...Ballads and Ballad Poetry PDF Download

Author: Edward Everett Hale (Jr.)
Publisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 280

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Author: David John Brennan
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

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Book Description
In 1798, William Wordsworth and Samuel Taylor Coleridge were engaged in a top secret experiment. This was not, as many assume, the creation of a book of poetry. A book emerged, to be sure--the landmark Lyrical Ballads. But in Murder Ballads, David John Brennan posits that the two poets were in fact pursuing far different ends: to birth from their poems a singular, idealized Poet. Despite their success, such Frankensteinian pursuits proved rife with consequence for the men. Doubts and questions plagued them: What does it mean to be a poet if your work is not your own? Who is best fit to lay claim to a parcel of poetic property that was collaboratively crafted and bequeathed to a fictitious Poet? How does one kill a Poet born of one's own hand? Blending critical examination with jocular playlets-in-verse featuring the authors of the two books in baffled conversation, Murder Ballads reopens a 200-year-old cold case that never received a proper investigation: Who was the first true Author of Lyrical Ballads, and how exactly did he die?

Author: José E. Limón
Publisher: Univ of California Press
ISBN: 0520076338
Category : Literary Criticism
Languages : en
Pages : 235

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"José Limón is one of our most interesting and important commentators on Chicano culture. . . . [This book] will help strengthen an important style of historically and politically accountable cultural analysis."—Michael M. J. Fischer, co-author of Debating Muslims: Cultural Dialogues in Postmodernity and Tradition

Author: Henry Wadsworth Longfellow
Publisher:
ISBN:
Category : Shipwrecks
Languages : en
Pages : 40

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Author: Robert William Service
Publisher:
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 40

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Book Description
Originally published in 1986. Ted Harrison use his signature broad brushstrokes and unconventional choice of colour to bring this gritty narrative poem by Robert Service to life. Evoking both the spare beauty and the mournful solitude of the Yukon landscape, Harrison's paintings proved the perfect match for Service's masterpiece about a doomed prospector adrift in a harsh land. Harrison's Illustrator's Notes on each page enhanced both poem and illustrations by adding valuable historical background. Upon its original publication, many recognised the book as an innovative approach to illustrating poetry for children. For years THE CREMATION OF SAM MCGEE has stood out as a publishing landmark, losing none of its appeal both as a read-aloud and as a work of art This twentieth anniversary edition is a deluxe hardcover-- complete with a spot-varnished cover, new cover art and heavy coated stock -- of a book that remains as entrancing as a night sky alive with the vibrant glow of the Northern Lights. AGES: All ILLUSTRATIONS: Colour artwork

Author: James Henry Dixon
Publisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 260

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Author: Samuel Taylor Coleridge
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 184

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Author: Edgar Allan Poe
Publisher:
ISBN:
Category : California
Languages : en
Pages : 36

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Author: Bessie Rayner Belloc
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 272

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Author: Lindsay Turner
Publisher: Prelude Books
ISBN: 9780990703037
Category : American poetry
Languages : en
Pages : 0

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Book Description
Poetry. "Lindsay Turner's ravishing SONGS & BALLADS takes account of colors, architectures, skies, and the many ways the world is speculatively used and re-used for short-term ends. When to refrain? Refrain now, hold back from harm now, hold on to the world now and now, these elegiac, mysteriously worldy poems sing."--Catherine Wagner "'The sunlight was prettier for its uneven distribution,' observes Lindsay Turner, alerting us to the collectivist imperative subtending perception itself. 'Oh share it, share it.' SONGS & BALLADS re-imagines historical poetics--'what's the ragged quatrain's job?'--as a critique of our unsustainable political economies. Employing recursive forms from the Medieval ballad to Modernism's differential repetitions, Turner's contemporary stanzas in meditation remediate 'a range of arrangements / demanding attention' for the continuous present. Whether it be 'the pentagons of space in the chainlink' or 'what the animals we saw never knew,' we find, in this work, a world on the verge: 'all systems go and some places broken.'"--Srikanth Reddy "Witty, mordant, despairing, yet peculiarly refreshing poems: Lindsay Turner has done the thing few can do--she has made lyric critical; she makes thought sing. 'Tuesday and I want an image / of the ecological condition / these raindrops just aren't normal." These are incantations of and against a seeping duress--with weird skies, ugly offices, bank holidays, ominous weather, bad feelings and wrong life. Her antennae quiver in this mood of disaster, as her poems become a 'keeper of our collective distress.' Songs, ballads, ditties, fractured meditations: these poems offer a countermeasure, a countersong against the modern regime of blighting calculation. With their beguiling and wrong-footing music, these poems keep time and keep our time; they are insistent, seductive, surprising. The ocean, love, a day's measure: are they 'nothing to us'? Are we 'good for nothing'? Keenly intelligent poems of dispossession and divestiture, they crack a smart whip in their ludic and paradoxically soulful deadpan."--Maureen N. McLane