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Author: Chuck Tryon Publisher: Rutgers University Press ISBN: 0813548543 Category : Performing Arts Languages : en Pages : 229
Book Description
For over a century, movies have played an important role in our lives, entertaining us, often provoking conversation and debate. Now, with the rise of digital cinema, audiences often encounter movies outside the theater and even outside the home. Traditional distribution models are challenged by new media entrepreneurs and independent film makers, usergenerated video, film blogs, mashups, downloads, and other expanding networks. Reinventing Cinema examines film culture at the turn of this century, at the precise moment when digital media are altering our historical relationship with the movies. Spanning multiple disciplines, Chuck Tryon addresses the interaction between production, distribution, and reception of films, television, and other new and emerging media.Through close readings of trade publications, DVD extras, public lectures by new media leaders, movie blogs, and YouTube videos, Tryon navigates the shift to digital cinema and examines how it is altering film and popular culture.
Author: R. Pearson Publisher: Springer ISBN: 1137388153 Category : Performing Arts Languages : en Pages : 363
Book Description
Why do screen narratives remain so different in an age of convergence and globalisation that many think is blurring distinctions? This collection attempts to answer this question using examples drawn from a range of media, from Hollywood franchises to digital comics, and a range of countries, from the United States to Japan
Author: Chuck Tryon Publisher: Rutgers University Press ISBN: 0813548543 Category : Performing Arts Languages : en Pages : 229
Book Description
For over a century, movies have played an important role in our lives, entertaining us, often provoking conversation and debate. Now, with the rise of digital cinema, audiences often encounter movies outside the theater and even outside the home. Traditional distribution models are challenged by new media entrepreneurs and independent film makers, usergenerated video, film blogs, mashups, downloads, and other expanding networks. Reinventing Cinema examines film culture at the turn of this century, at the precise moment when digital media are altering our historical relationship with the movies. Spanning multiple disciplines, Chuck Tryon addresses the interaction between production, distribution, and reception of films, television, and other new and emerging media.Through close readings of trade publications, DVD extras, public lectures by new media leaders, movie blogs, and YouTube videos, Tryon navigates the shift to digital cinema and examines how it is altering film and popular culture.
Author: Johannes Fehrle Publisher: Amsterdam University Press ISBN: 9048534011 Category : Computers Languages : en Pages : 233
Book Description
This collection considers new phenomena emerging in a convergence environment from the perspective of adaptation studies. Giving an overview of the various fields and practices most prominent in convergence culture and viewing them as adaptations in a broad intertextual and intermedial sense, the contributions offer reconsiderations of theoretical concepts and practices in participatory and convergence culture. These range from fan fiction born from mash-ups of novels and YouTube songs to negotiations of authorial control and interpretative authority between media producers and fan communities to perspectives on the fictional and legal framework of brands and franchises. In this fashion, the collection expands the horizons of both adaptation and transmedia studies and provides reassessments of frequently discussed (BBC's Sherlock or the LEGO franchise) and previously largely ignored phenomena (self-censorship in transnational franchises, mash-up novels, or YouTube cover videos).
Author: August E. Grant Publisher: Oxford University Press, USA ISBN: Category : Language Arts & Disciplines Languages : en Pages : 330
Book Description
Repurposing print journalism for the Internet and beyond, convergent journalism invigorates and transforms how we create and experience media. The present book outlines and investigates the broad theoretical and conceptual issues surrounding this emergent subject.
Author: Dan Wang Publisher: ISBN: Category : Electronic books Languages : en Pages : 273
Book Description
This thesis focuses on the impact of media convergence on the Chinese newspaper organization in the global text of advanced technology, through a rare ethnographic case study of a Chinese Communist Party media organization. Based on online and offline data obtained through seven months' ethnographic research carried out in 2016 at Party newspaper organization PaperX, including a special focus on the newspaper's police beat, it seeks to understand how the impact of media convergence is manifested in news routines and to discuss the implications of the impact on Chinese journalists. The research was designed during a time of change in China's media environment. On August 18, 2014, the country's leader, President Xi Jinping, also General Secretary of the Communist Party of China, gave a speech highlighting the "Directives on Boosting Integrated Development of Traditional and New Media" , a new set of guidelines to assist traditional media in handling the economic downturn that started to affect the Chinese newspaper industry from 2012 as the penetration of digital technologies deepened. In a similar way to Western media, Chinese newsrooms have needed to adapt to Internet structures in news production. Unlike Western media, Chinese newsroom development is subject to strong political guidance. Media convergence in China thus represents a culturally specific phenomenon within the global landscape of newspaper industry digitalization. The sociology of newsroom studies and the labor lens are the two main research approaches adopted to address the purposes of this thesis. The thesis uses newsroom studies to examine the impact of media convergence as a logic institutionalized into the newsroom structure, journalists' routines and practices, and the identity construction of journalists. Through the labor lens approach, the research explores individual journalists' praxis in the changing media environment in China and the constant shift between alienation, de-alienation and enlightened alienation. Two tensions continuously emerge throughout the research: old versus new values and practices; and individual versus structural needs of the profession. Findings indicates that media convergence logic has had multiple impacts reaching to the core of journalistic practice at PaperX. At the structural level, the re-centralization of media control closed down local support for PaperX, particularly the limited latitude previously granted to the newspaper by local government departments to "supervise" (serve as a watchdog), while financial support from the government (both local and central levels) saw the newspaper adopt an administratization of advertising operational strategy focused on soliciting and making government information service reports and announcements. Such structural changes appeared to have a paradoxical effect on journalists' perceptions of their job, with staffers being both insecure and apathetic about their current work and proud to be connected to government sources. The principles directing the organization and journalists in their routines and practices changed to become "official" oriented. Yet, journalists were found to project informal and invisible practices to reconcile their paradoxical feelings about their work. Meanwhile, at the identity level, journalists actively reconstructed their professional identity on social media to showcase the products of their work to government officials and managers on the WeChat Moments social media platform, and to display their close connections with the police, using these contacts as resources to boost the social authority derived from their identity. Overall, this study's contribution lies in its insights into Chinese newsroom production in the global context of advanced technology, in its deployment of ethnographic data gathering, and the use of the labor lens perspective to analyze journalists' relationship with their organization and media institutions. The documenting of PaperX's experiences in adapting to the new era of newsgathering in China could also shed significant light on the future development of Chinese Communist Party newspapers at the local level.
Author: Jin, Dal Yong Publisher: IGI Global ISBN: 1609600398 Category : Social Science Languages : en Pages : 476
Book Description
"This book aims to engage the complex relationship between technology, culture, and socio-economic elements by exploring it in a transnational, yet contextually grounded, framework, exploring diverse perspectives and approaches, from political economy to cultural studies, and from policy studies to ethnography"--Provided by publisher.
Author: Sergio Sparviero Publisher: Springer ISBN: 3319512897 Category : Social Science Languages : en Pages : 343
Book Description
This edited volume explores different meanings of media convergence and deconvergence, and reconsiders them in critical and innovative ways. Its parts provide together a broad picture of opposing trends and tensions in media convergence, by underlining the relevance of this powerful idea and emphasizing the misconceptions that it has generated. Sergio Sparviero, Corinna Peil, Gabriele Balbi and the other authors look into practices and realities of users in convergent media environments, ambiguities in the production and distribution of content, changes to the organization of media industries, the re-configuration of media markets, and the influence of policy and regulations. Primarily addressed to scholars and students in different fields of media and communication studies, Media Convergence and Deconvergence deconstructs taken-for-granted concepts and provides alternative and fresh analyses on one of the most popular topics in contemporary media culture. Chapter 1 is available open access under a CC BY 4.0 license at link.springer.com
Author: Klaus Bruhn Jensen Publisher: Routledge ISBN: 9781003199601 Category : Performing Arts Languages : en Pages : 208
Book Description
"This second edition of Klaus Bruhn Jensen's exploration of developing digital media furthers the conversation around the ongoing society-wide and worldwide digitalization of human communication. Reviewing the long lines in the history of media and communication - from writing via printing and broadcasting to computing - the book lays out three general types of media: the human body enabling face-to-face communication here and now, the technically reproduced means of mass communication across space and time, and the digital technologies integrating one-to-one, one-to-many, as well as many-to-many interactions. All these communicative practices coexist in contemporary media environments. Across cultures, genders, and age groups, people go on communicating in the flesh, via wires, and over the air, as illustrated though case studies of mobile communication on mundane matters, and of climate change as a global challenge for human communication and coexistence. The second edition includes: Updated accounts of research and public debate on digital media and communication, analyses of current social media and an emerging internet of things, systematic presentations of digital as well as traditional empirical methods, discussion of the normative implications of digitalization, including the classic rights of information and communication, and a right not to be communicated about through surveillance. Interdisciplinary in scope to showcase the wide-reaching cultural effect of media convergence, this book is ideal for advanced undergraduate students, graduate students, and scholars in the fields of media, communication, and cultural studies"--
Author: Michael Z Newman Publisher: Routledge ISBN: 1136942726 Category : Performing Arts Languages : en Pages : 280
Book Description
Legitimating Television: Media Convergence and Cultural Status explores how and why television is gaining a new level of cultural respectability in the 21st century. Once looked down upon as a "plug-in drug" offering little redeeming social or artistic value, television is now said to be in a creative renaissance, with critics hailing the rise of Quality series such as Mad Men and 30 Rock. Likewise, DVDs and DVRs, web video, HDTV, and mobile devices have shifted the longstanding conception of television as a household appliance toward a new understanding of TV as a sophisticated, high-tech gadget. Newman and Levine argue that television’s growing prestige emerges alongside the convergence of media at technological, industrial, and experiential levels. Television is permitted to rise in respectability once it is connected to more highly valued media and audiences. Legitimation works by denigrating "ordinary" television associated with the past, distancing the television of the present from the feminized and mass audiences assumed to be inherent to the "old" TV. It is no coincidence that the most validated programming and technologies of the convergence era are associated with a more privileged viewership. The legitimation of television articulates the medium with the masculine over the feminine, the elite over the mass, reinforcing cultural hierarchies that have long perpetuated inequalities of gender and class. Legitimating Television urges readers to move beyond the question of taste—whether TV is "good" or "bad"—and to focus instead on the cultural, political, and economic issues at stake in television’s transformation in the digital age.
Author: Stavroula Kalogeras Publisher: Springer ISBN: 1137388374 Category : Social Science Languages : en Pages : 386
Book Description
Stories, whether they are fact or fiction, popular or not, are a proven method of pedagogy. In the age of media convergence and with the advancement of technology, stories have morphed into new forms; however, their core purpose remains the same, which is to pass on knowledge and information. The internet, with its inherent interactivity, and story, with its inherent capacity to engage, can lead to innovative and transformative learning experiences in media-rich environments. This book focuses on web-based Transmedia Storytelling Edutainment (TmSE) as an andragogical practice in higher education. Story is at the forefront of this investigation because narrative is the basis for developing entertainment media franchise that can be incorporated into pedagogical practice. The propulsion of this analysis consists of practice-based research through narrative inquiry and an e-module case study presented on multimedia storytelling in the classroom. A Transmedia Storytelling Framework is provided for creating screenplays for cross-media projects and for analyzing their appropriateness in education. Additionally, a hypertext screenplay, which allowed students to dig deeper into the story word and to build more knowledge, is evaluated for its use in higher education. Since screenplays are by nature writing for the screen, it is believed that the more visual the input, the more likely it is to be memorized and recalled. A link to The Goddess Within screenplay is available for download on the right hand side of this page.
Author: Chuck Tryon
Author: R. Pearson
Author: Chuck Tryon
Author: Johannes Fehrle
Author: August E. Grant
Author: Dan Wang
Author: Jin, Dal Yong
Author: Sergio Sparviero
Author: Klaus Bruhn Jensen
Author: Michael Z Newman
Author: Stavroula Kalogeras