Author: Roger-Ducasse
Publisher:
ISBN:
Category : Piano music
Languages : en
Pages : 24
Book Description
Barcarolle, no. 2, pour piano
Author: Roger-Ducasse
Publisher:
ISBN:
Category : Piano music
Languages : en
Pages : 24
Book Description
Publisher:
ISBN:
Category : Piano music
Languages : en
Pages : 24
Book Description
Barcarolle[s] pour le piano
Author: Gabriel Fauré
Publisher:
ISBN:
Category : Piano music
Languages : en
Pages : 44
Book Description
Publisher:
ISBN:
Category : Piano music
Languages : en
Pages : 44
Book Description
10e barcarolle, op. 104 no. 2
Author: Gabriel Fauré
Publisher:
ISBN:
Category : Piano music
Languages : en
Pages : 16
Book Description
Publisher:
ISBN:
Category : Piano music
Languages : en
Pages : 16
Book Description
Barcarolle, pour piano
Author: Roger-Ducasse
Publisher:
ISBN:
Category : Piano music
Languages : en
Pages : 16
Book Description
Publisher:
ISBN:
Category : Piano music
Languages : en
Pages : 16
Book Description
10me [i.e. Dixième] barcarolle pour piano. (Op. 104, no. 2)
Author: Gabriel Fauré
Publisher:
ISBN:
Category : Piano music
Languages : en
Pages : 12
Book Description
Publisher:
ISBN:
Category : Piano music
Languages : en
Pages : 12
Book Description
Barcarolle (no. 2) pour piano
Barcarolle No. 2
Interpreting Chopin: Analysis and Performance
Author: Alison Hood
Publisher: Routledge
ISBN: 1317113586
Category : Music
Languages : en
Pages : 288
Book Description
Music theory is often seen as independent from - even antithetical to - performance. While music theory is an intellectual enterprise, performance requires an intuitive response to the music. But this binary opposition is a false one, which serves neither the theorist nor the performer. In Interpreting Chopin Alison Hood brings her experience as a performer to bear on contemporary analytical models. She combines significant aspects of current analytical approaches and applies that unique synthetic method to selected works by Chopin, casting new light on the composer’s preludes, nocturnes and barcarolle. An extension of Schenkerian analysis, the specific combination of five aspects distinguishes Hood’s method from previous analytical approaches. These five methods are: attention to the rhythms created by pitch events on all structural levels; a detailed accounting of the musical surface; 'strict use' of analytical notation, following guidelines offered by Steve Larson; a continual concern with what have been called 'strategies' or 'premises'; and an exploration of how recorded performances might be viewed in terms of analytical decisions, or might even shape those decisions. Building on the work of such authors as William Rothstein, Carl Schachter and John Rink, Hood’s approach to Chopin’s oeuvre raises interpretive questions of central interest to performers.
Publisher: Routledge
ISBN: 1317113586
Category : Music
Languages : en
Pages : 288
Book Description
Music theory is often seen as independent from - even antithetical to - performance. While music theory is an intellectual enterprise, performance requires an intuitive response to the music. But this binary opposition is a false one, which serves neither the theorist nor the performer. In Interpreting Chopin Alison Hood brings her experience as a performer to bear on contemporary analytical models. She combines significant aspects of current analytical approaches and applies that unique synthetic method to selected works by Chopin, casting new light on the composer’s preludes, nocturnes and barcarolle. An extension of Schenkerian analysis, the specific combination of five aspects distinguishes Hood’s method from previous analytical approaches. These five methods are: attention to the rhythms created by pitch events on all structural levels; a detailed accounting of the musical surface; 'strict use' of analytical notation, following guidelines offered by Steve Larson; a continual concern with what have been called 'strategies' or 'premises'; and an exploration of how recorded performances might be viewed in terms of analytical decisions, or might even shape those decisions. Building on the work of such authors as William Rothstein, Carl Schachter and John Rink, Hood’s approach to Chopin’s oeuvre raises interpretive questions of central interest to performers.
Barcarolle
Nocturnes and barcarolles for solo piano
Author: Gabriel Fauré
Publisher: Courier Corporation
ISBN: 0486279553
Category : Music
Languages : en
Pages : 207
Book Description
These 12 nocturnes and 12 barcarolles, composed over a span of 40 years, document Fauré's move through the innovations of late Romanticism to the frontier of early-20th-century music. From authoritative French editions.
Publisher: Courier Corporation
ISBN: 0486279553
Category : Music
Languages : en
Pages : 207
Book Description
These 12 nocturnes and 12 barcarolles, composed over a span of 40 years, document Fauré's move through the innovations of late Romanticism to the frontier of early-20th-century music. From authoritative French editions.