Author: Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Beale Street U.S.A.
Author: Beale Street USA
Author: Beale Street, U.S.A.: where the Blues Began
Author: Memphis Housing AuthorityPublisher:
ISBN:
Category : Beale Street (Memphis, Tenn.)
Languages : en
Pages : 20
Book Description
Beale Street USA
Author: Memphis Housing AuthorityPublisher:
ISBN:
Category : Beale Street (Memphis, Tenn.)
Languages : en
Pages : 20
Book Description
Beale Street USA
Author: Beale Street, U.S.A., where the Blues Began
Author: Memphis Housing AuthorityPublisher:
ISBN:
Category :
Languages : en
Pages : 12
Book Description
The Land where the Blues Began
Author: Alan LomaxPublisher:
ISBN: 9780385312851
Category : African Americans
Languages : en
Pages : 0
Book Description
Winner of the 1993 National Book Critics Circle Award for nonfiction, this mususical and cultural exploration of the rich, sorrow-laden birth of the blues is an intimate and respectful look at an integral part of African American culture--a master work that has been 60 years in the making. Photos.
A Blues Bibliography
Author: Robert FordPublisher: Routledge
ISBN: 1135865078
Category : Music
Languages : en
Pages : 2397
Book Description
A Blues Bibliography, Second Edition is a revised and enlarged version of the definitive blues bibliography first published in 1999. Material previously omitted from the first edition has now been included, and the bibliography has been expanded to include works published since then. In addition to biographical references, this work includes entries on the history and background of the blues, instruments, record labels, reference sources, regional variations and lyric transcriptions and musical analysis. The Blues Bibliography is an invaluable guide to the enthusiastic market among libraries specializing in music and African-American culture and among individual blues scholars.
Beale Street
Author: William S. WorleyPublisher: Taylor Trade Publishing
ISBN:
Category : History
Languages : en
Pages : 154
Book Description
Take the Mississippi River flowing through the heart of America, to Memphis. Go east and fred the birthplace of the Blues and the heart of our American music heritage. Find cold brew and hot music. Find Beale Street. The stories and photos in Beale Street, Crossroads of America's Music capture a legacy passed on by the mastersa living, pulsating, howling rhythm.
Beale Black and Blue
Author: Margaret McKeePublisher: LSU Press
ISBN: 9780807118863
Category : Music
Languages : en
Pages : 284
Book Description
W. C. Handy, Furry Lewis, Booker White, Lillie May Glover, Roosevelt Sykes, Arthur Crudup, B. B. King, Bobby Blue Bland, Muddy Waters -- these and other musicians, singers, and songwriters, including the young Elvis Presley, eventually went to Beale Street in Memphis, Tennessee, to learn, improve, and practice their art. "To Handy and untold other blacks, Beale became as much a symbol of escape from black despair as Harriet Tubman's underground railroad," says Margaret McKee and Fred Chisenhall. They present Beale as a living microcosm of determination, survival, and change -- from its early days as a raucous haven for gamblers and grafters and as a black show business center to its present-day languishing. Choosing the former newspaper columnist, disc jockey, and schoolteacher Nat. D. Williams, as their main authority for the first part of this volume -- the street's history -- the authors have selected an individual with wisdom, perspective, and a distinctive voice that speaks from a lifetime of experience on Beale. His radio show on WDIA, "Tan Town Jamboree," was heard by thirteen-year-old Elvis Presley. Nat D. said, "We had a boast that if you made it on Beale Street, you can make it anywhere. And Elvis Presley made it on Beale first." Another Beale Streeter recalls, "He got that shaking, that wiggle, from Charlie Burse -- Ukulele Ike we called him -- right there at the Gray Mule on Beale." The street's history is richly complemented by the rare, extensive interviews that constitute the second half of the volume. "We undertook our research," the authors tell us, "not as a study of the blues but of the blues musicians themselves. They were a dying breed, these wandering minstrels who had become the principal storytellers of their people." Most of the musicians interviewed grew up in the rural southern areas where the authors found them, sometimes not far from their early homes. They tell of the music that took them to Memphis' street of the living blues. All show a resilience to despair, despite life's harsh times. Arthur "Big Boy" Crudup, who never received his accumulated royalties, shrugs, "I come here with nothing and I ain't going away with nothing, and it's no need worrying my life with it." In the life of Beale Street and in the conversations of its musicians, we experience with penetrating awareness a delicate balance of humor, courage, and pain.