Asian Cult Cinema PDF Download

Author: Thomas Weisser
Publisher: Berkley Trade
ISBN: 9781572972285
Category : Actors
Languages : en
Pages : 0

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Book Description
This book includes hundreds of writings and reviews of cinemas as well as a director filmography.

Author: Daniel Martin
Publisher: Edinburgh University Press
ISBN: 1474403603
Category : Performing Arts
Languages : en
Pages : 283

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Book Description
From Japanese horror to South Korean revenge thrillers, and from the new Hong Kong crime film to Thailand's boundary-breaking ghost stories, Western audiences have been stunned by a boom in challenging cult cinema from East Asia over the last decade. But how did this cycle of 'Extreme' Asian films gain such notoriety? How did distribution companies, journalists, critics and censors contribute to the rise of a new genre of forbidden foreign cinema?Extreme Asia: The Rise of Cult Cinema from the Far East charts the history of the recent cult Asian film invasion, covering a five-year period and focusing on the activities of the distribution company Tartan Films and their incredibly influential Asia Extreme brand. Through a series of case studies of individual releases and other exhibition events, this book examines strategies of film promotion and consumption in the context of differing theories about horror cinema, movie marketing, reception studies, and Orientalism. Covering the rise and fall of the Asia Extreme label, and the enduring legacy of an unforgettable wave of cult cinema, this is a comprehensive study of a film movement that has provoked passion and outrage in equal measure.

Author: Dimitris Eleftheriotis
Publisher: University of Hawaii Press
ISBN: 9780824830854
Category : Social Science
Languages : en
Pages : 490

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Book Description
The West’s current fascination with Asian cinema must be viewed in the context of a complex and often problematic relationship between Western scholars, students, viewers, and Asian films. This book examines a number of detailed case studies (such as the films of Ozu, Bruce Lee, Hong Kong and Turkish cinema, Hindi melodramas, Godzilla films, Taiwanese directors, and Fifth Generation Chinese cinema) and uses them to investigate the limitations of Anglo–U.S. theoretical models and critical paradigms. By engaging readers with familiar areas of critical discourse (such as postcolonial criticism, "national cinema," "genre," "authorship," and "stardom") the book aims to introduce within such contexts the "unfamiliar" case studies that will be explored in depth and detail.

Author: Jennifer Eiss
Publisher: Ilex Press
ISBN: 9781905814886
Category : Cult films
Languages : en
Pages : 383

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Book Description
There are distinct qualities that make a movie a cult: a devoted and niche following, popularity based on word-of-mouth enthusiasm, and a tendency to remain in fans memories years after release, as well as many other intricacies, often hotly debated by film buffs. 500 Essential Cult Movies sifts through the greatest movies ever made, to bring together a list of the best cult classics that ever graced the cinema screens or didnt, in some cases! From Carpenter to Lucas, Cronenberg to Lynch, Scorsese to Spielberg the big names in cult are all there, as well as the more obscure films that may have sneaked below the radar. Sorted into chapters based on genre, this vast collection includes plot synopses, reviews and further viewing recommendations for each title. 500 Essential Cult Movies is a must-read for all film aficionados and aspiring buffs alike.

Author: Patrick Macias
Publisher: Cadence Books
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 248

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Book Description
Didja know that Samuel L. Jackson's Biblical speech in Pulp Fiction was borrowed from the brain-damaged Sonny Chiba karate flick The Bodyguard? Or that the design for the Smog Monster in Godzilla vs. the Smog Monster was based on a bathroom sketch of female anatomy? TokyoScope: The Japanese Cult Film Companion is the first book of its kind: an elegantly designed, engagingly written introduction to the world of Japanese pop films covering Godzilla, karate, gangster, horror, Japan's infamous "pink" movies, and much more.

Author: Ernest Mathijs
Publisher: John Wiley & Sons
ISBN: 1444396439
Category : Performing Arts
Languages : en
Pages : 326

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Book Description
Cult Cinema: an Introduction presents the first in-depth academic examination of all aspects of the field of cult cinema, including audiences, genres, and theoretical perspectives. Represents the first exhaustive introduction to cult cinema Offers a scholarly treatment of a hotly contested topic at the center of current academic debate Covers audience reactions, aesthetics, genres, theories of cult cinema, as well as historical insights into the topic

Author: Leon Hunt
Publisher: Bloomsbury Publishing
ISBN: 0857736361
Category : Performing Arts
Languages : en
Pages : 237

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Book Description
Cinemas from East Asia are among the most exciting and influential in the world. They are attracting popular and critical attention on a global scale, with films from the region circulating as art house, cult, blockbuster and 'extreme' cinema, or as Hollywood remakes. This book explores developments in the global popularity of East Asian cinema, from Chinese martial arts, through Japanese horror, to the burgeoning new Korean cinema, with particular emphasis on crossovers, remakes, hybrids and co-productions. It examines changing cinematic traditions in Asia alongside the 'Asianisation' of western cinema. It explores the dialogue not only between 'East' and 'West', but between different cinemas in the Asia Pacific. What do these trends mean for global cinema? How are co-productions and crossover films changing the nature of Hollywood and East Asian cinemas? The book includes in-depth studies of Park Chan-wook, 'Infernal Affairs', 'Seven Samurai', and 'Princess Mononoke'.

Author: Thomas Weisser
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 62

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Author: Ernest Mathijs
Publisher: Routledge
ISBN: 1317362233
Category : Performing Arts
Languages : en
Pages : 1002

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Book Description
The Routledge Companion to Cult Cinema offers an overview of the field of cult cinema – films at the margin of popular culture and art that have received exceptional cultural visibility and status mostly because they break rules, offend, and challenge understandings of achievement (some are so bad they’re good, others so good they remain inaccessible). Cult cinema is no longer only comprised of the midnight movie or the extreme genre film. Its range has widened and the issues it broaches have become battlegrounds in cultural debates that typify the first quarter of the twenty-first century. Sections are introduced with the major theoretical frameworks, philosophical inspirations, and methodologies for studying cult films, with individual chapters excavating the most salient criticism of how the field impacts cultural discourse at large. Case studies include the worst films ever; exploitation films; genre cinema; multiple media formats cult cinema is expressed through; issues of cultural, national, and gender representations; elements of the production culture of cult cinema; and, throughout, aspects of the aesthetics of cult cinema – its genre, style, look, impact, and ability to yank viewers out of their comfort zones. The Routledge Companion to Cult Cinema goes beyond the traditional scope of Anglophone and North American cinema by including case studies of East and South Asia, continental Europe, the Middle East, and Latin America, making it an innovative and important resource for researchers and students alike.

Author: Jamie Sexton
Publisher: Columbia University Press
ISBN: 0231851022
Category : Performing Arts
Languages : en
Pages : 72

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Book Description
A low-budget breakout film that wowed critics and audiences on its initial release, Stranger Than Paradise would prove to be a seminal film in the new American independent cinema movement and establish its director, Jim Jarmusch, as a hip, cult auteur. Taking inspiration from 1960s underground filmmaking, international art cinema, genre cinema, and punk culture, Jarmusch’s film provides a bridge between midnight movie features and a new mode of quirky, offbeat independent filmmaking. This book probes the film's production history, initial reception, aesthetics, and legacy in order to understand its place within the cult film canon. In examining the film's cult pedigree, it explores a number of threads that fed into the film—including New York downtown culture of the early 1980s and Jarmusch’s involvement in music—as well as reflecting on how the film's status has developed alongside Jarmusch’s subsequent output and reputation.