Author: A. L. Volynskiĭ
Publisher: Yale University Press
ISBN: 0300142498
Category : Performing Arts
Languages : en
Pages : 351
Book Description
Akim Volynsky was a Russian literary critic, journalist, and art historian who became Saint Petersburgs liveliest and most prolific ballet critic in the early part of the twentieth century. This book, the first English edition of his provocative and influential writings, provides a striking look at life inside the world of Russian ballet at a crucial era in its history. Stanley J. Rabinowitz selects and translates forty of Volynskys articlesvivid, eyewitness accounts that sparkle with details about the careers and personalities of such dance luminaries as Anna Pavlova, Mikhail Fokine, Tamara Karsavina, and George Balanchine, at that time a young dancer in the Maryinsky company whose keen musical sense and creative interpretive power Volynsky was one of the first to recognize. Rabinowitz also translates Volynskys magnum opus, The Book of Exaltations, an elaborate meditation on classical dance technique that is at once a primer and an ideological treatise. Throughout his writings, Rabinowitz argues in his critical introduction, which sets Volynskys life and work against the backdrop of the principal intellectual currents of his time, Volynsky emphasizes the spiritual and ethereal qualities of ballet.
Ballet's Magic Kingdom
Author: A. L. Volynskiĭ
Publisher: Yale University Press
ISBN: 0300142498
Category : Performing Arts
Languages : en
Pages : 351
Book Description
Akim Volynsky was a Russian literary critic, journalist, and art historian who became Saint Petersburgs liveliest and most prolific ballet critic in the early part of the twentieth century. This book, the first English edition of his provocative and influential writings, provides a striking look at life inside the world of Russian ballet at a crucial era in its history. Stanley J. Rabinowitz selects and translates forty of Volynskys articlesvivid, eyewitness accounts that sparkle with details about the careers and personalities of such dance luminaries as Anna Pavlova, Mikhail Fokine, Tamara Karsavina, and George Balanchine, at that time a young dancer in the Maryinsky company whose keen musical sense and creative interpretive power Volynsky was one of the first to recognize. Rabinowitz also translates Volynskys magnum opus, The Book of Exaltations, an elaborate meditation on classical dance technique that is at once a primer and an ideological treatise. Throughout his writings, Rabinowitz argues in his critical introduction, which sets Volynskys life and work against the backdrop of the principal intellectual currents of his time, Volynsky emphasizes the spiritual and ethereal qualities of ballet.
Publisher: Yale University Press
ISBN: 0300142498
Category : Performing Arts
Languages : en
Pages : 351
Book Description
Akim Volynsky was a Russian literary critic, journalist, and art historian who became Saint Petersburgs liveliest and most prolific ballet critic in the early part of the twentieth century. This book, the first English edition of his provocative and influential writings, provides a striking look at life inside the world of Russian ballet at a crucial era in its history. Stanley J. Rabinowitz selects and translates forty of Volynskys articlesvivid, eyewitness accounts that sparkle with details about the careers and personalities of such dance luminaries as Anna Pavlova, Mikhail Fokine, Tamara Karsavina, and George Balanchine, at that time a young dancer in the Maryinsky company whose keen musical sense and creative interpretive power Volynsky was one of the first to recognize. Rabinowitz also translates Volynskys magnum opus, The Book of Exaltations, an elaborate meditation on classical dance technique that is at once a primer and an ideological treatise. Throughout his writings, Rabinowitz argues in his critical introduction, which sets Volynskys life and work against the backdrop of the principal intellectual currents of his time, Volynsky emphasizes the spiritual and ethereal qualities of ballet.
And Then Came Dance
Author: A. L. Volynskiĭ
Publisher:
ISBN: 019094336X
Category : Art
Languages : en
Pages : 297
Book Description
Presenting for the first time Akim Volynsky's (1861-1926) pre-balletic writings on Leonardo da Vinci, Fyodor Dostoevsky, Otto Weininger, and on such illustrious personalities as Zinaida Gippius, Ida Rubinstein, and Lou Andreas-Salome, And Then Came Dance provides new insight into the origins of Volynsky's life-altering journey to become Russia's foremost ballet critic. A man for whom the realm of art was largely female in form and whose all-encompassing image of woman constituted the crux of his aesthetic contemplation that crossed over into the personal and libidinal, Volynsky looks ahead to another Petersburg-bred high priest of classical dance, George Balanchine. With an undeniable proclivity toward ballet's female component, Volynsky's dance writings, illuminated by examples of his earlier gendered criticism, invite speculation on how truly ground-breaking and forward-looking this critic is.
Publisher:
ISBN: 019094336X
Category : Art
Languages : en
Pages : 297
Book Description
Presenting for the first time Akim Volynsky's (1861-1926) pre-balletic writings on Leonardo da Vinci, Fyodor Dostoevsky, Otto Weininger, and on such illustrious personalities as Zinaida Gippius, Ida Rubinstein, and Lou Andreas-Salome, And Then Came Dance provides new insight into the origins of Volynsky's life-altering journey to become Russia's foremost ballet critic. A man for whom the realm of art was largely female in form and whose all-encompassing image of woman constituted the crux of his aesthetic contemplation that crossed over into the personal and libidinal, Volynsky looks ahead to another Petersburg-bred high priest of classical dance, George Balanchine. With an undeniable proclivity toward ballet's female component, Volynsky's dance writings, illuminated by examples of his earlier gendered criticism, invite speculation on how truly ground-breaking and forward-looking this critic is.
Holly and the Dancing Cat (Magic Ballerina, Book 13)
Author: Darcey Bussell
Publisher: HarperCollins UK
ISBN: 0007437420
Category : Juvenile Fiction
Languages : en
Pages : 98
Book Description
Return to the magical world of Enchantia in the captivating third series of Magic Ballerina by Darcey Bussell!
Publisher: HarperCollins UK
ISBN: 0007437420
Category : Juvenile Fiction
Languages : en
Pages : 98
Book Description
Return to the magical world of Enchantia in the captivating third series of Magic Ballerina by Darcey Bussell!
The Encyclopedia of World Ballet
Author: Mary Ellen Snodgrass
Publisher: Rowman & Littlefield
ISBN: 1442245263
Category : Performing Arts
Languages : en
Pages : 421
Book Description
Throughout the centuries, ballet has had a rich and ever-evolving role in the humanities. Renowned choreographers, composers, and performers have contributed to this unique art form, staging enduring works of beauty. Significant productions by major companies embrace innovations and adaptations, enabling ballet to thrive and delight audiences all over the globe. In The Encyclopedia of World Ballet,Mary Ellen Snodgrass surveys the emergence of ballet from ancient Asian models to the present, providing overviews of rhythmic movement as a subject of art, photography, and cinema. Entries in this volume reveal the nature and purpose of ballet, detailing specifics about leaders in classic design and style, influential costumers and companies, and trends in technique, partnering, variation, and liturgical execution. This reference covers: Choreographers Composers Costumers Dance companies Dancers Productions Set designers Techniques Terminology Among the principal figures included here are Alvin Ailey, Afrasiyab Badalbeyli, George Balanchine, Mikhail Baryshnikov, Pierre Beauchamp, Sergei Diaghilev, Agnes DeMille, Nacho Duato, Isadora Duncan, Boris Eifman, Mats Ek, Erté, Martha Graham, Inigo Jones, Louis XIV, Amalia Hernández Navarro, Rudolf Nureyev, Marius Petipa, Jerome Robbins, Twyla Tharp, and Agrippina Vaganova. This work also features dance companies from the Americas, Australia, China, Cuba, Egypt, Iran, Korea, New Zealand, Russia, South Africa, and Vietnam. Productions include such universal narrative favorites as Coppélia, The Nutcracker, The Sleeping Beauty, Scheherazade, Firebird, and Swan Lake. Featuring a chronology that identifies key events and figures, this volume highlights significant developments in stage presentations over the centuries. The Encyclopedia of World Ballet will serve general readers, dance instructors, and enthusiasts from middle school through college as well as professional coaches and performers, troupe directors, journalists, and historians of the arts.
Publisher: Rowman & Littlefield
ISBN: 1442245263
Category : Performing Arts
Languages : en
Pages : 421
Book Description
Throughout the centuries, ballet has had a rich and ever-evolving role in the humanities. Renowned choreographers, composers, and performers have contributed to this unique art form, staging enduring works of beauty. Significant productions by major companies embrace innovations and adaptations, enabling ballet to thrive and delight audiences all over the globe. In The Encyclopedia of World Ballet,Mary Ellen Snodgrass surveys the emergence of ballet from ancient Asian models to the present, providing overviews of rhythmic movement as a subject of art, photography, and cinema. Entries in this volume reveal the nature and purpose of ballet, detailing specifics about leaders in classic design and style, influential costumers and companies, and trends in technique, partnering, variation, and liturgical execution. This reference covers: Choreographers Composers Costumers Dance companies Dancers Productions Set designers Techniques Terminology Among the principal figures included here are Alvin Ailey, Afrasiyab Badalbeyli, George Balanchine, Mikhail Baryshnikov, Pierre Beauchamp, Sergei Diaghilev, Agnes DeMille, Nacho Duato, Isadora Duncan, Boris Eifman, Mats Ek, Erté, Martha Graham, Inigo Jones, Louis XIV, Amalia Hernández Navarro, Rudolf Nureyev, Marius Petipa, Jerome Robbins, Twyla Tharp, and Agrippina Vaganova. This work also features dance companies from the Americas, Australia, China, Cuba, Egypt, Iran, Korea, New Zealand, Russia, South Africa, and Vietnam. Productions include such universal narrative favorites as Coppélia, The Nutcracker, The Sleeping Beauty, Scheherazade, Firebird, and Swan Lake. Featuring a chronology that identifies key events and figures, this volume highlights significant developments in stage presentations over the centuries. The Encyclopedia of World Ballet will serve general readers, dance instructors, and enthusiasts from middle school through college as well as professional coaches and performers, troupe directors, journalists, and historians of the arts.
And Then Came Dance
Author: Stanley J. Rabinowitz
Publisher: Oxford University Press
ISBN: 0190943394
Category : Performing Arts
Languages : en
Pages : 297
Book Description
Presenting for the first time Akim Volynsky's (1861-1926) pre-balletic writings on Leonardo da Vinci, Fyodor Dostoevsky, Otto Weininger, and on such illustrious personalities as Zinaida Gippius, Ida Rubinstein, and Lou Andreas-Salome, And Then Came Dance provides new insight into the origins of Volynsky's life-altering journey to become Russia's foremost ballet critic. A man for whom the realm of art was largely female in form and whose all-encompassing image of woman constituted the crux of his aesthetic contemplation that crossed over into the personal and libidinal, Volynsky looks ahead to another Petersburg-bred high priest of classical dance, George Balanchine. With an undeniable proclivity toward ballet's female component, Volynsky's dance writings, illuminated by examples of his earlier gendered criticism, invite speculation on how truly ground-breaking and forward-looking this critic is.
Publisher: Oxford University Press
ISBN: 0190943394
Category : Performing Arts
Languages : en
Pages : 297
Book Description
Presenting for the first time Akim Volynsky's (1861-1926) pre-balletic writings on Leonardo da Vinci, Fyodor Dostoevsky, Otto Weininger, and on such illustrious personalities as Zinaida Gippius, Ida Rubinstein, and Lou Andreas-Salome, And Then Came Dance provides new insight into the origins of Volynsky's life-altering journey to become Russia's foremost ballet critic. A man for whom the realm of art was largely female in form and whose all-encompassing image of woman constituted the crux of his aesthetic contemplation that crossed over into the personal and libidinal, Volynsky looks ahead to another Petersburg-bred high priest of classical dance, George Balanchine. With an undeniable proclivity toward ballet's female component, Volynsky's dance writings, illuminated by examples of his earlier gendered criticism, invite speculation on how truly ground-breaking and forward-looking this critic is.
A Life Well Danced: Maria Zybina’s Russian Heritage Her Legacy of Classical Ballet and Character Dance Across Europe
Author: Jane Gall Spooner
Publisher: Troubador Publishing Ltd
ISBN: 180313402X
Category : History
Languages : en
Pages : 304
Book Description
This book explores the relationships between dancers and their teachers, and classical ballet pedagogy through the life of Maria Zybina. It was inspired by the author’s direct connection through Zybina and her teachers.
Publisher: Troubador Publishing Ltd
ISBN: 180313402X
Category : History
Languages : en
Pages : 304
Book Description
This book explores the relationships between dancers and their teachers, and classical ballet pedagogy through the life of Maria Zybina. It was inspired by the author’s direct connection through Zybina and her teachers.
Reading Dance
Author: Robert Gottlieb
Publisher: Pantheon
ISBN: 037542122X
Category : Performing Arts
Languages : en
Pages : 1362
Book Description
Robert Gottlieb’s immense sampling of the dance literature–by far the largest such project ever attempted–is both inclusive, to the extent that inclusivity is possible when dealing with so vast a field, and personal: the result of decades of reading. It limits itself of material within the experience of today’s general readers, avoiding, for instance, academic historical writing and treatises on technique, its earliest subjects are those nineteenth-century works and choreographers that still resonate with dance lovers today: Giselle, The Sleeping Beauty, Swan Lake; Bournonville and Petipa. And, as Gottlieb writes in his introduction, “The twentieth century focuses to a large extent on the achievements and personalities that dominated it–from Pavlova and Nijinsky and Diaghilev to Isadora Duncan and Martha Graham, from Ashton and Balanchine and Robbins to Merce Cunningham and Paul Taylor and Twyla Tharp, from Fonteyn and Farrell and Gelsey Kirkland (“the Judy Garland of Ballet”) to Nureyev and Baryshnikov and Astaire–as well as the critical and reportorial voices, past and present, that carry the most conviction.” In structuring his anthology, Gottlieb explains, he has “tried to help the reader along by arranging its two hundred-plus entries into a coherent groups.” Apart from the sections on major personalities and important critics, there are sections devoted to interviews (Tamara Toumanova, Antoinette Sibley, Mark Morris); profiles (Lincoln Kirstein, Bob Fosse, Olga Spessivtseva); teachers; accounts of the birth of important works from Petrouchka to Apollo to Push Comes to Shove; and the movies (from Arlene Croce and Alastair Macauley on Fred Astaire to director Michael Powell on the making of The Red Shoes). Here are the voices of Cecil Beaton and Irene Castle, Ninette de Valois and Bronislava Nijinska, Maya Plisetskaya and Allegra Kent, Serge Lifar and José Limón, Alicia Markova and Natalia Makarova, Ruth St. Denis and Michel Fokine, Susan Sontag and Jean Renoir. Plus a group of obscure, even eccentric extras, including an account of Pavlova going shopping in London and recipes from Tanaquil LeClerq’s cookbook.” With its huge range of content accompanied by the anthologist’s incisive running commentary, Reading Dance will be a source of pleasure and instruction for anyone who loves dance.
Publisher: Pantheon
ISBN: 037542122X
Category : Performing Arts
Languages : en
Pages : 1362
Book Description
Robert Gottlieb’s immense sampling of the dance literature–by far the largest such project ever attempted–is both inclusive, to the extent that inclusivity is possible when dealing with so vast a field, and personal: the result of decades of reading. It limits itself of material within the experience of today’s general readers, avoiding, for instance, academic historical writing and treatises on technique, its earliest subjects are those nineteenth-century works and choreographers that still resonate with dance lovers today: Giselle, The Sleeping Beauty, Swan Lake; Bournonville and Petipa. And, as Gottlieb writes in his introduction, “The twentieth century focuses to a large extent on the achievements and personalities that dominated it–from Pavlova and Nijinsky and Diaghilev to Isadora Duncan and Martha Graham, from Ashton and Balanchine and Robbins to Merce Cunningham and Paul Taylor and Twyla Tharp, from Fonteyn and Farrell and Gelsey Kirkland (“the Judy Garland of Ballet”) to Nureyev and Baryshnikov and Astaire–as well as the critical and reportorial voices, past and present, that carry the most conviction.” In structuring his anthology, Gottlieb explains, he has “tried to help the reader along by arranging its two hundred-plus entries into a coherent groups.” Apart from the sections on major personalities and important critics, there are sections devoted to interviews (Tamara Toumanova, Antoinette Sibley, Mark Morris); profiles (Lincoln Kirstein, Bob Fosse, Olga Spessivtseva); teachers; accounts of the birth of important works from Petrouchka to Apollo to Push Comes to Shove; and the movies (from Arlene Croce and Alastair Macauley on Fred Astaire to director Michael Powell on the making of The Red Shoes). Here are the voices of Cecil Beaton and Irene Castle, Ninette de Valois and Bronislava Nijinska, Maya Plisetskaya and Allegra Kent, Serge Lifar and José Limón, Alicia Markova and Natalia Makarova, Ruth St. Denis and Michel Fokine, Susan Sontag and Jean Renoir. Plus a group of obscure, even eccentric extras, including an account of Pavlova going shopping in London and recipes from Tanaquil LeClerq’s cookbook.” With its huge range of content accompanied by the anthologist’s incisive running commentary, Reading Dance will be a source of pleasure and instruction for anyone who loves dance.
Library of Congress Subject Headings
Author: Library of Congress
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1552
Book Description
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1552
Book Description
Library of Congress Subject Headings
Author: Library of Congress. Cataloging Policy and Support Office
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1544
Book Description
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1544
Book Description
The True Memoirs of Little K
Author: Adrienne Sharp
Publisher: Macmillan + ORM
ISBN: 1429962852
Category : Fiction
Languages : en
Pages : 387
Book Description
Exiled in Paris, tiny, one-hundred-year-old Mathilde Kschessinska sits down to write her memoirs before all that she believes to be true is forgotten. A lifetime ago, she was the vain, ambitious, impossibly charming prima ballerina assoluta of the tsar's Russian Imperial Ballet in St. Petersburg. Now, as she looks back on her tumultuous life, she can still recall every slight she ever suffered, every conquest she ever made. Kschessinka's riveting storytelling soon thrusts us into a world lost to time: that great intersection of the Russian court and the Russian theater. Before the revolution, Kschessinska dominated that world as the greatest dancer of her age. At seventeen, her crisp, scything technique made her a star. So did her romance with the tsarevich Nicholas Romanov, soon to be Nicholas II. It was customary for grand dukes and sons of tsars to draw their mistresses from the ranks of the ballet, but it was not customary for them to fall in love. The affair could not endure: when Nicholas ascended to the throne as tsar, he was forced to give up his mistress, and Kschessinska turned for consolation to his cousins, two grand dukes with whom she formed an infamous ménage à trois. But when Nicholas's marriage to Alexandra wavered after she produced girl after girl, he came once again to visit his Little K. As the tsar's empire—one that once made up a third of the world—began its fatal crumble, Kschessinka's devotion to the imperial family would be tested in ways she could never have foreseen. In Adrienne Sharp's magnificently imagined novel, the last days of the three-hundred-year-old Romanov empire are relived. Through Kschessinska's memories of her own triumphs and defeats, we witness the stories that changed history: the seething beginnings of revolution, the blindness of the doomed court, the end of a grand, decadent way of life that belonged to the nineteenth century. Based on fact, The True Memoirs of Little K is historical fiction as it's meant to be written: passionately eventful, crammed with authentic detail, and alive with emotions that resonate still.
Publisher: Macmillan + ORM
ISBN: 1429962852
Category : Fiction
Languages : en
Pages : 387
Book Description
Exiled in Paris, tiny, one-hundred-year-old Mathilde Kschessinska sits down to write her memoirs before all that she believes to be true is forgotten. A lifetime ago, she was the vain, ambitious, impossibly charming prima ballerina assoluta of the tsar's Russian Imperial Ballet in St. Petersburg. Now, as she looks back on her tumultuous life, she can still recall every slight she ever suffered, every conquest she ever made. Kschessinka's riveting storytelling soon thrusts us into a world lost to time: that great intersection of the Russian court and the Russian theater. Before the revolution, Kschessinska dominated that world as the greatest dancer of her age. At seventeen, her crisp, scything technique made her a star. So did her romance with the tsarevich Nicholas Romanov, soon to be Nicholas II. It was customary for grand dukes and sons of tsars to draw their mistresses from the ranks of the ballet, but it was not customary for them to fall in love. The affair could not endure: when Nicholas ascended to the throne as tsar, he was forced to give up his mistress, and Kschessinska turned for consolation to his cousins, two grand dukes with whom she formed an infamous ménage à trois. But when Nicholas's marriage to Alexandra wavered after she produced girl after girl, he came once again to visit his Little K. As the tsar's empire—one that once made up a third of the world—began its fatal crumble, Kschessinka's devotion to the imperial family would be tested in ways she could never have foreseen. In Adrienne Sharp's magnificently imagined novel, the last days of the three-hundred-year-old Romanov empire are relived. Through Kschessinska's memories of her own triumphs and defeats, we witness the stories that changed history: the seething beginnings of revolution, the blindness of the doomed court, the end of a grand, decadent way of life that belonged to the nineteenth century. Based on fact, The True Memoirs of Little K is historical fiction as it's meant to be written: passionately eventful, crammed with authentic detail, and alive with emotions that resonate still.