Further Selections from the Prison Notebooks PDF Download

Author: Antonio Gramsci
Publisher: U of Minnesota Press
ISBN: 9780816626588
Category : Political Science
Languages : en
Pages : 806

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Author: Albert Camus
Publisher: Marlowe
ISBN: 9781569246665
Category : Biography & Autobiography
Languages : en
Pages : 498

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Camus' diary and random notes which provided material for his later fiction

Author: Albert Camus
Publisher: Ivan R. Dee Publisher
ISBN: 9781566638722
Category : Authors
Languages : en
Pages : 0

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Book Description
From 1935 until his death, Albert Camus kept a series of notebooks to sketch out ideas for future works, record snatches of conversations and excerpts from books he was reading, and jot down his reflections on death and the horror of war, his feelings about women and loneliness and art, and his appreciations for the Algerian sun and sea. These three volumes, now available together for the first time in paperback, include all entries made from the time when Camus was still completely unknown in Europe, until he was killed in an automobile accident in 1960, at the height of his creative powers. In 1957 he had been awarded the Nobel Prize for Literature. A spiritual and intellectual autobiography, Camus' Notebooks are invariably more concerned with what he felt than with what he did. It is intriguing for the reader to watch him seize and develop certain themes and ideas, discard others that at first seemed promising, and explore different types of experience. Although the Notebooks may have served Camus as a practice ground, the prose is of superior quality, which makes a short spontaneous vignette or a moment of sensuous beauty quickly captured on the page a small work of art.Here is a record of one of the most unusual minds of our time.

Author: Meaghan Emery
Publisher: Routledge
ISBN: 100076477X
Category : Literary Criticism
Languages : en
Pages : 231

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The Algerian War Retold: Of Camus’s Revolt and Postwar Reconciliation focuses on specific aspects of Albert Camus’s ethical thought through a study of his writings in conjunction with late 20th- and early 21st-century works written by Franco-Maghrebi authors on the topic of the Algerian War (1954-1962). It combines historical inquiry with literary analysis in order to examine the ways in which Camus’s concept of revolt -- in his novels, journalistic writing, and philosophical essays -- reverberates in productions pertaining to that war. Following an examination of Sartre’s and Camus’s debate over revolution and violence, one that in another iteration asks whether FLN-sponsored terrorism was justified, The Algerian War Retold uncovers how today’s writers have adopted paradigms common to both Sartre’s and Camus’s oeuvres when seeking to break the silence and influence France’s national narrative. In the end, it attempts to answer the critical questions raised by literary acts of violence, including whether Camusian ethics ultimately lead to justice for the Other in revolt. These questions are particularly poignant in view of recent presidential declarations in response to years of active pressure applied by associations and other citizens’ groups, prompting the French government to acknowledge the state’s abandonment of the harkis, condemn the repression of peaceful protest, and recognize the French army’s systematic use of torture in Algeria.

Author: Nicholas Rostow
Publisher: Springer
ISBN: 1349173703
Category : Political Science
Languages : en
Pages : 327

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Author: Albert Camus
Publisher: New York : Knopf
ISBN:
Category :
Languages : en
Pages : 254

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Intellectual autobiography concerned for the greater part with reflections on life and its complexities

Author: Paul Signac
Publisher: Metropolitan Museum of Art
ISBN: 0870999982
Category : Neo-impressionism (Art)
Languages : en
Pages : 354

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This book, the catalogue of the first retrospective of the work of the French Neoimpressionist artist Paul Signac to be held in nearly forty years, accompanies the 2001 exhibition organised by the Reunion des Musees Nationaux/Musee d'Orsay, Paris, the Van Gogh Museum, Amsterdam, and The Metropolitan Museum of Art, New York. This long overdue tribute to Signac's power of expression and artistic influence features some two hundred paintings, drawings, watercolours, and prints from public and private collections worldwide. Fully illustrated in colour and discussed in individual entries, these works offer an unprecedented overview of Signac's fifty-year career. Signac's artistic development began with the luminous plein air paintings he made in the early 1880s which reveal the lessons he absorbed from Monet, Guillaumin, and other leading Impressionists. From 1884 until 1891 Signac's close association with Georges Seurat encouraged his explorations of colour harmony, contrasts, and Neoimpressionist technique. In the scintillating works of his maturity the rigours of Pointillism gave way to richly patterned, decorative colour surfaces. In a series of essays the exhibition's curators disc

Author: Michael Kimmage
Publisher: Harvard University Press
ISBN: 9780674032583
Category : Biography & Autobiography
Languages : en
Pages : 446

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Kimmage focuses on the relationship between Lionel Trilling and Whittaker Chambers to explore the birth of neoconservatism.

Author: Osip Mandelʹshtam
Publisher: Bloodaxe Books
ISBN:
Category : Literary Criticism
Languages : en
Pages : 228

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This edition combines two previous separate editions of The Moscow Notebooks and The Voronezh Notebooks published by Bloodaxe. The Moscow Notebooks cover his years of persecution (1930-34), when he was arrested for writing an unflattering poem about Stalin. In Voronezh he broke a silence of 18 months, writing the 90 poems of the Voronezh Notebooks.

Author: Søren Kierkegaard
Publisher: Princeton University Press
ISBN: 1400866340
Category : Philosophy
Languages : en
Pages : 800

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For over a century, the Danish thinker Søren Kierkegaard (1813–55) has been at the center of a number of important discussions, concerning not only philosophy and theology, but also, more recently, fields such as social thought, psychology, and contemporary aesthetics, especially literary theory. Despite his relatively short life, Kierkegaard was an extraordinarily prolific writer, as attested to by the 26-volume Princeton University Press edition of all of his published writings. But Kierkegaard left behind nearly as much unpublished writing, most of which consists of what are called his "journals and notebooks." Kierkegaard has long been recognized as one of history's great journal keepers, but only rather small portions of his journals and notebooks are what we usually understand by the term "diaries." By far the greater part of Kierkegaard’s journals and notebooks consists of reflections on a myriad of subjects—philosophical, religious, political, personal. Studying his journals and notebooks takes us into his workshop, where we can see his entire universe of thought. We can witness the genesis of his published works, to be sure—but we can also see whole galaxies of concepts, new insights, and fragments, large and small, of partially (or almost entirely) completed but unpublished works. Kierkegaard’s Journals and Notebooks enables us to see the thinker in dialogue with his times and with himself. Kierkegaard wrote his journals in a two-column format, one for his initial entries and the second for the extensive marginal comments that he added later. This edition of the journals reproduces this format, includes several photographs of original manuscript pages, and contains extensive scholarly commentary on the various entries and on the history of the manuscripts being reproduced. Volume 8 of this 11-volume series includes five of Kierkegaard’s important "NB" journals (Journals NB21 through NB25), which cover the period from September 1850 to June 1852, and which show Kierkegaard alternately in polemical and reflective postures. The polemics emerge principally in Kierkegaard’s opposition to the increasing infiltration of Christianity by worldly concerns, a development that in his view had accelerated significantly in the aftermath of the political and social changes wrought by the Revolution of 1848. Kierkegaard understood the corrupting of Christianity to be in the interest of the powers that be, and he directed his criticism at politicians, the press, and especially the Danish Church itself, particularly church officials who claimed to be "reformers." On the reflective side, Kierkegaard delves into a number of authors and religious figures, some of them for the first time, including Montaigne, Pascal, Seneca, Savonarola, Wesley, and F. W. Newman. These journals also contain Kierkegaard’s thoughts on the decisions surrounding the publication of the "Anti-Climacus" writings: The Sickness unto Death and especially Practice in Christianity. Kierkegaard’s reader gets the sense both of a gathering storm—by the close of the last journal in this volume, the famous "attack on Christendom" is less than three years away—and a certain hesitancy: What needs reforming, Kierkegaard insists, is not "the doctrine" or "the Church," but "existences," i.e., lives.