![Auction catalogue, books of Francis Fry ... [et al.], 4 to 5 December 1905 PDF](https://books.google.com/books/content/images/frontcover/1sAyMwEACAAJ?fife=w150-h200)
Author: Puttick & Simpson (London).Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Auction catalogue, books of Francis Fry ... [et al.], 4 to 5 December 1905
![Auction catalogue, books of Francis Fry ... [et al.], 4 to 5 December 1905 PDF](https://books.google.com/books/content/images/frontcover/1sAyMwEACAAJ?fife=w80-h100)
Author: Puttick & Simpson (London).Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
The Athenaeum
Author: The Athenaeum
Author: James Silk BuckinghamPublisher:
ISBN:
Category :
Languages : en
Pages : 928
Book Description
Athenaeum and Literary Chronicle
Author: Luxury Arts of the Renaissance
Author: Marina BelozerskayaPublisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Publisher and Bookseller
Author: Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 1222
Book Description
Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.
The Bookseller
Author: The Huntington Family in America
Author: Huntington Family AssociationPublisher:
ISBN:
Category : Reference
Languages : en
Pages : 1232
Book Description
The Routledge History of Literature in English
Author: Ronald CarterPublisher: Psychology Press
ISBN: 9780415243179
Category : English language
Languages : en
Pages : 598
Book Description
This is a guide to the main developments in the history of British and Irish literature, charting some of the main features of literary language development and highlighting key language topics.
Women Writers and Old Age in Great Britain, 1750-1850
Author: Devoney LooserPublisher: JHU Press
ISBN: 0801887054
Category : Literary Criticism
Languages : en
Pages : 253
Book Description
This groundbreaking study explores the later lives and late-life writings of more than two dozen British women authors active during the long eighteenth century. Drawing on biographical materials, literary texts, and reception histories, Devoney Looser finds that far from fading into moribund old age, female literary greats such as Anna Letitia Barbauld, Frances Burney, Maria Edgeworth, Catharine Macaulay, Hester Lynch Piozzi, and Jane Porter toiled for decades after they achieved acclaim -- despite seemingly concerted attempts by literary gatekeepers to marginalize their later contributions. Though these remarkable women wrote and published well into old age, Looser sees in their late careers the necessity of choosing among several different paths. These included receding into the background as authors of "classics," adapting to grandmotherly standards of behavior, attempting to reshape masculinized conceptions of aged wisdom, or trying to create entirely new categories for older women writers. In assessing how these writers affected and were affected by the culture in which they lived, and in examining their varied reactions to the prospect of aging, Looser constructs careful portraits of each of her Subjects and explains why many turned toward retrospection in their later works. In illuminating the powerful and often poorly recognized legacy of the British women writers who spurred a marketplace revolution in their earlier years only to find unanticipated barriers to acceptance in later life, Looser opens up new scholarly territory in the burgeoning field of feminist age studies.