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Author: Anne Maxwell Publisher: Anthem Press ISBN: 1839990805 Category : Photography Languages : en Pages : 147
Book Description
Australian Women’s Historical Photography: Other Times, Other Views examines the photographs produced by six talented women photographers against the historical backdrop of settler violence towards Indigenous Australians, the First Women’s Movement, the Great War of 1914–1918, Australia’s imperial occupation of New Guinea, the final years of Chinese Nationalist Party rule in China and debates about photography’s status as an art form. Women’s works from the nineteenth and early twentieth centuries have been down-played or even ignored in existing accounts of Australia’s cultural history, and this study is aimed at rectifying this situation. At the same time, the book demonstrates why amateur works are just as important as commercial works to our understanding of the past. ● Methodologically, the book draws on scholarship from history, art history, anthropology, sociology, gender studies and cultural studies to create an interdisciplinary critical framework that will be of interest to a broad range of academic and archival researchers. It is also a framework that is critically sensible of its own groundings in the postcolonial and feminist present thereby reflecting what is meaningful at any given historical moment. ● Finally, this book responds to the pronounced lack of visibility of Australian realist, documentary and commercial women’s works. The few histories of Australian women’s photography that exist pay more attention to modernist and contemporary works, and when they do mention earlier women photographer’s works, they seldom go into much detail. They also ignore the works of the earliest Indigenous women photographers, women who traveled and made photographs abroad. By presenting a carefully contextualized and detailed study of works by six Australian women photographers who worked in the late colonial era and whose works in all sorts of small and surprising ways chronicled the impacts of some of the periods more disturbing as well as enlightened events, we will not only add to knowledge of Australian women’s photography, we will also broaden and enrich the frames of women’s photography and Australian history more generally.
Author: Anne Maxwell Publisher: Anthem Press ISBN: 1839990805 Category : Photography Languages : en Pages : 147
Book Description
Australian Women’s Historical Photography: Other Times, Other Views examines the photographs produced by six talented women photographers against the historical backdrop of settler violence towards Indigenous Australians, the First Women’s Movement, the Great War of 1914–1918, Australia’s imperial occupation of New Guinea, the final years of Chinese Nationalist Party rule in China and debates about photography’s status as an art form. Women’s works from the nineteenth and early twentieth centuries have been down-played or even ignored in existing accounts of Australia’s cultural history, and this study is aimed at rectifying this situation. At the same time, the book demonstrates why amateur works are just as important as commercial works to our understanding of the past. ● Methodologically, the book draws on scholarship from history, art history, anthropology, sociology, gender studies and cultural studies to create an interdisciplinary critical framework that will be of interest to a broad range of academic and archival researchers. It is also a framework that is critically sensible of its own groundings in the postcolonial and feminist present thereby reflecting what is meaningful at any given historical moment. ● Finally, this book responds to the pronounced lack of visibility of Australian realist, documentary and commercial women’s works. The few histories of Australian women’s photography that exist pay more attention to modernist and contemporary works, and when they do mention earlier women photographer’s works, they seldom go into much detail. They also ignore the works of the earliest Indigenous women photographers, women who traveled and made photographs abroad. By presenting a carefully contextualized and detailed study of works by six Australian women photographers who worked in the late colonial era and whose works in all sorts of small and surprising ways chronicled the impacts of some of the periods more disturbing as well as enlightened events, we will not only add to knowledge of Australian women’s photography, we will also broaden and enrich the frames of women’s photography and Australian history more generally.
Author: Anne Maxwell Publisher: ISBN: 9781839990793 Category : History Languages : en Pages : 0
Book Description
Australian Women's Historical Photography: Other Times, Other Views focuses on the works of six Australian women who were working as photographers in the period 1850-1950. It critically examines their works against the historical backdrop of settler violence towards Indigenous Australians, the First Women's Movement, the Great War of 1914-1918, Australia's imperial occupation of New Guinea, the rise of anti-Western sentiment in China and debates about photography's status as an art form.
Author: David Hunt Publisher: Black Inc. ISBN: 1743822049 Category : History Languages : en Pages : 395
Book Description
David Hunt tramples the tall poppies of the past in charting Australia's transformation from aspiration to nation - an epic tale of charlatans and costermongers, of bush bards and bushier beards, of workers and women who weren't going to take it anymore. Girt Nation introduces Alfred Deakin, the Liberal necromancer whose dead advisors made Australia a better place to live, and Banjo Paterson, the jihadist who called on God and the Prophet to drive the Australian infidels from the Sudan 'like sand before the gale'. And meet Catherine Helen Spence, the feminist polymath who envisaged a utopian future of free contraceptives, easy divorce and immigration restrictions to prevent the 'Chinese coming to destroy all we have struggled for!' Thrill as Jandamarra leads the Bunuba against Western Australia, and Valentine Keating leads the Crutchy Push, an all-amputee street gang, against the conventionally limbed. Gasp as Essendon Football Club trainer Carl von Ledebur injects his charges with crushed dog and goat testicles. Weep as Scott Morrison's communist great-great-aunt Mary Gilmore holds a hose in New Australia. And marvel at how Labor, a political party that spent a quarter of a century infighting over how to spell its own name, ever rose to power. 'Makes you wish David Hunt had been your history teacher. Laugh-out-loud funny and you'll actually learn something.' —Mark Humphries 'An entertaining and instructive historical romp through the formative period of Australian nation-making with a colourful cast of rhymesters, revolutionaries, rebels, racists, reprobates and rabbits.' —Frank Bongiorno, Professor of History, The Australian National University 'Once again, David Hunt uses his sharpened wit to chisel away at misconceptions from Australian history leaving us with the cold, hard truth of how our nation came to be.' —Osher Günsberg 'Australian history told intelligently, but with more humour than ever before ... Girt Nation is fabulous storytelling, putting meat on the bones of the national story.' —The Weekend Australian
Author: A. G. Foster Publisher: DigiCat ISBN: Category : Fiction Languages : en Pages : 59
Book Description
The Sandhills is a nonfiction book about a famous and historic cemetery in Sydney, Australia. Excerpt: "The name Devonshire Street Cemetery could fairly be applied to those sections which faced or extended to that street, but is somewhat of a misnomer when describing the original Burial Ground, which faced Belmore Park. For lack of a better name, I and others refer to it as the "Sandhills Cemetery."
Author: Mike Huggins Publisher: Routledge ISBN: 1317965442 Category : Sports & Recreation Languages : en Pages : 435
Book Description
This comprehensive, novel and exciting interdisciplinary collection brings together leading international authorities from the history of sport, social history, art history, film history, design history, cultural studies and related fields to explore the ways in which visual culture has shaped, and continues to impact upon, our understanding of sport as an integral element within popular culture. Visual representations of sport have previously been little examined and under-exploited by historians, with little focused and rigorous scrutiny of these vital historical documents. This study seeks to redress this balance by engaging with a wide variety of cultural products, ranging from sports stadia and monuments in the public arena, to paintings, prints, photographs, posters, stamps, design artefacts, films and political cartoons. By examining the contexts of both the production and reception of this historical evidence, and highlighting the multiple meanings and social significance of this body of work, the collection provides original, powerful and stimulating insights into the ways in which visual material assists our knowledge and understanding of sport. This collection will facilitate researchers, publishers and others with an interest in sport to move beyond traditional text-based scholarship and appreciate the powerful imagery of sport in new ways. This book was previously published as a special issue of the International Journal of the History of Sport.
Author: Tanya Sheehan Publisher: Dartmouth College Press ISBN: 1611686482 Category : Art Languages : en Pages : 379
Book Description
Over the past decade, historical studies of photography have embraced a variety of cultural and disciplinary approaches to the medium, while shedding light on non-Western, vernacular, and "other" photographic practices outside the Euro-American canon. Photography, History, Difference brings together an international group of scholars to reflect on contemporary efforts to take a different approach to photography and its histories. What are the benefits and challenges of writing a consolidated, global history of photography? How do they compare with those of producing more circumscribed regional or thematic histories? In what ways does the recent emphasis on geographic and national specificity encourage or exclude attention to other forms of difference, such as race, class, gender, and sexuality? Do studies of "other" photographies ultimately necessitate the adoption of nontraditional methodologies, or are there contexts in which such differentiation can be intellectually unproductive and politically suspect? The contributors to the volume explore these and other questions through historical case studies; interpretive surveys of recent historiography, criticism, and museum practices; and creative proposals to rethink the connections between photography, history, and difference. A thought-provoking collection of essays that represents new ways of thinking about photography and its histories. It will appeal to a broad readership among those interested in art history, visual culture, media studies, and social history.
Author: Kate Bagnall Publisher: Hong Kong University Press ISBN: 9888528610 Category : History Languages : en Pages : 289
Book Description
This ground-breaking edited collection draws together Australian historical scholarship on Chinese women, their gendered migrations, and their mobile lives between China and Australia. It considers different aspects of women’s lives, both as individuals and as the wives and daughters of immigrant men. While the number of Chinese women in Australia before 1950 was relatively small, their presence was significant and often subject to public scrutiny. Moving beyond traditional representations of women as hidden and silent, this book demonstrates that Chinese Australian women in the twentieth century expressed themselves in the public eye, whether through writings, in photographs, or in political and cultural life. Their remarkable stories are often inspiring and sometimes tragic and serve to demonstrate the complexities of navigating female lives in the face of racial politics and imposed categories of gender, culture, and class. Historians of transnational Chinese migration have come to recognize Australia as a crucial site within the ‘Cantonese Pacific’, and this collection provides a new layer of gendered comparison, connecting women’s experiences in Australia with those in Canada, the United States, and New Zealand. ‘Locating Chinese Women is a path-breaking book. By exploring the experiences of Chinese Australian women during the nineteenth and early twentieth centuries, the authors have opened new and compelling avenues of inquiry about the history of Chinese Australian women. In this landmark work, they have brilliantly recast the history of Chinese Australia.’ —Joy Damousi, Australian Catholic University ‘Locating Chinese Women breaks new ground in Australian and transnational Chinese women’s history by making the lives of remarkable Chinese Australian women visible. Photographs, testimonies, Chinese-language newspapers, and digitized archives help document the women’s agency and activities as they navigate public lives between and within Australia and China during the nineteenth and early twentieth centuries.’ —Shirley Hune, University of California, Los Angeles, and University of Washington
Author: Lyndon Fraser Publisher: Cambridge Scholars Publishing ISBN: 1443892572 Category : History Languages : en Pages : 290
Book Description
Why care about the past? Why teach, research and write history? In this volume, leading and emerging scholars, activists and those working in the public sector, archives and museums bring their expertise to provide timely direction and informed debate about the importance of history. Primarily concerned with Aotearoa (the Māori name for New Zealand), the essays within traverse local, national and global knowledge to offer new approaches that consider the ability and potential for history to ‘make a difference’ in the early twenty-first century. Authors adopt a wide range of methodological approaches, including social, cultural, Māori, oral, race relations, religious, public, political, economic, visual and material history. The chapters engage with work in postcolonial and cultural studies. The volume is divided into three sections that address the themes of challenging power and privilege, the co-production of historical knowledge and public and material histories. Collectively, the potential for dialogue across previous sub-disciplinary and public, private and professional divides is pursued.
Author: Anne Maxwell
Author: Anne Maxwell
Author: Anne Maxwell
Author: David Hunt
Author: A. G. Foster
Author: Mike Huggins
Author: Tanya Sheehan
Author: Kate Bagnall
Author: Peter E. Palmquist
Author: Fiona Bollen
Author: Lyndon Fraser