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Author: Grace Yarrow Mansfield Publisher: Harvard University Press ISBN: 9780674012639 Category : Music Languages : en Pages : 464
Book Description
Newfoundland songs are diverse in origin. Vast numbers of them come from the British Isles, especially from England and Ireland; many are composed in Newfoundland, usually on English or Irish models; a lesser number of American, Canadian, and French songs are current. The ballads to be found in the Child collection are probably the oldest now sung. Then there are many seventeenth- and eighteenth-century broadside ballads, particularly English, and many nineteenth-century compositions. Such are the backgrounds from which the compilers of this volume have drawn their unusually interesting and delightful collection of ballad texts and ballad music. Expeditions to the island in 1920 and 1929 furnished the tunes; and a genuine interest in folk-literature assured the care and accuracy of the work.
Author: Grace Yarrow Mansfield Publisher: Harvard University Press ISBN: 9780674012639 Category : Music Languages : en Pages : 464
Book Description
Newfoundland songs are diverse in origin. Vast numbers of them come from the British Isles, especially from England and Ireland; many are composed in Newfoundland, usually on English or Irish models; a lesser number of American, Canadian, and French songs are current. The ballads to be found in the Child collection are probably the oldest now sung. Then there are many seventeenth- and eighteenth-century broadside ballads, particularly English, and many nineteenth-century compositions. Such are the backgrounds from which the compilers of this volume have drawn their unusually interesting and delightful collection of ballad texts and ballad music. Expeditions to the island in 1920 and 1929 furnished the tunes; and a genuine interest in folk-literature assured the care and accuracy of the work.
Author: Scott B. Spencer Publisher: Scarecrow Press ISBN: 0810881551 Category : Antiques & Collectibles Languages : en Pages : 247
Book Description
Much has been written about the songs gathered in North America in the first half of the 20th century. However, there is scant information on those individuals responsible for gathering these songs. The Ballad Collectors of North America: How Gathering Folksongs Transformed Academic Thought and American Identity fills this gap, documenting the efforts of those who transcribed and recorded North American folk songs. Both biographical and topical, this book chronicles not only the most influential of these "song catchers" but also examines the main schools of thought on the collection process, the leading proponents of those schools, and the projects that they shaped. Contributors also consider the role of technology--especially the phonograph--in the collection efforts. Chapters organized by region cover such areas as Appalachia, the West, and Canada, while others devoted to specialized topics from the cowboy tune and occupational song to the commercialization of folk music through song collections and anthologies. Ballad Collectors investigates the larger role of the ballad in the development of American identity, from the national appreciation of cowboy songs in popular culture to the use of Appalachian song forms in radio broadcasts to the role of dustbowl ballads in the urban folk revival of the 1950s and 1960s. Finally, this collection assesses the changing role of songs and song texts in the academic fields of folklore, anthropology, musicology, and ethnomusicology. Scholars and students of American cultural and social history, as well as fans of North American folk and popular music, will find The Ballad Collectors of North America a fascinating story of how the American folk tradition gained greater visibility, fueling the revolutions that would follow in the writing and performance of American music.
Author: Pauline Greenhill Publisher: McGill-Queen's Press - MQUP ISBN: 9780773516151 Category : History Languages : en Pages : 332
Book Description
Redressing a neglect of women's traditions and feminist perspectives in Canadian folklore studies, 20 contributions discuss female experiences of traditional culture from feminist viewpoints. The authors look at the effect of gender on the collecting and interpreting of women's folklore, negative and positive images of women in traditional and popular culture, and women's use of creativity in their everyday lives. Some contributors are nonacademics. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Heather Sparling Publisher: Taylor & Francis ISBN: 1000825752 Category : Music Languages : en Pages : 210
Book Description
Disaster Songs as Intangible Memorials in Atlantic Canada draws on a collection of over 600 songs relating to Atlantic Canadian disasters from 1891 up until the present and describes the characteristics that define them as intangible memorials. The book demonstrates the relationship between vernacular memorials – informal memorials collectively and spontaneously created from a variety of objects by the general public – and disaster songs. The author identifies the features that define vernacular memorials and applies them to disaster songs: spontaneity, ephemerality, importance of place, motivations and meaning-making, content, as well as the role of media in inspiring and disseminating memorials and songs. Visit the companion website: www.disastersongs.ca.
Author: Edith Fowke Publisher: University of Calgary Press ISBN: 1895176360 Category : Music Languages : en Pages : 319
Book Description
New folk music and folk-song materials in this comprehensive study are particularly important for singers, folk music enthusiasts, ethnomusicologists, comparative and cultural studies scholars, and those interested in Canadian culture. LaRena Clark was a great singer and knew many fine songs. Her wide repertoire covers almost the complete range of types and topics of traditional Anglo-Canadian songs. Comparison with other collections in Canada, the United States, the British Isles, and Australia indicate just how unique and far-reaching it was. Clark's background and her varied ancestry shaped her repertoire. The account of her parents' activities gives a vivid picture of folk life in rural Ontario during the early years of this century. She knew some Canadian songs previously unreported, and she wrote songs with a strong Canadian flavour. Musically, Clark's songs are a microcosm of practices characteristic of British folk music throughout the English-speaking world. Particularly noteworthy is her constant reworking of traditional materials, procedures, forms, and individual tunes.
Author: Tristram Potter Coffin Publisher: University of Texas Press ISBN: 0292735073 Category : Social Science Languages : en Pages : 540
Book Description
Tristram Potter Coffin’s The British Traditional Ballad in North America, published in 1950, became recognized as the standard reference to the published material on the Child ballad in North America. Centering on the theme of story variation, the book examines ballad variation in general, treats the development of the traditional ballad into an art form, and provides a bibliographical guide to story variation as well as a general bibliography of titles referred to in the guide. Roger deV. Renwick’s supplement to The British Traditional Ballad in North America provides a thorough review of all sources of North American ballad materials published from 1963, the date of the last revision of the original volume, to 1977. The references, which include published text fragments and published title lists of items in archival collections, are arranged according to each ballad’s story variations. Textual and thematic comparisons among ballads in the British and American tradition are made throughout. In his introductory essay Renwick synthesizes the various theoretical approaches to the phenomenon of variation that have appeared in scholarly publications since 1963 and provides examples from texts referred to in the bibliographical guide itself. The supplement, like its parent work, is an invaluable reference tool for the study of variation in ballad form, content, and style. Together with the reprinted text of the 1963 edition, the supplement provides an exhaustive bibliography to the literature on the British traditional ballad in North America.
Author: Grace Yarrow Mansfield
Author: Grace Yarrow Mansfield
Author: John Harrington Cox
Author: Dorothy Scarborough
Author: 
Author: Vance Randolph
Author: Scott B. Spencer
Author: Pauline Greenhill
Author: Heather Sparling
Author: Edith Fowke
Author: Tristram Potter Coffin