Author: Edward Mitchell Bannister
Publisher: Whitney Museum of American Art
ISBN:
Category : African American art
Languages : en
Pages : 84
Book Description
Edward Mitchell Bannister, 1828-1901
Author: Edward Mitchell Bannister
Publisher: Whitney Museum of American Art
ISBN:
Category : African American art
Languages : en
Pages : 84
Book Description
Publisher: Whitney Museum of American Art
ISBN:
Category : African American art
Languages : en
Pages : 84
Book Description
Central to Their Lives
Author: Lynne Blackman
Publisher: Univ of South Carolina Press
ISBN: 1611179556
Category : Art
Languages : en
Pages : 432
Book Description
Scholarly essays on the achievements of female artists working in and inspired by the American South Looking back at her lengthy career just four years before her death, modernist painter Nell Blaine said, "Art is central to my life. Not being able to make or see art would be a major deprivation." The Virginia native's creative path began early, and, during the course of her life, she overcame significant barriers in her quest to make and even see art, including serious vision problems, polio, and paralysis. And then there was her gender. In 1957 Blaine was hailed by Life magazine as someone to watch, profiled alongside four other emerging painters whom the journalist praised "not as notable women artists but as notable artists who happen to be women." In Central to Their Lives, twenty-six noted art historians offer scholarly insight into the achievements of female artists working in and inspired by the American South. Spanning the decades between the late 1890s and early 1960s, this volume examines the complex challenges these artists faced in a traditionally conservative region during a period in which women's social, cultural, and political roles were being redefined and reinterpreted. The presentation—and its companion exhibition—features artists from all of the Southern states, including Dusti Bongé, Anne Goldthwaite, Anna Hyatt Huntington, Ida Kohlmeyer, Loïs Mailou Jones, Alma Thomas, and Helen Turner. These essays examine how the variables of historical gender norms, educational barriers, race, regionalism, sisterhood, suffrage, and modernism mitigated and motivated these women who were seeking expression on canvas or in clay. Whether working from studio space, in spare rooms at home, or on the world stage, these artists made remarkable contributions to the art world while fostering future generations of artists through instruction, incorporating new aesthetics into the fine arts, and challenging the status quo. Sylvia Yount, the Lawrence A. Fleischman Curator in Charge of the American Wing at the Metropolitan Museum of Art, provides a foreword to the volume. Contributors: Sara C. Arnold Daniel Belasco Lynne Blackman Carolyn J. Brown Erin R. Corrales-Diaz John A. Cuthbert Juilee Decker Nancy M. Doll Jane W. Faquin Elizabeth C. Hamilton Elizabeth S. Hawley Maia Jalenak Karen Towers Klacsmann Sandy McCain Dwight McInvaill Courtney A. McNeil Christopher C. Oliver Julie Pierotti Deborah C. Pollack Robin R. Salmon Mary Louise Soldo Schultz Martha R. Severens Evie Torrono Stephen C. Wicks Kristen Miller Zohn
Publisher: Univ of South Carolina Press
ISBN: 1611179556
Category : Art
Languages : en
Pages : 432
Book Description
Scholarly essays on the achievements of female artists working in and inspired by the American South Looking back at her lengthy career just four years before her death, modernist painter Nell Blaine said, "Art is central to my life. Not being able to make or see art would be a major deprivation." The Virginia native's creative path began early, and, during the course of her life, she overcame significant barriers in her quest to make and even see art, including serious vision problems, polio, and paralysis. And then there was her gender. In 1957 Blaine was hailed by Life magazine as someone to watch, profiled alongside four other emerging painters whom the journalist praised "not as notable women artists but as notable artists who happen to be women." In Central to Their Lives, twenty-six noted art historians offer scholarly insight into the achievements of female artists working in and inspired by the American South. Spanning the decades between the late 1890s and early 1960s, this volume examines the complex challenges these artists faced in a traditionally conservative region during a period in which women's social, cultural, and political roles were being redefined and reinterpreted. The presentation—and its companion exhibition—features artists from all of the Southern states, including Dusti Bongé, Anne Goldthwaite, Anna Hyatt Huntington, Ida Kohlmeyer, Loïs Mailou Jones, Alma Thomas, and Helen Turner. These essays examine how the variables of historical gender norms, educational barriers, race, regionalism, sisterhood, suffrage, and modernism mitigated and motivated these women who were seeking expression on canvas or in clay. Whether working from studio space, in spare rooms at home, or on the world stage, these artists made remarkable contributions to the art world while fostering future generations of artists through instruction, incorporating new aesthetics into the fine arts, and challenging the status quo. Sylvia Yount, the Lawrence A. Fleischman Curator in Charge of the American Wing at the Metropolitan Museum of Art, provides a foreword to the volume. Contributors: Sara C. Arnold Daniel Belasco Lynne Blackman Carolyn J. Brown Erin R. Corrales-Diaz John A. Cuthbert Juilee Decker Nancy M. Doll Jane W. Faquin Elizabeth C. Hamilton Elizabeth S. Hawley Maia Jalenak Karen Towers Klacsmann Sandy McCain Dwight McInvaill Courtney A. McNeil Christopher C. Oliver Julie Pierotti Deborah C. Pollack Robin R. Salmon Mary Louise Soldo Schultz Martha R. Severens Evie Torrono Stephen C. Wicks Kristen Miller Zohn
The Drawings of J. B. Harter
Author: John Burton Harter
Publisher:
ISBN: 9780974538303
Category : Gay artists
Languages : en
Pages : 96
Book Description
64 color plates with 19 page illustrated introduction by the artist.
Publisher:
ISBN: 9780974538303
Category : Gay artists
Languages : en
Pages : 96
Book Description
64 color plates with 19 page illustrated introduction by the artist.
Dictionary Of Modern Art
Author: Matthew Baigell
Publisher: Taylor & Francis
ISBN: 0429688709
Category : Art
Languages : en
Pages : 406
Book Description
Alphabetically arranged and crossreferenced entries provide background information on major American painters, sculptors, printmakers, and photographers, plus important topics and movements central to American art from the sixteenth century to the present.
Publisher: Taylor & Francis
ISBN: 0429688709
Category : Art
Languages : en
Pages : 406
Book Description
Alphabetically arranged and crossreferenced entries provide background information on major American painters, sculptors, printmakers, and photographers, plus important topics and movements central to American art from the sixteenth century to the present.
Black Artists on Art
Author: Samella S. Lewis
Publisher:
ISBN:
Category : African American art
Languages : en
Pages : 164
Book Description
Publisher:
ISBN:
Category : African American art
Languages : en
Pages : 164
Book Description
The Artists Bluebook
Author:
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 482
Book Description
... all of the artist names listed ... on AskART.com ...
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 482
Book Description
... all of the artist names listed ... on AskART.com ...
Lois Mailou Jones
Author: Lois Mailou Jones
Publisher: Mint Museum of Art, Charlotte NC
ISBN:
Category : Art
Languages : en
Pages : 154
Book Description
Publisher: Mint Museum of Art, Charlotte NC
ISBN:
Category : Art
Languages : en
Pages : 154
Book Description
Race and Racism in Nineteenth-Century Art
Author: Naurice Frank Woods Jr.
Publisher: Univ. Press of Mississippi
ISBN: 1496834364
Category : Social Science
Languages : en
Pages : 253
Book Description
Painters Robert Duncanson (ca. 1821–1872) and Edward Bannister (1828–1901) and sculptor Mary Edmonia Lewis (ca. 1844–1907) each became accomplished African American artists. But as emerging art makers of color during the antebellum period, they experienced numerous incidents of racism that severely hampered their pursuits of a profession that many in the mainstream considered the highest form of social cultivation. Despite barriers imposed upon them due to their racial inheritance, these artists shared a common cause in demanding acceptance alongside their white contemporaries as capable painters and sculptors on local, regional, and international levels. Author Naurice Frank Woods Jr. provides an in-depth examination of the strategies deployed by Duncanson, Bannister, and Lewis that enabled them not only to overcome prevailing race and gender inequality, but also to achieve a measure of success that eventually placed them in the top rank of nineteenth-century American art. Unfortunately, the racism that hampered these three artists throughout their careers ultimately denied them their rightful place as significant contributors to the development of American art. Dominant art historians and art critics excluded them in their accounts of the period. In this volume, Woods restores their artistic legacies and redeems their memories, introducing these significant artists to rightful, new audiences.
Publisher: Univ. Press of Mississippi
ISBN: 1496834364
Category : Social Science
Languages : en
Pages : 253
Book Description
Painters Robert Duncanson (ca. 1821–1872) and Edward Bannister (1828–1901) and sculptor Mary Edmonia Lewis (ca. 1844–1907) each became accomplished African American artists. But as emerging art makers of color during the antebellum period, they experienced numerous incidents of racism that severely hampered their pursuits of a profession that many in the mainstream considered the highest form of social cultivation. Despite barriers imposed upon them due to their racial inheritance, these artists shared a common cause in demanding acceptance alongside their white contemporaries as capable painters and sculptors on local, regional, and international levels. Author Naurice Frank Woods Jr. provides an in-depth examination of the strategies deployed by Duncanson, Bannister, and Lewis that enabled them not only to overcome prevailing race and gender inequality, but also to achieve a measure of success that eventually placed them in the top rank of nineteenth-century American art. Unfortunately, the racism that hampered these three artists throughout their careers ultimately denied them their rightful place as significant contributors to the development of American art. Dominant art historians and art critics excluded them in their accounts of the period. In this volume, Woods restores their artistic legacies and redeems their memories, introducing these significant artists to rightful, new audiences.
Rising Up
Author: Stephanie Mayer
Publisher:
ISBN: 9781932543469
Category : African Americans in art
Languages : en
Pages : 0
Book Description
Published on the occasion of the exhibition Rising Up: Hale Woodruff's Murals at Talladega College, held June 9-September 2, 2012, High Museum of Art, Atlanta, and at six other institutions at later dates.
Publisher:
ISBN: 9781932543469
Category : African Americans in art
Languages : en
Pages : 0
Book Description
Published on the occasion of the exhibition Rising Up: Hale Woodruff's Murals at Talladega College, held June 9-September 2, 2012, High Museum of Art, Atlanta, and at six other institutions at later dates.
Estate Landscapes : Design, Improvement and Power in the Post-medieval Landscape
Author: Jonathan Finch
Publisher: Boydell Press
ISBN: 9781843833703
Category : Architecture
Languages : en
Pages : 256
Book Description
An exciting study of the social and landscape phenomena of the Estate Landscape. In recent years, the post-medieval landscape has attracted new interest from archaeologists, historians, and geographers concerned to understand the development of the historic environment. One of the key structuring elements within these landscapes from the sixteenth century until the aftermath of the Second World War was undoubtedly the landed estate. However, it was not until the late nineteenth century that any systematic attempt to quantify the presence of these estates was undertaken, prompted by the move to democratic reform and the persistent link between political power and landed wealth. Yet the importance of the landed estate in structuring power, social relationships, and both agricultural and industrial production was not limited to the UK. From the eighteenth century, the link between the UK estates and patterns of landholding and exploitation in the colonies became increasingly complex and recursive. This volume explores the relationships between the form and structure of British and Colonial estate landscapes, their agricultural management and the political structures and social relationships they reproduced. The articles address themes as diverse as the creation and development of the agrarian landscape, improvement, ornamental landscapes and gardens and estate architecture. Overall, it highlights the wealth and diversity of existing scholarship and suggests new directions for post-medieval archaeology in this dynamic area of research.
Publisher: Boydell Press
ISBN: 9781843833703
Category : Architecture
Languages : en
Pages : 256
Book Description
An exciting study of the social and landscape phenomena of the Estate Landscape. In recent years, the post-medieval landscape has attracted new interest from archaeologists, historians, and geographers concerned to understand the development of the historic environment. One of the key structuring elements within these landscapes from the sixteenth century until the aftermath of the Second World War was undoubtedly the landed estate. However, it was not until the late nineteenth century that any systematic attempt to quantify the presence of these estates was undertaken, prompted by the move to democratic reform and the persistent link between political power and landed wealth. Yet the importance of the landed estate in structuring power, social relationships, and both agricultural and industrial production was not limited to the UK. From the eighteenth century, the link between the UK estates and patterns of landholding and exploitation in the colonies became increasingly complex and recursive. This volume explores the relationships between the form and structure of British and Colonial estate landscapes, their agricultural management and the political structures and social relationships they reproduced. The articles address themes as diverse as the creation and development of the agrarian landscape, improvement, ornamental landscapes and gardens and estate architecture. Overall, it highlights the wealth and diversity of existing scholarship and suggests new directions for post-medieval archaeology in this dynamic area of research.