: Italian, German, French and English. The collection features contributions by leading scholars from the UK, the United States, Australasia and Europe. CARRIE CHURNSIDE is Associate Professor in Music at the Royal Birmingham Conservatoire (part of Birmingham City University).
Benigno Zerafa (1726-1804) and the Neapolitan Galant Style
Author: Frederick Aquilina
Publisher: Boydell & Brewer
ISBN: 1783270861
Category : Biography & Autobiography
Languages : en
Pages : 349
Book Description
This book is the first-ever study of Malta's major eighteenth-century composer, Benigno Zerafa (1726 - 1804), a specialist in sacred music composition. This book is the first-ever study of Malta's major eighteenth-century composer, Benigno Zerafa (1726-1804), a specialist in sacred music composition. Zerafa's large-scale and small-scale vocal and choral works, mostly written during his long service as musical director at the Cathedral of Mdina, have been winning increased recognition in recent years. In addition to describing and analysing this extensive corpus, the book gives an account of Zerafa's sometimes eventful career against the wider background of the rich musical and cultural life in Malta, especial attention being paid to its strong links with Italy, and particularly Naples, where Zerafa was a student for six years. Itexamines in detail the complex relationship of music to Catholic liturgy and investigates the distinctive characteristics of the musical style, intermediate between baroque and classical, in which Zerafa was trained and always composed: one that today is commonly labelled "galant". Well stocked with music examples, the book makes copious reference to Italian and Maltese composers from Zerafa's time and to modern analytical studies of Italian music from the middle decades of the eighteenth century, thereby offering a useful general commentary on the galant period. Its central aim, however, is to stimulate further interest in, and revival of, Zerafa's music. To this end the book contains a complete work-list with supplementary indexes. Scholars and students of eighteenth-century music, in particular sacred music, the galant style and Italian music, will find it invaluable. FREDERICK AQUILINAis Senior Lecturer in Music Studies at the University of Malta.
Publisher: Boydell & Brewer
ISBN: 1783270861
Category : Biography & Autobiography
Languages : en
Pages : 349
Book Description
This book is the first-ever study of Malta's major eighteenth-century composer, Benigno Zerafa (1726 - 1804), a specialist in sacred music composition. This book is the first-ever study of Malta's major eighteenth-century composer, Benigno Zerafa (1726-1804), a specialist in sacred music composition. Zerafa's large-scale and small-scale vocal and choral works, mostly written during his long service as musical director at the Cathedral of Mdina, have been winning increased recognition in recent years. In addition to describing and analysing this extensive corpus, the book gives an account of Zerafa's sometimes eventful career against the wider background of the rich musical and cultural life in Malta, especial attention being paid to its strong links with Italy, and particularly Naples, where Zerafa was a student for six years. Itexamines in detail the complex relationship of music to Catholic liturgy and investigates the distinctive characteristics of the musical style, intermediate between baroque and classical, in which Zerafa was trained and always composed: one that today is commonly labelled "galant". Well stocked with music examples, the book makes copious reference to Italian and Maltese composers from Zerafa's time and to modern analytical studies of Italian music from the middle decades of the eighteenth century, thereby offering a useful general commentary on the galant period. Its central aim, however, is to stimulate further interest in, and revival of, Zerafa's music. To this end the book contains a complete work-list with supplementary indexes. Scholars and students of eighteenth-century music, in particular sacred music, the galant style and Italian music, will find it invaluable. FREDERICK AQUILINAis Senior Lecturer in Music Studies at the University of Malta.