The Novels and Stories of Barbey D'Aurevilly PDF Download

Author: Brian G. Rogers
Publisher: Librairie Droz
ISBN: 9782600034852
Category : BARBEY D'AUREVILLY, J. (JULES), 1808-1889
Languages : en
Pages : 276

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Author: Jules Barbey d'Aurevilly
Publisher:
ISBN:
Category :
Languages : en
Pages : 266

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Author: New York (N.Y.). Board of Elections
Publisher:
ISBN:
Category : Voting registers
Languages : en
Pages : 1172

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Author: William M. Leary
Publisher: University Press of Kentucky
ISBN: 0813187419
Category : History
Languages : en
Pages : 490

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They were the forgotten commanders of World War II. While the names of Bradley and Patton became household words for Americans, few could identify Krueger or Eichelberger. They served under General Douglas MacArthur, a military genius with an enormous ego who dominated publicity from the Southwest Pacific during the American advance from Australia, through New Guinea, to the Philippines. While people at home read about the great victories that were won by "MacArthur's navy" and "MacArthur's air force," his subordinates labored in obscurity, fearful lest attention from the press lead to their replacement. Historians too have paid little attention to the men who fought so well in the far reaches of the Pacific, and not a single biography has appeared in the decades since V-J Day. Yet General Blamey played a key role in the early battles of New Guinea. Generals Krueger and Eichelberger led American armies to major victories over the Japanese. General Kenney was one of the foremost air strategists of the war, while few airmen could match General Whitehead's tactical brilliance. Admiral Kinkaid took a crucial part in one of the greatest naval engagements in history. Admiral Barbey was an acknowledged master of amphibious warfare. We Shall Return! addresses a serious shortcoming in the literature of World War II. Revealed for the first time is the full extent of the contributions made by MacArthur's commanders to the defeat of the Japanese. As the authors of these essays so ably demonstrate, many of MacArthur's bold decisions and innovative tactics were urged upon him by his subordinates. Clearly, these men deserve more credit for his successes than they have received.

Author: Corry Cropper
Publisher: U of Nebraska Press
ISBN: 0803217730
Category : Sports & Recreation
Languages : en
Pages : 271

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For centuries sports have been used to mask or to uncover important social and political problems, and there is no better example of this than France during the nineteenth century, when it changed from monarchy to empire to republic. Prior to the French Revolution, sports and games were the exclusive domain of the nobility. The revolution, however, challenged the notion of noble privilege, and leisure activities began spreading to all levels of society. Games either evolved from Old Regime spectacles into bourgeois pastimes, such as hunting, or died out altogether, as did trictrac. During this period, sports and games became the symbolic cultural battlefield of an emerging modern state. Playing at Monarchy looks at the ways sports and games (tennis, fencing, bullfighting, chess, trictrac, hunting, and the Olympics) are metaphorically used to defend and subvert, to praise and mock both class and political power structures in nineteenth-century France. Corry Cropper examines what shaped these games of the nineteenth-century and how they appeared as allegory in French literature (in the fiction of Balzac, Märimäe, and Flaubert), and in newspapers, historical studies, and even game manuals. Throughout, he shows how the representation of play in all types of literature mirrors the most important social and political rifts in postrevolutionary France, while also serving as propaganda for competing political agendas. Though its focus is on France, Playing at Monarchy hints at the way these nineteenth-century developments inform perceptions of sport even today.

Author:
Publisher: BRILL
ISBN: 9004206868
Category : Philosophy
Languages : en
Pages : 316

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Following the publication of Isaiah Berlin's essay on Joseph de Maistre (1753-1821), the Savoyard philosopher has been known primarily in the English-speaking world as a precursor of fascism. The essays in this volume challenge this view. Disclosing the inaccuracies and limitations of Berlin's account, they illustrate Maistre's colossally diverse European posterity. Far from an inflexible ideologist, Maistre was a versatile and deeply modern thinker who attracted interpreters across the political spectrum. Through the centuries, Maistre's passionate Europeanism has contributed to his popularity from Madrid to Moscow. And in our times, when religion is re-asserting itself as a source of public reason, his theorization of the encounter between tradition and modernity is lending his work ever more urgent relevance. Cover illustration by Matthieu Manche

Author:
Publisher:
ISBN:
Category : Almanacs
Languages : en
Pages : 1094

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Lists news events, population figures, and miscellaneous data of an historic, economic, scientific and social nature.

Author: Armand B. Chartier
Publisher: Twayne Publishers
ISBN:
Category : Literary Criticism
Languages : en
Pages : 192

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Author: Rhonda K. Garelick
Publisher: Princeton University Press
ISBN: 0691223920
Category : Performing Arts
Languages : en
Pages : 241

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Celebrity personalities, who reign over much of our cultural landscape, owe their fame not to specific deeds but to the ability to project a distinct personal image, to create an icon of the self. Rising Star is a fascinating look at the roots of this particular form of celebrity. Here Rhonda Garelick locates a prototype of the star personality in the dandies and aesthete literary figures of the nineteenth century, including Beau Brummell, Baudelaire, Mallarmé, and Oscar Wilde, and explores their peculiarly charged relationship with women and performance. When fin-de-siècle aesthetes turned their attention to the new, "feminized" spectacle of mass culture, Garelick argues, they found a disturbing female counterpart to their own highly staged personae. She examines the concept of the broadcasted self-image in literary works as well as in such unwritten cultural texts as the choreography and films of dancer Loie Fuller, the industrialized spectacles of European World Fairs, and the cultural performances taking place today in fields ranging from entertainment to the academy. Recent dandy-like figures such as the artist formerly known as Prince, Madonna, Jacques Derrida, and Jackie O. all share a legacy provided by the encounter between "high" and early mass culture. Garelick's analysis of this encounter covers a wide range of topics, from the gender complexity of the European male dandy and the mechanization of the female body to Orientalist performance, the origins of cinema, and the emergence of "crowd" theory and mass politics.

Author: Stan Hawkins
Publisher: Routledge
ISBN: 1351545868
Category : Music
Languages : en
Pages : 245

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Who are pop dandies? Why are stars like David Bowie, Jarvis Cocker, Pete Doherty and Robbie Williams so dandified? Taking up a wide range of British pop stars, Hawkins seeks to find out why so many have cast themselves in roles that often take style to absurd extremes. In this study, male pop artists are mapped against a cultural and historical background through a genealogy of personalities, such as Oscar Wilde, W.H. Auden, Andy Warhol, No Coward, Derek Jarmen, David Beckham and countless others. A critical analysis of issues and approaches to musical performance through masculinity becomes the focal point of this fascinating study. Ranging from the sixties to beyond the twentieth century, The British Pop Dandy considers the construction of the male pop icon through the spectacle of videos, live concerts and films. Why do we derive pleasure from the performing body, and how is entertainment linked to categories of gender and sexuality? The author insists that pop performances can be understood through human characteristics that relate to the particulars of dandyism, camp and glamour, and this he theorizes through the work of Charles Baudelaire. One of the political objectives of the dandy is to liberate himself through a denial of the structures that assume fixed identity. Not least, it is acts of queering in pop music that characterize entire generations of male artists in the UK. Setting out to discover what distinguishes the British pop dandy, Hawkins considers the role of music and performance in the articulation of hyperbolic display. It is argued that the recorded voice is a construction that idealizes self-representation, and absorbs the listener's attention. Particularly, camp address in singing practice is taken up in conjunction with a discussion of intimacy, which forms part of the strategy of the performer. In a range of songs and videos selected for music analysis, Hawkins points to the uniqueness of the voice as it expresses a transgressive quali