Author: Morris W. CrollPublisher:
ISBN:
Category :
Languages : en
Pages : 236
Book Description
Attic and Baroque Prose Style
Author: Morris W. Croll"Attic" and Baroque Prose Style
Author: Morris William CrollPublisher:
ISBN: 9786910129383
Category : Literary style
Languages : en
Pages : 0
Book Description
The New Cambridge Bibliography of English Literature
Author: George WatsonPublisher: CUP Archive
ISBN:
Category : English literature
Languages : en
Pages : 1296
Book Description
Robert Burton and the Transformative Powers of Melancholy
Author: Stephanie ShirilanPublisher: Routledge
ISBN: 1317062264
Category : Literary Criticism
Languages : en
Pages : 231
Book Description
Few English books are as widely known, underread, and underappreciated as Robert Burton’s The Anatomy of Melancholy. Stephanie Shirilan laments that modern scholars often treat the Anatomy as an unmediated repository of early modern views on melancholy, overlooking the fact that Burton is writing a cento - an ancient form of satire that quotes and misquotes authoritative texts in often subversive ways - and that his express intent in so doing is to offer his readers literary therapy for melancholy. This book explores the ways in which the Anatomy dispenses both direct physic and more systemic medicine by encouraging readers to think of melancholy as a privileged mental and spiritual acuity that requires cultivation and management rather than cure. Refuting the prevailing historiography of anxious early modern embodiment that cites Burton as a key witness, Shirilan submits that the Anatomy rejects contemporary Neostoic and Puritan approaches to melancholy. She reads Burton’s erraticism, opacity, and theatricality as modes of resistance against demands for constancy, transparency, and plainness in the popular literature of spiritual and moral hygiene of his day. She shows how Burton draws on rhetorical, theological, and philosophical traditions that privilege the transformative powers of the imagination in order to celebrate melancholic impressionability for its capacity to inspire and engender empathy, charity, and faith.
Style, Rhetoric, and Rhythm
Author: Morris W. CrollPublisher: Princeton University Press
ISBN: 1400879205
Category : Literary Criticism
Languages : en
Pages : 468
Book Description
These essays are, according to Marjorie Nicholson, “the most illuminating articles we have on the important subject of prose style. They were pioneer articles which have remained standard.” Originally published in 1966. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The Classical Tradition : Greek and Roman Influences on Western Literature
Author: Gilbert HighetPublisher: Oxford University Press, USA
ISBN: 0198020066
Category : Literary Criticism
Languages : en
Pages : 802
Book Description
A reissue in paperback of a title first published in 1949.
The Cornucopian Mind and the Baroque Unity of the Arts
Author: Giancarlo MaiorinoPublisher: Penn State Press
ISBN: 9780271006796
Category : Art
Languages : en
Pages : 230
Book Description
This comparative and interdisciplinary study focuses on a cluster of epoch-making themes that emerged in the late sixteenth century. Michelangelo and Giordano Bruno are taken as the founding fathers of the Baroque, and we see that beyond the Alps their lessons were echoed in Montaigne, Cervantes, and the Counter-Reformation culture of the Mediterranean basin. Maiorino shows that the common denominator that links the origins of the Baroque to its maturity is the concept of form as &"process,&" which is then articulated into chapters on the formative unity of the arts, art forms at the threshold, and the development from humanist perfection to Baroque perfectibility. Such an evolution in literature and the arts is situated in relation to the age of explorations (Columbus), scientific inventions (the telescope), and the fundamental shift from the enclosed Ptolemic system to the open universe of the Copernican revolution. At the Baroque point of origin, the inner vitality of Michelangelo's emphasis on creation as &"process&" rather than completed act taught a crucial lesson to Baroque artists. Their response to the infinite and open universe of the &"New Science&" was one that took part to be as dynamic and metamorphic as life itself. It is in the context of &"open&" forms within an &"open&" universe that this study moves from Michelangelo to Bruno. His poetics of immeasurable abundance set &"process&" at the very core of the Baroque art, thought, and science. Applied to the forms of art, growth and metamorphosis are linked to what Maiorino calls (borrowing from Mikhail Bakhtin) the Baroque chronotope of formation, which refers to forms responding to the dynamics of space-time interactions. Such interactions were exhaustive and even tested the boundaries between reality and fiction, creation and denial, conformity and criticism from picaresque Spain to middle-class Holland. And it is the painting of a Dutch artist&—Rembrandt's Aristotle Contemplating the Bust of Homer&— that is taken as a symbol of the Baroque reconciliation of humanist learning with human or humane understanding. Such a humanizing attitude also marked the final transformation of humanist ideals of perfection into the Baroque experience of human perfectibility. This book will be of importance to all scholars concerned with the history of ideas, cultural history, and the Baroque in literature and art.
Rubens and the Eloquence of Drawing
Author: Catherine H. LusheckPublisher: Routledge
ISBN: 1351770888
Category : Art
Languages : en
Pages : 398
Book Description
Rubens and the Eloquence of Drawing re-examines the early graphic practice of the preeminent northern Baroque painter Peter Paul Rubens (Flemish, 1577–1640) in light of early modern traditions of eloquence, particularly as promoted in the late sixteenth- and early seventeenth-century Flemish, Neostoic circles of philologist, Justus Lipsius (1547–1606). Focusing on the roles that rhetorical and pedagogical considerations played in the artist’s approach to disegno during and following his formative Roman period (1600–08), this volume highlights Rubens’s high ambitions for the intimate medium of drawing as a primary site for generating meaningful and original ideas for his larger artistic enterprise. As in the Lipsian realm of writing personal letters – the humanist activity then described as a cognate activity to the practice of drawing – a Senecan approach to eclecticism, a commitment to emulation, and an Aristotelian concern for joining form to content all played important roles. Two chapter-long studies of individual drawings serve to demonstrate the relevance of these interdisciplinary rhetorical concerns to Rubens’s early practice of drawing. Focusing on Rubens’s Medea Fleeing with Her Dead Children (Los Angeles, Getty Museum), and Kneeling Man (Rotterdam, Museum Boijmans Van Beuningen), these close-looking case studies demonstrate Rubens’s commitments to creating new models of eloquent drawing and to highlighting his own status as an inimitable maker. Demonstrating the force and quality of Rubens’s intellect in the medium then most associated with the closest ideas of the artist, such designs were arguably created as more robust pedagogical and preparatory models that could help strengthen art itself for a new and often troubled age.
Spurious Coin
Author: Bernadette LongoPublisher: State University of New York Press
ISBN: 0791492702
Category : Technology & Engineering
Languages : en
Pages : 226
Book Description
Spurious Coin constructs a cultural history of technical writing in the United States and the system of scientific knowledge and power it controls. Embedded in this history are tensions between scientific and liberal arts knowledge-making that render technical writing both the genuine and counterfeit coin of scientific knowledge within our culture. When scientific knowledge is made by scientists and engineers, it can circulate as genuine currency in an economy where communication makes knowledge. When scientific knowledge is made by liberal-arts trained technical writers, however, it circulates as spurious currency and threatens the purity of the knowledge economy. Because the stability of the scientific knowledge economy is at stake, scientists and technical writers often find themselves at odds over the value of scientific knowledge minted by non-scientists. Longo constructs this cultural history around a framework of five intellectual trends: the use of clear, correct English; maximum efficiency of production and operation; the need to contribute to a general fund of scientific knowledge for the betterment of the human condition; the tension between the role of science and art within a culture; and a redemptive urge to purify language and standardize practice. She also explores the role of mechanical engineers in designing management systems which rely on technical writing to control operations and profits.
The Epistemic Music of Rhetoric
Author: Steven B. KatzPublisher: SIU Press
ISBN: 9780809319039
Category : Language Arts & Disciplines
Languages : en
Pages : 376
Book Description
Katz (English, North Carolina State U.) examines the correlation between Reader Response Criticism and the philosophy of science engendered by the Copenhagen School of New Physics, and assesses the scientific empiricism that controls the parameters of reading and writing theory to look at the possibility of teaching reading and writing as "rhetorical music." He reinterprets Cicero's rhetorical theory in light of recent revisionist scholarship, and sketches a temporal model of affective response in reading and writing. Annotation copyright by Book News, Inc., Portland, OR