Barton Family Cemetery Survey, Calhoun County, Florida PDF Download
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Author: George Edison Creel Publisher: ISBN: Category : Languages : en Pages :
Book Description
Barton Family Cemetery is located in Range 8 West, Township 2 North, in Northeastern Calhoun County, Florida. The cemetery is located at approximately 85 degrees, 0 minutes, 4 seconds west Longitude and 30 degrees, 35 minutes north Latitude. From the junction of County Road 274 and County Road 69A in northeast Calhoun County, go south on County Road 69A approximately 1.2 miles to Barton Cemetery Road, located on the east side of County Road 69A. Drive approximately 600 yards on Barton Cemetery Road to the first 90 degree left turn. Approximately 100 yards beyond the turn on the right side of the road is a metal gate with a narrow (10-12 feet wide) fenced lane.This lane leads to Barton Family Cemetery. You cannot turn around except at the cemetery itself. This old cemetery is located in a wooded area and is no longer in use.
Author: George Edison Creel Publisher: ISBN: Category : Languages : en Pages :
Book Description
Barton Family Cemetery is located in Range 8 West, Township 2 North, in Northeastern Calhoun County, Florida. The cemetery is located at approximately 85 degrees, 0 minutes, 4 seconds west Longitude and 30 degrees, 35 minutes north Latitude. From the junction of County Road 274 and County Road 69A in northeast Calhoun County, go south on County Road 69A approximately 1.2 miles to Barton Cemetery Road, located on the east side of County Road 69A. Drive approximately 600 yards on Barton Cemetery Road to the first 90 degree left turn. Approximately 100 yards beyond the turn on the right side of the road is a metal gate with a narrow (10-12 feet wide) fenced lane.This lane leads to Barton Family Cemetery. You cannot turn around except at the cemetery itself. This old cemetery is located in a wooded area and is no longer in use.
Author: University of Massachusetts at Amherst Publisher: Legare Street Press ISBN: 9781015386037 Category : Languages : en Pages : 238
Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Lynne Blackman Publisher: Univ of South Carolina Press ISBN: 1611179556 Category : Art Languages : en Pages : 432
Book Description
Scholarly essays on the achievements of female artists working in and inspired by the American South Looking back at her lengthy career just four years before her death, modernist painter Nell Blaine said, "Art is central to my life. Not being able to make or see art would be a major deprivation." The Virginia native's creative path began early, and, during the course of her life, she overcame significant barriers in her quest to make and even see art, including serious vision problems, polio, and paralysis. And then there was her gender. In 1957 Blaine was hailed by Life magazine as someone to watch, profiled alongside four other emerging painters whom the journalist praised "not as notable women artists but as notable artists who happen to be women." In Central to Their Lives, twenty-six noted art historians offer scholarly insight into the achievements of female artists working in and inspired by the American South. Spanning the decades between the late 1890s and early 1960s, this volume examines the complex challenges these artists faced in a traditionally conservative region during a period in which women's social, cultural, and political roles were being redefined and reinterpreted. The presentation—and its companion exhibition—features artists from all of the Southern states, including Dusti Bongé, Anne Goldthwaite, Anna Hyatt Huntington, Ida Kohlmeyer, Loïs Mailou Jones, Alma Thomas, and Helen Turner. These essays examine how the variables of historical gender norms, educational barriers, race, regionalism, sisterhood, suffrage, and modernism mitigated and motivated these women who were seeking expression on canvas or in clay. Whether working from studio space, in spare rooms at home, or on the world stage, these artists made remarkable contributions to the art world while fostering future generations of artists through instruction, incorporating new aesthetics into the fine arts, and challenging the status quo. Sylvia Yount, the Lawrence A. Fleischman Curator in Charge of the American Wing at the Metropolitan Museum of Art, provides a foreword to the volume. Contributors: Sara C. Arnold Daniel Belasco Lynne Blackman Carolyn J. Brown Erin R. Corrales-Diaz John A. Cuthbert Juilee Decker Nancy M. Doll Jane W. Faquin Elizabeth C. Hamilton Elizabeth S. Hawley Maia Jalenak Karen Towers Klacsmann Sandy McCain Dwight McInvaill Courtney A. McNeil Christopher C. Oliver Julie Pierotti Deborah C. Pollack Robin R. Salmon Mary Louise Soldo Schultz Martha R. Severens Evie Torrono Stephen C. Wicks Kristen Miller Zohn
Author: George Edison Creel
Author: George Edison Creel
Author: Barbara Barton Younts
Author: Lyman Horace Weeks
Author: University of Massachusetts at Amherst
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Author: OSCAR KENNETT. LYLE
Author: John M. Curran
Author: Lynne Blackman