Autograph Letter Signed from Alfred Mellon, The Vale, Chelsea, to William Hepworth Dixon PDF Download
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Author: Publisher: ISBN: Category : Tercentenary Festival of the Birth of Shakespeare Languages : en Pages : 4
Book Description
Mellon's interest and exertions are so centered in the Stratford Tercentenary Festival that he regrets it will not be in his power to give assistance to the National Shakespeare Committee as he had wished. Addressed to H.W. Dixon, but the recipient is almost certainly William Hepworth Dixon, honorary secretary of the National Shakespeare Committee.
Author: Publisher: ISBN: Category : Tercentenary Festival of the Birth of Shakespeare Languages : en Pages : 4
Book Description
Mellon's interest and exertions are so centered in the Stratford Tercentenary Festival that he regrets it will not be in his power to give assistance to the National Shakespeare Committee as he had wished. Addressed to H.W. Dixon, but the recipient is almost certainly William Hepworth Dixon, honorary secretary of the National Shakespeare Committee.
Author: Publisher: ISBN: Category : Languages : en Pages : 4
Book Description
Recipient is possibly William Hepworth Dixon. Jewsbury says it is "of no use to come and see [Dixon] whilst this Shakespearian botheration is about." Correspondent's address appears as 1,3 Markham Square, Chelsea S.W.
Author: John E. Cooney Publisher: Simon & Schuster ISBN: Category : Biography & Autobiography Languages : en Pages : 456
Book Description
"This is the colorful and dramatic biography of two of America's most controversial entrepreneurs: Moses Louis Annenberg, 'the racing wire king, ' who built his fortune in racketeering, invested it in publishing, and lost much of it in the biggest tax evasion case in United States history; and his son, Walter, launcher of TV Guide and Seventeen magazines and former ambassador to Great Britain."--Jacket.
Author: T.J. Clark Publisher: Knopf ISBN: 0525520511 Category : Art Languages : en Pages : 636
Book Description
From T.J. Clark comes this provocative study of the origins of modern art in the painting of Parisian life by Edouard Manet and his followers. The Paris of the 1860s and 1870s was a brand-new city, recently adorned with boulevards, cafés, parks, Great Exhibitions, and suburban pleasure grounds—the birthplace of the habits of commerce and leisure that we ourselves know as "modern life." A new kind of culture quickly developed in this remade metropolis, sights and spectacles avidly appropriated by a new kind of "consumer": clerks and shopgirls, neither working class nor bourgeois, inventing their own social position in a system profoundly altered by their very existence. Emancipated and rootless, these men and women flocked to the bars and nightclubs of Paris, went boating on the Seine at Argenteuil, strolled the island of La Grande-Jatte—enacting a charade of community that was to be captured and scrutinized by Manet, Degas, and Seurat. It is Clark's cogently argued (and profusely illustrated) thesis that modern art emerged from these painters' attempts to represent this new city and its inhabitants. Concentrating on three of Manet's greatest works and Seurat's masterpiece, Clark traces the appearance and development of the artists' favorite themes and subjects, and the technical innovations that they employed to depict a way of life which, under its liberated, pleasure-seeking surface, was often awkward and anxious. Through their paintings, Manet and the Impressionists ask us, and force us to ask ourselves: Is the freedom offered by modernity a myth? Is modern life heroic or monotonous, glittering or tawdry, spectacular or dull? The Painting of Modern Life illuminates for us the ways, both forceful and subtle, in which Manet and his followers raised these questions and doubts, which are as valid for our time as for the age they portrayed.
Author: Pharmaceutical Society of Great Britain Publisher: Legare Street Press ISBN: 9781020302640 Category : Languages : en Pages : 0
Book Description
A record of all individuals who have been registered as pharmaceutical chemists or chemists and druggists in Great Britain, dating back to the early 19th century. The entries include the individual's name, address, and qualifications, as well as any disciplinary actions or other notable events in their career. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Barry Keith Grant Publisher: Schirmer Books ISBN: Category : Performing Arts Languages : en Pages : 552
Book Description
This reference source covers all aspects of the cinema, including film history, production, national cinemas, genre theory and criticism, and cultural contexts.
Author: Mengting Yu Publisher: Springer ISBN: 9789811557040 Category : Art Languages : en Pages : 224
Book Description
Drawing on untapped archives, as well as aggregating a wide range of existing published sources, this book recalibrates the understanding of women artists’ roles, outputs and receptions in London during what was indubitably a vibrant and innovative period in the history of British art, and in which the work of their male contemporaries is so well understood. The book takes its starting point from Alicia Foster’s article “Gwen John’s Self-Portrait: Art, Identity and Women Students at the Slade School,” published in 2000, where the expression “a talented and decorative group” was coined to describe common attitudes towards women artists in the late 19th and early 20th century London. This pejorative attribution strongly implied a status less significant to that of their male counterparts. The author challenges this statement's basic tenet by casting a wide net in examining women’s art education from the Slade School of Fine Art, through to the role of its graduates within a selection of London’s exhibition groups, societies and publications. This book also reconstructs ‘from scratch’ the role of the Women’s International Art Club (WIAC), hitherto entirely overlooked in art historical studies of the era. This book will be of interest to students and researchers in art and cultural history, gender studies,and in sociological studies of pre-War World War Britain.
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Author: Nathaniel Ingersoll BOWDITCH
Author: John E. Cooney
Author: T.J. Clark
Author: Algernon Graves
Author: Pharmaceutical Society of Great Britain
Author: Barry Keith Grant
Author: Mengting Yu