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Author: Paula Willoquet-Maricondi Publisher: Scarecrow Press ISBN: 0810862271 Category : Art Languages : en Pages : 447
Book Description
Since the 1960s, British multi-media artist Peter Greenaway has shocked and intrigued audiences with his avant-garde approach to filmmaking and other artistic ventures. From early experimental films to provocative features, Greenaway has deployed strategies associated with structuralist cinema, only to challenge or critique the very limits of that cinema and of film in general. In this collection of essays, scholars from a variety of disciplines explore various postmodern and poststructuralist aspects of Greenaway's films, starting with his early shorts and delving into his feature-length works, including The Draughtman's Contract, The Belly of an Architect, A Zed and Two Noughts, The Cook, the Thief, His Wife and Her Lover, The Baby of M%con, and The Pillow Book. Other artistic productions, including his paintings and installations are also discussed. These essays examine the filmmaker's position within British and avant-garde cinema and his interest in constructing and deconstructing representational systems. In the years since the first edition of this book, Greenaway has enjoyed continued success in creating hybridized media projects for the stage and screen, as evidenced by additional essays for this revised edition. A new chapter addresses how Dutch political events and Dutch art have been crucial in shaping Greenaway's aesthetic, focusing on The Draughtsman's Contract, the 1991 opera Writing to Vermeer, and Nightwatching, the audio-visual installation and 2007 film of the same name, which were inspired by Rembrandt's Night Watch. Also new to this collection is an essay that examines Greenaway's most ambitious endeavor to date, The Tulse Luper Suitcases, which exists as four feature films, multiple websites, an online game, several books and installations, and a number of theatrical events. Peter Greenaway's Postmodern/Poststructuralist Cinema, Revised Edition explores the cultural, historical, and philosophical implications of this hybrid artist whose paintings, drawings, exhibitions, installations, and operatic productions are an intrinsic part of his work in film. This collection of diverse essays, which includes two texts by Greenaway, two interviews with the director, and a revised filmography, will interest students, teachers, critics and lovers of both postmodern art and cinema.
Author: Paula Willoquet-Maricondi Publisher: Scarecrow Press ISBN: 0810862271 Category : Art Languages : en Pages : 447
Book Description
Since the 1960s, British multi-media artist Peter Greenaway has shocked and intrigued audiences with his avant-garde approach to filmmaking and other artistic ventures. From early experimental films to provocative features, Greenaway has deployed strategies associated with structuralist cinema, only to challenge or critique the very limits of that cinema and of film in general. In this collection of essays, scholars from a variety of disciplines explore various postmodern and poststructuralist aspects of Greenaway's films, starting with his early shorts and delving into his feature-length works, including The Draughtman's Contract, The Belly of an Architect, A Zed and Two Noughts, The Cook, the Thief, His Wife and Her Lover, The Baby of M%con, and The Pillow Book. Other artistic productions, including his paintings and installations are also discussed. These essays examine the filmmaker's position within British and avant-garde cinema and his interest in constructing and deconstructing representational systems. In the years since the first edition of this book, Greenaway has enjoyed continued success in creating hybridized media projects for the stage and screen, as evidenced by additional essays for this revised edition. A new chapter addresses how Dutch political events and Dutch art have been crucial in shaping Greenaway's aesthetic, focusing on The Draughtsman's Contract, the 1991 opera Writing to Vermeer, and Nightwatching, the audio-visual installation and 2007 film of the same name, which were inspired by Rembrandt's Night Watch. Also new to this collection is an essay that examines Greenaway's most ambitious endeavor to date, The Tulse Luper Suitcases, which exists as four feature films, multiple websites, an online game, several books and installations, and a number of theatrical events. Peter Greenaway's Postmodern/Poststructuralist Cinema, Revised Edition explores the cultural, historical, and philosophical implications of this hybrid artist whose paintings, drawings, exhibitions, installations, and operatic productions are an intrinsic part of his work in film. This collection of diverse essays, which includes two texts by Greenaway, two interviews with the director, and a revised filmography, will interest students, teachers, critics and lovers of both postmodern art and cinema.
Author: Mariusz Stanowski Publisher: CRC Press ISBN: 100039364X Category : Science Languages : en Pages : 225
Book Description
The book Theory and Practice of Contrast completes, corrects and integrates the foundations of science and humanities, which include: theory of art, philosophy (aesthetics, epistemology, ontology, axiology), cognitive science, theory of information, theory of complexity and physics. Through the integration of these distant disciplines, many unresolved issues in contemporary science have been clarified or better understood, among others: defining impact (contrast) and using this definition in different fields of knowledge; understanding what beauty/art is and what our aesthetic preferences depend on; deeper understanding of what complexity and information are in essence, and providing their general definitions. Complexity means integration, value and goodness - concepts that seem to be neglected today. The book also has a high degree of integration/complexity, although each chapter introduces a new issue. The last chapter: "Binary Model of the Universe" draws attention to the need for including in physics the analysis of our mind and the resulting new possibilities, which include the mentioned (digital) model of the universe. Despite the difficult issues raised here, this study is written in accessible language and may be interesting not only for scientists and academics.
Author: Sharon Ouditt Publisher: Routledge ISBN: 1134705069 Category : Literary Criticism Languages : en Pages : 234
Book Description
Naples was conventionally the southernmost stop of the Grand Tour beyond which, it was assumed, lay violent disorder: earthquakes, malaria, bandits, inhospitable inns, few roads and appalling food. On the other hand, Southern Italy lay at the heart of Magna Graecia, whose legends were hard-wired into the cultural imaginations of the educated. This book studies the British travellers who visited Italy's Southern territories. Spanning the late eighteenth century to the mid-twentieth century, the author considers what these travellers discovered, not in the form of a survey, but as a series of unfolding impressions disclosing multiple Southern Italies. Of the numerous travellers analysed within this volume, the central figures are Henry Swinburne, Craufurd Tait Ramage and Norman Douglas, whose Old Calabria (1915) remains in print. Their appeal is that they take the region seriously: Southern Italy wasn't simply a testing ground for their superior sensibilities, it was a vibrant curiosity, unknown but within reach. Was the South simply behind on the road to European integration; or was it beyond a fault line, representing a viable alternative to Northern neuroses? The travelogues analysed in this book address a wide variety of themes which continue to shape discussions about European identity today.
Author: T. Lawrence Larkin Publisher: ISBN: 9781714170661 Category : Languages : en Pages :
Book Description
This catalog was prepared to accompany the ground-breaking exhibition, Baroque Impressions, held at the Dean's Gallery of the College of Arts and Architecture at Montana State University between 2 November and 28 December 2018. Edited by T. Lawrence Larkin, associate professor of seventeenth- to nineteenth-century European art, and comprised of essays written by Kearstin Jacobson and Dani Huvaere, independent scholars of early modern prints, this publication summarizes the historicizing impulse behind thematic displays of Rubens and Van Dyck engravings and discusses important images by reproductive printmakers, from Lucas Vorsterman, Hans Witdoeck, and Jonas Suyderhoef in the seventeenth century to William Sharp, Ferdinand Joubert, and David Desvachez in the nineteenth century. Copiously illustrated, this paperback volume is intended to stimulate discussion about the formal and conceptual relationship between paintings and engravings, broadening notions of artistic originality and variation, market developments, and art collecting.
Author: Angela Dalle Vacche Publisher: University of Texas Press ISBN: 9780292715837 Category : Performing Arts Languages : en Pages : 324
Book Description
The visual image is the common denominator of cinema and painting, and indeed many filmmakers have used the imagery of paintings to shape or enrich the meaning of their films. In this discerning new approach to cinema studies, Angela Dalle Vacche discusses how the use of pictorial sources in film enables eight filmmakers to comment on the interplay between the arts, on the dialectic of word and image, on the relationship between artistic creativity and sexual difference, and on the tension between tradition and modernity. Specifically, Dalle Vacche explores Jean-Luc Godard's iconophobia (Pierrot Le Fou) and Andrei Tarkovsky's iconophilia (Andrei Rubleov), Kenji Mizoguchi's split allegiances between East and West (Five Women around Utamaro), Michelangelo Antonioni's melodramatic sensibility (Red Desert), Eric Rohmer's project to convey interiority through images (The Marquise of O), F. W. Murnau's debt to Romantic landscape painting (Nosferatu), Vincente Minnelli's affinities with American Abstract Expressionism (An American in Paris), and Alain Cavalier's use of still life and the close-up to explore the realms of mysticism and femininity (Thérèse). While addressing issues of influence and intentionality, Dalle Vacche concludes that intertextuality is central to an appreciation of the dialogical nature of the filmic medium, which, in appropriating or rejecting art history, defines itself in relation to national traditions and broadly shared visual cultures.
Author: Edgar Peters Bowron Publisher: Penn State Press ISBN: 0271079460 Category : Art Languages : en Pages : 203
Book Description
Although Americans have shown interest in Italian Baroque art since the eighteenth century—Thomas Jefferson bought copies of works by Salvator Rosa and Guido Reni for his art gallery at Monticello, and the seventeenth-century Bolognese school was admired by painters Benjamin West and John Singleton Copley—a widespread appetite for it only took hold in the early to mid-twentieth century. Buying Baroque tells this history through the personalities involved and the culture of collecting in the United States. The distinguished contributors to this volume examine the dealers, auction houses, and commercial galleries that provided access to Baroque paintings, as well as the collectors, curators, and museum directors who acquired and shaped American perceptions about these works, including Charles Eliot Norton, John W. Ringling, A. Everett Austin Jr., and Samuel H. Kress. These essays explore aesthetic trends and influences to show why Americans developed an increasingly sophisticated taste for Baroque art between the late eighteenth century and the 1920s, and they trace the fervent peak of interest during the 1950s and 1960s. A wide-ranging, in-depth look at the collecting of seventeenth- and eighteenth-century Italian paintings in America, this volume sheds new light on the cultural conditions that led collectors to value Baroque art and the significant effects of their efforts on America’s greatest museums and galleries. In addition to the editor, contributors include Andrea Bayer, Virginia Brilliant, Andria Derstine, Marco Grassi, Ian Kennedy, J. Patrice Marandel, Pablo Pérez d’Ors, Richard E. Spear, and Eric M. Zafran.
Author: DK Publisher: Penguin ISBN: 0744037557 Category : Juvenile Nonfiction Languages : en Pages : 368
Book Description
Discover everything you could ever know about science and technology, nature, geography, culture, sports and hobbies, and history in this vibrant visual encyclopedia for children! Did you know that more than half of the human body’s weight is water, and that a koi carp can live for more than 200 years? Or how about there being more than 20,000 islands in the Pacific Ocean, or that Turkey eats the most bread, with each person getting through 104.6 kg of it every year? You can learn all these things and more with Picturepedia, and become an expert in everything from incredible insects and musical instruments, to space-craft, prehistoric life and everything in between, with this engaging encyclopedia for children aged 9-12. Celebrate your child's curiosity as they explore: - Each topic is covered on one double-page spread - Comprehensive coverage of over 150 popular topics. - Each topic is illustrated with up to 100 photos, graphics, and illustrations. - Fun, visual approach combines unprecedented density of detail with crystal-clear structure. - Includes timelines, top ten lists, step by steps, fun facts, and more. First published in 2015, Picturepedia has been revamped into a more thrilling edition that will take you on a visual odyssey. This captivating kid’s encyclopedia is jam-packed with stunning photographs, gripping information, and explanatory diagrams that allow for fascinating discoveries. Newly updated with thousands of pictures and fascinating facts about science, nature, culture, sports, and history, Picturepedia is the ultimate visual encyclopedia for kids. With 5 core chapters split into the topics of Science and Technology, Nature, Geography, Culture, Sports and Hobbies, there truly is something for every avid young reader to explore and learn, making this an excellent reference book for curriculum-based homework help. The striking graphics and illustrations featured throughout provide an optimum visual learning experience for children ages 9-12 years, that adults can also enjoy. With over 10,000 images in total, more so than any other encyclopedia on the market, this enthralling children’s encyclopedia can make a beautiful and educational gift that can be passed down generations.
Author: Meghan Stevens Publisher: Music and Image in Concert ISBN: 0980732603 Category : Art Languages : en Pages : 202
Book Description
In 'Music and Image in Concert' composer, graphic designer and writer Meghan Stevens explores the implications to music when images are presented in music concerts. But how do artistic directors ensure that listeners aren't more engaged by the images than the music? Stevens presents a number of concepts that aim to maintain musical salience over added image in the instrumental music concert. This is to avoid the situation that occurs in film where the music is backgrounded and often not heard or not remembered. These concepts cover a range of music-image characteristics including narrative, synchronisation, rhythm, tempo, meaning, emotion, structure, genre, integration, interpretation, voice and text. As there is little research in this new field, these original concepts draw on a number of other disciplines including film, music-video, multimedia, cognitive psychology, psychomusicology, education and music philosophy. This book provides a practical approach for adding image to the music concert.
Author: Paula Willoquet-Maricondi
Author: Paula Willoquet-Maricondi
Author: Mariusz Stanowski
Author: Sharon Ouditt
Author: T. Lawrence Larkin
Author: Angela Dalle Vacche
Author: Edgar Peters Bowron
Author: DK
Author: Nancy T. Minty
Author: Staatliche Kunstsammlungen Dresden
Author: Meghan Stevens