Author: Simon DentithPublisher: Routledge
ISBN: 1134813996
Category : Literary Criticism
Languages : en
Pages : 443
Book Description
First published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.
Bakhtinian Thought:Intro Read
Author: Simon DentithPublisher: Routledge
ISBN: 1134813996
Category : Literary Criticism
Languages : en
Pages : 443
Book Description
First published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.
Bakhtinian Thought
Author: Simon DentithPublisher: Routledge
ISBN: 1134814003
Category : Literary Criticism
Languages : en
Pages : 284
Book Description
First published in 1994. Mikhail Bakhtin, and the writers associated with him, have come to be recognised as writers of trail-blazing importance. Working in the extraordinarily difficult conditions of Stalinist Russia, they nevertheless produced a body of writing in literary theory, linguistics, the history of the novel, philosophy, and what Bakhtin called ‘philosophical anthropology’, which continues to inspire and challenge people working in a number of different areas. Above all, Bakhtin insists on locating all utterances, whether spoken or literary, between the participants in a dialogue and thus involves them in considerations of power and authority. This introduction and reader serves a double function. In the first place, Simon Dentith provides a lucid and approachable introduction of the work of Bakhtin and his circle, taking the reader helpfully through the many areas of their thought, and indicating the points of controversy, difficulty and excitement. This introductory section culminates in a discussion of the particular emphases lent by Bakhtin to current debates in literary theory. The other feature of the book is the anthology of writing by Bakhtin, Voloshinov and Medvedev, drawn from all the major areas of their work. This provides an especially helpful reader for a body of work otherwise published in disparate and relatively inaccessible forms. Special emphasis has been given to the still unsurpassed linguistic thought of Voloshinov, and the practical analyses of the novel found in Bakhtin’s writing on Dostoevsky and Dickens. This book will be especially interesting to readers new to the work of Bakhtin and his circle. The combination of an introduction and an anthology will allow such readers a context for their reading of Bakhtin, an indication of his importance for contemporary debates in literature, language and social history, and the opportunity to engage directly with the writings of this important and indeed, for the student of literary theory, essential writer.
The Cambridge Introduction to Mikhail Bakhtin
Author: Ken HirschkopPublisher: Cambridge University Press
ISBN: 1107109043
Category : Literary Collections
Languages : en
Pages : 213
Book Description
A concise, readable and up-to-date introduction to Bakhtin, which provides students with an accessible but sophisticated guide to his work.
Rabelais and His World
Author: Mikhail Mikhaĭlovich BakhtinPublisher: Indiana University Press
ISBN: 9780253203410
Category : Literary Criticism
Languages : en
Pages : 520
Book Description
This classic work by the Russian philosopher and literary theorist Mikhail Bakhtin (1895-1975) examines popular humor and folk culture in the Middle Ages and the Renaissance. One of the essential texts of a theorist who is rapidly becoming a major reference in contemporary thought, Rabelais and His World is essential reading for anyone interested in problems of language and text and in cultural interpretation.
Mikhail Bakhtin
Author: Gary Saul MorsonPublisher: Stanford University Press
ISBN: 0804718229
Category : Literary Criticism
Languages : en
Pages : 1108
Book Description
Books about thinkers require a kind of unity that their thought may not possess. This cautionary statement is especially applicable to Mikhail Bakhtin, whose intellectual development displays a diversity of insights that cannot be easily integrated or accurately described in terms of a single overriding concern. Indeed, in a career spanning some sixty years, he experienced both dramatic and gradual changes in his thinking, returned to abandoned insights that he then developed in unexpected ways, and worked through new ideas only loosely related to his earlier concerns Small wonder, then, that Bakhtin should have speculated on the relations among received notions of biography, unity, innovation, and the creative process. Unity--with respect not only to individuals but also to art, culture, and the world generally--is usually understood as conformity to an underlying structure or an overarching scheme. Bakhtin believed that this idea of unity contradicts the possibility of true creativity. For if everything conforms to a preexisting pattern, then genuine development is reduced to mere discovery, to a mere uncovering of something that, in a strong sense, is already there. And yet Bakhtin accepted that some concept of unity was essential. Without it, the world ceases to make sense and creativity again disappears, this time replaced by the purely aleatory. There would again be no possibility of anything meaningfully new. The grim truth of these two extremes was expressed well by Borges: an inescapable labyrinth could consist of an infinite number of turns or of no turns at all. Bakhtin attempted to rethink the concept of unity in order to allow for the possibility of genuine creativity. The goal, in his words, was a "nonmonologic unity," in which real change (or "surprisingness") is an essential component of the creative process. As it happens, such change was characteristic of Bakhtin's own thought, which seems to have developed by continually diverging from his initial intentions. Although it would not necessarily follow that the development of Bakhtin's thought corresponded to his ideas about unity and creativity, we believe that in this case his ideas on nonmonologic unity are useful in understanding his own thought--as well as that of other thinkers whose careers are comparably varied and productive.
Introducing Bakhtin
Author: Sue VicePublisher: Manchester University Press
ISBN: 9780719043284
Category : Literary Criticism
Languages : en
Pages : 254
Book Description
The Russian critic and theorist Mikhail Bakhtin is once again in favor, his influence spreading across many discourses including literature, film, cultural and gender studies. This book provides the most comprehensive introduction to Bakhtin’s central concepts and terms. Sue Vice illustrates what is meant by such ideas as carnival, the grotesque body, dialogism and heteroglossia. These concepts are then placed in a contemporary context by drawing out the implications of Bakhtin’s writings, for current issues such as feminism and sexuality. Vice’s examples are always practically based on specific texts such as the film Thelma and Louise, Helen Zahavi’s Dirty Weekend and James Kelman's How late it was, how late.
Wild With Child
Author: Rebecca Jaremko BromwichPublisher: Demeter Press
ISBN: 1772584991
Category : Social Science
Languages : en
Pages : 151
Book Description
This book invites readers to step lightly into a transformative realm where the conventional narratives of pregnancy, motherhood, and femininity are defied, reshaped, and celebrated. In response to decades of limited portrayals of pregnant women and mothers as merely &‘ good,' &‘ bad,' or &‘ monstrous,' this anthology intervenes with a diverse array of contributions from scholars, artists, activists, and those who have lived the journey of motherhood. It brings forth a colourful mosaic of perspectives that push beyond the confines of societal norms, presenting images, writings, and creative expressions bursting with authenticity and power. This anthology is an affirmation, a celebration, and a transformative journey that invites all to join in reframing the pregnant body and the lived experiences of motherhood, and in to deeper engagements with maternal feminist writing and thought.
Bakhtin and the Movies
Author: M. FlanaganPublisher: Springer
ISBN: 0230252044
Category : Performing Arts
Languages : en
Pages : 251
Book Description
Martin Flanagan uses Bakhtin's notions of dialogism, chronotope and polyphony to address fundamental questions about film form and reception, focussing particularly on the way cinematic narrative utilises time and space in its very construction.
The Dialogic Imagination
Author: M. M. BakhtinPublisher: University of Texas Press
ISBN: 0292782861
Category : Philosophy
Languages : en
Pages : 660
Book Description
These essays reveal Mikhail Bakhtin (1895-1975)—known in the West largely through his studies of Rabelais and Dostoevsky—as a philosopher of language, a cultural historian, and a major theoretician of the novel. The Dialogic Imagination presents, in superb English translation, four selections from Voprosy literatury i estetiki (Problems of literature and esthetics), published in Moscow in 1975. The volume also contains a lengthy introduction to Bakhtin and his thought and a glossary of terminology. Bakhtin uses the category "novel" in a highly idiosyncratic way, claiming for it vastly larger territory than has been traditionally accepted. For him, the novel is not so much a genre as it is a force, "novelness," which he discusses in "From the Prehistory of Novelistic Discourse." Two essays, "Epic and Novel" and "Forms of Time and of the Chronotope in the Novel," deal with literary history in Bakhtin's own unorthodox way. In the final essay, he discusses literature and language in general, which he sees as stratified, constantly changing systems of subgenres, dialects, and fragmented "languages" in battle with one another.
A Reader's Guide to Contemporary Literary Theory
Author: Raman SeldenPublisher:
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 180
Book Description
Unsurpassed as a text for upper-division and beginning graduate students, Raman Selden's classic text is the liveliest, most readable and most reliable guide to contemporary literary theory. Includes applications of theory, cross-referenced to Selden's companion volume, Practicing Theory and Reading Literature.