Author: Rose HeylbutPublisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Backstage at the opera
Author: Rose HeylbutBackstage at the Opera
Author: Publisher: Harvill Secker
ISBN: 9780436095153
Category : Opera
Languages : en
Pages : 131
Book Description
Backstage at the Opera
Author: Rose HeylbutPublisher: Heylbut Press
ISBN: 1406755303
Category : Biography & Autobiography
Languages : en
Pages : 352
Book Description
PREFACE. THE Author of this very practical treatise on Scotch Loch - Fishing desires clearly that it may be of use to all who had it. He does not pretend to have written anything new, but to have attempted to put what he has to say in as readable a form as possible. Everything in the way of the history and habits of fish has been studiously avoided, and technicalities have been used as sparingly as possible. The writing of this book has afforded him pleasure in his leisure moments, and that pleasure would be much increased if he knew that the perusal of it would create any bond of sympathy between himself and the angling community in general. This section is interleaved with blank shects for the readers notes. The Author need hardly say that any suggestions addressed to the case of the publishers, will meet with consideration in a future edition. We do not pretend to write or enlarge upon a new subject. Much has been said and written-and well said and written too on the art of fishing but loch-fishing has been rather looked upon as a second-rate performance, and to dispel this idea is one of the objects for which this present treatise has been written. Far be it from us to say anything against fishing, lawfully practised in any form but many pent up in our large towns will bear us out when me say that, on the whole, a days loch-fishing is the most convenient. One great matter is, that the loch-fisher is depend- ent on nothing but enough wind to curl the water, -and on a large loch it is very seldom that a dead calm prevails all day, -and can make his arrangements for a day, weeks beforehand whereas the stream- fisher is dependent for a good take on the state of the water and however pleasant and easy it may be for one living near the banks of a good trout stream or river, it is quite another matter to arrange for a days river-fishing, if one is looking forward to a holiday at a date some weeks ahead. Providence may favour the expectant angler with a good day, and the water in order but experience has taught most of us that the good days are in the minority, and that, as is the case with our rapid running streams, -such as many of our northern streams are, -the water is either too large or too small, unless, as previously remarked, you live near at hand, and can catch it at its best. A common belief in regard to loch-fishing is, that the tyro and the experienced angler have nearly the same chance in fishing, -the one from the stern and the other from the bow of the same boat. Of all the absurd beliefs as to loch-fishing, this is one of the most absurd. Try it. Give the tyro either end of the boat he likes give him a cast of ally flies he may fancy, or even a cast similar to those which a crack may be using and if he catches one for every three the other has, he may consider himself very lucky. Of course there are lochs where the fish are not abundant, and a beginner may come across as many as an older fisher but we speak of lochs where there are fish to be caught, and where each has a fair chance. Again, it is said that the boatman has as much to do with catching trout in a loch as the angler. Well, we dont deny that. In an untried loch it is necessary to have the guidance of a good boatman but the same argument holds good as to stream-fishing...
Backstage at the Revolution
Author: Victoria JohnsonPublisher: University of Chicago Press
ISBN: 0226401952
Category : Music
Languages : en
Pages : 307
Book Description
On July 14, 1789, a crowd of angry French citizens en route to the Bastille broke into the Paris Opera and helped themselves to any sturdy weapon they could find. Yet despite its long association with the royal court, its special privileges, and the splendor of its performances, the Opera itself was spared, even protected, by Revolutionary officials. Victoria Johnson’s Backstage at the Revolution tells the story of how this legendary opera house, despite being a lightning rod for charges of tyranny and waste, weathered the most dramatic political upheaval in European history. Sifting through royal edicts, private letters, and Revolutionary records of all kinds, Johnson uncovers the roots of the Opera’s survival in its identity as a uniquely privileged icon of French culture—an identity established by the conditions of its founding one hundred years earlier under Louis XIV. Johnson’s rich cultural history moves between both epochs, taking readers backstage to see how a motley crew of singers, dancers, royal ministers, poet entrepreneurs, shady managers, and the king of France all played a part in the creation and preservation of one of the world’s most fabled cultural institutions.
Backstage at the Opera
Author: Reg SuterPublisher:
ISBN:
Category : Royal Opera House (London, England)
Languages : en
Pages : 198
Book Description
Behind the Scenes at the Opera
Author: Mary Watkins CushingPublisher:
ISBN:
Category : Music
Languages : en
Pages : 344
Book Description
Backstage at the Metropolitan Opera
Author: Rose HeylbutFrom the Score to the Stage
Author: Evan Baker (Opera historian)Publisher:
ISBN: 9780226035086
Category : Opera
Languages : en
Pages : 0
Book Description
Without scenery, costumes, and stage action, an opera would be little more than a concert. But in the audience, we know little (and think less) about the enormous efforts of those involved in bringing an opera to life--by the stagehands who shift scenery, the scenic artists who create beautiful backdrops, the electricians who focus the spotlights, and the stage manager who calls them and the singers to their places during the performance. The first comprehensive history of the behind-the-scenes world of opera production and staging, From the Score to the Stage follows the evolution of visual style and set design in continental Europe from its birth in the seventeenth century up to today. In clear, witty prose, Evan Baker covers all the major players and pieces involved in getting an opera onto the stage, from the stage director who creates the artistic concept for the production and guides the singers' interpretation of their roles to the blocking of singers and placement of scenery. He concentrates on the people--composers, librettists, designers, and technicians--as well as the theaters and events that generated developments in opera production. Additional topics include the many difficulties in performing an opera, the functions of impresarios, and the business of music publishing. Delving into the absorbing and often neglected history of stage directing, theater architecture and technology, and scenic and lighting design, Baker nimbly links these technical aspects of opera to actual performances and performers, and the social context in which they appeared. Out of these details arise illuminating discussions of individual productions that cast new light on the operas of Wagner, Verdi, and others. Packed with nearly two hundred color illustrations, From the Score to the Stage is a revealing, always entertaining look at what happens before the curtain goes up on opening night at the opera house.
Cinderella & Company
Author: Manuela HoelterhoffPublisher:
ISBN: 9780701165086
Category : Mezzo-sopranos
Languages : en
Pages : 259
Book Description
A knowing, witty, and deliciously wicked inside look at opera today -- the feuds and deals, maestros and managers, divine voices, and outsized egos. Propelled by her lifelong passion for opera, Pulitzer Prize-winning journalist Manuela Hoelterhoff takes us on a two-year trip on the circuit with Cecilia Bartoli, the irresistible young mezzo whose popularity has set records in music circles around the world. We see Bartoli among her family, her colleagues, her rivals; how she happened; what it is to be a diva; where the money comes from; and what the price can be for success. And, traveling from the Metropolitan to the backstages of the legendary opera houses of Europe, we meet everyone in Bartoli's world -- the Wagnerite obsessed with her cyberspace fan mail; the charismatic tenor with a complex love life; Luciano Pavarotti, aiming for the high Cs in his twilight years -- even as Hoelterhoff lets fly (brilliantly informed) gossip and opinions along the way. Dazzling entertainment, and an education in what makes the world of grand opera run -- and run amok.
Backstage at the Opera
Author: Sarah LentonPublisher: Robson Books Limited
ISBN:
Category : Music
Languages : en
Pages : 242
Book Description
Chronicles the production of Handel's Xerxes at the English National Opera.